, United Kingdom
-
Early Theatre Vol. 25 No. 1 (2022) - Notes
New Light on Henry Lanman, Owner of the Curtain
Abstract PDF -
Early Theatre Vol. 24 No. 2 (2021) - Articles
The Name of Grim: Tracing the Character of Grim the Collier in Sixteenth- and Seventeenth-Century English Theatre
Abstract PDF -
Early Theatre Vol. 25 No. 2 (2022) - Issues in Review Essays
New Work In and Beyond Repertory at the Royal Shakespeare Company and Shakespeare’s Globe
Abstract PDF -
Early Theatre Vol. 24 No. 2 (2021) - Issues in Review Essays
Introduction. Changing Fortunes: Reviving and Revisiting The Misfortunes of Arthur
Abstract PDF -
Early Theatre Vol. 25 No. 2 (2022) - Articles
The Inconvenience of Stage Posts: Green World Locales at the Rose Theatre
Abstract PDF -
Early Theatre Vol. 24 No. 2 (2021) - Issues in Review Essays
Sourcing Misfortunes: Translation and Tragedy
Abstract PDF -
Early Theatre Vol. 24 No. 2 (2021) - Issues in Review Essays
Decoding Misfortunes: Advice to Elizabeth I and Her Subjects
Abstract PDF -
Early Theatre Vol. 24 No. 2 (2021) - Issues in Review Essays
Staging Arthur
Abstract PDF -
Early Theatre Vol. 24 No. 2 (2021) - Issues in Review Essays
Publishing Misfortunes: Recording Performance at the Inns of Court
Abstract PDF -
Early Theatre Vol. 25 No. 1 (2022) - Book Reviews
David McInnis. Shakespeare and Lost Plays: Reimagining Drama in Early Modern England. Cambridge: Cambridge University Press. 2021.
Abstract PDF -
Early Theatre Vol. 25 No. 1 (2022) - Book Reviews
Lukas Erne and Kareen Seidler, eds. Early Modern German Shakespeare: Hamlet and Romeo and Juliet: Der Bestrafte Brudermord and Romio und Julieta in Translation. The Arden Shakespeare. London and New York: Bloomsbury, 2020. Pp. 366.
Abstract PDF -
Early Theatre Vol. 25 No. 1 (2022) - Book Reviews
James M. Bromley. Clothing and Queer Style in Early Modern English Drama. Oxford: Oxford University Press, 2021. Pp 220.
Abstract PDF -
Early Theatre Vol. 25 No. 1 (2022) - Book Reviews
Mark Kaethler. Thomas Middleton and the Plural Politics of Jacobean Drama. Berlin: De Gruyter, 2021. Pp 223.
Abstract PDF -
Early Theatre Vol. 25 No. 1 (2022) - Book Reviews
Iman Sheeha. Household Servants in Early Modern Domestic Tragedy. London: Routledge, 2020. Pp 264.
Abstract PDF -
Early Theatre Vol. 25 No. 1 (2022) - Book Reviews
Amanda Eubanks Winkler. Music, Dance, and Drama in Early Modern English Schools. Cambridge: Cambridge University Press, 2020. Pp 258.
Abstract PDF -
Early Theatre Vol. 26 No. 1 (2023) - Articles
Amateur Theatre at the Early Modern Inns of Court? The Implications of a Performance Copy of Jonson’s 1640 Folio
Abstract -
Early Theatre Vol. 26 No. 2 (2023) - Articles
Performative Print: A Printing Anomaly in The Coblers Prophesie
Abstract -
Early Theatre Vol. 26 No. 1 (2023) - Book Reviews
Shelby Richardson, ed. The Witch of Edmonton by Thomas Dekker, John Ford, and William Rowley. Peterborough, ON: Broadview Press, 2021.
Abstract -
Early Theatre Vol. 26 No. 1 (2023) - Book Reviews
Domenico Lovascio. John Fletcher’s Rome: Questioning the Classics. Manchester: Manchester University Press, 2022.
Abstract -
Early Theatre Vol. 26 No. 1 (2023) - Book Reviews
Jeremy Lopez, ed. The Routledge Anthology of Early Modern Drama. London and New York: Routledge, 2020.
Abstract -
Early Theatre Vol. 26 No. 2 (2023) - Issues in Review Essays
Witches In Space: Introduction
Abstract -
Early Theatre Vol. 20 No. 1 (2017) - Notes
A Possible Extension of Henslowe's and Alleyn's Sussex Network?
Abstract PDF -
Early Theatre Vol. 18 No. 1 (2015) - Book Reviews
Bart van Es. Shakespeare in Company. Oxford: Oxford University Press, 2013. Pp xiv, 357.
Abstract PDF -
Early Theatre Vol. 18 No. 2 (2015) - Articles
An Acoustical Approach to the Study of the Wagons of the York Mystery Plays: Structure and Orientation
Abstract PDF Figure 1a Figure 1b Figure 2 Figure 3 Figure 4 Figure 5 Figure 6 Figure 7 -
Early Theatre Vol. 18 No. 2 (2015) - Articles
From Court to Playhouse and Back: Middleton's Appropriation of the Masque
Abstract PDF -
Early Theatre Vol. 18 No. 2 (2015) - Issues in Review Essays
Performing The Tragedy of Mariam and Constructing Stage History
Abstract PDF Performing The Tragedy of Mariam and Constructing Stage History -
Early Theatre Vol. 18 No. 2 (2015) - Issues in Review Essays
Daniel’s Cleopatra and Lady Anne Clifford: From a Jacobean Portrait to Modern Performance
Abstract PDF 'Lady Ralegh as Cleopatra' Charlotte Gallagher as Daniel's Cleopatra -
Early Theatre Vol. 18 No. 2 (2015) - Issues in Review Essays
Reproducing Iphigenia at Aulis
Abstract PDF -
Early Theatre Vol. 18 No. 2 (2015) - Issues in Review Essays
A Performance Studies Approach to The Tragedy of Mariam
Abstract PDF Fig.1 Sarah Vevers as Salome at St.Johns Church, Burford. Image courtesy of Jamie Smith Fig.2 Kayleigh Hawkins as Mariam at Hannah Barry Gallery, Peckham. Image courtesy of Jamie Smith -
Early Theatre Vol. 18 No. 2 (2015) - Issues in Review Essays
Introduction: Attending to Early Modern Women as Theatre Makers
Abstract PDF -
Early Theatre Vol. 19 No. 2 (2016) - Articles
Edward Greene, Goldsmith; William Marston, Apprentice; and Eastward Ho!
Abstract PDF -
Early Theatre Vol. 20 No. 2 (2017) - Articles
‘[Overhearing]’: Printing Parentheses and Reading Power in Ben Jonson’s Sejanus
Abstract PDF Figure 1 -
Early Theatre Vol. 19 No. 2 (2016) - Note
The 'Comedy of a Duke of Ferrara' in 1598
Abstract PDF Untitled -
Early Theatre Vol. 19 No. 2 (2016) - Issues in Review Essays
‘I trac’d him too and fro’: Walking the Neighbourhood on the Early Modern Stage
Abstract PDF -
Early Theatre Vol. 20 No. 1 (2017) - Articles
Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage
Abstract PDF -
Early Theatre Vol. 20 No. 1 (2017) - Review Essay
Affective Inheritances: A Review Essay
Abstract PDF -
Early Theatre Vol. 20 No. 2 (2017) - Articles
Rape, Massacre, The Lucrece Tradition, and Alarum for London
Abstract PDF -
Early Theatre Vol. 20 No. 2 (2017) - Issues in Review Essays
Introduction: Beaumont400
Abstract PDF -
Early Theatre Vol. 20 No. 2 (2017) - Issues in Review Essays
Reading Performance, Reading Gender: Early Encounters with Beaumont and Fletcher’s The Scornful Lady in Print
Abstract PDF Figures Figure 1a Figure 1b Figure 2 Figure 3a Figure 3b Table 1 Table 2 -
Early Theatre Vol. 20 No. 2 (2017) - Issues in Review Essays
‘The Grocers Honour’: or, Taking the City Seriously in The Knight of the Burning Pestle
Abstract PDF Tracey Hill: figure 1 Tracey Hill: figure 2 Tracey Hill: figure 3 Tracey Hill: figure 4 Tracey Hill: figure 5 -
Early Theatre Vol. 21 No. 1 (2018) - Articles
'[N]or bear I in this breast / So much cold spirit to be called a woman': The Queerness of Female Revenge in The Maid’s Tragedy
Abstract PDF -
Early Theatre Vol. 21 No. 1 (2018) - Articles
Putting On and Removing the Mask: Layers of Performance Pretence
Abstract PDF -
Early Theatre Vol. 21 No. 1 (2018) - Articles
‘By consent of the whole chapter’: Lincoln Cathedral’s Rewards for Touring Players and School Comedies, 1561-1593
Abstract PDF -
Early Theatre Vol. 20 No. 2 (2017) - Issues in Review Essays
Beaumont's Lives
Abstract PDF -
Early Theatre Vol. 20 No. 2 (2017) - Issues in Review Essays
The Future Francis Beaumont
Abstract PDF -
Early Theatre Vol. 21 No. 2 (2018) - Articles
Underemployed Elizabethans: Gabriel Harvey and Thomas Nashe in the Parnassus Plays
Abstract PDF -
Early Theatre Vol. 21 No. 1 (2018) - Book Reviews
Review: Robert Henke, Poverty and Charity in Early Modern Theater and Performance.
Abstract PDF -
Early Theatre Vol. 22 No. 2 (2019) - Articles
‘[M]istris Drewry,/ You do not well’: The Gossip as an Ill-Doer in A Warning for Fair Women (1599)
Abstract PDF -
Early Theatre Vol. 22 No. 1 (2019) - Articles
Thereby Hangs a Tail: Jonson’s The Devil Is an Ass and Stage Representations of Devil-Servants
Abstract PDF -
Early Theatre Vol. 22 No. 1 (2019) - Articles
The Insatiate Countess, William Barksted’s Hiren, the Fair Greek, and the Children of the King’s Revels
Abstract PDF -
Early Theatre Vol. 22 No. 2 (2019) - Articles
Building a Wall Around Tudor England: Coastal Forts and Fantasies of Border Control in Friar Bacon and Friar Bungay
Abstract PDF -
Early Theatre Vol. 23 No. 2 (2020) - Articles
‘That’s hard’: Christopher Marlowe’s Doctor Faustus and the Trauma of Reprobation
Abstract PDF -
Early Theatre Vol. 22 No. 2 (2019) - Articles
Bowling Alleys and Playhouses in London, 1560-90
Abstract PDF -
Early Theatre Vol. 22 No. 1 (2019) - Book Reviews
Jay Zysk. Shadow and Substance: Eucharistic Controversy and English Drama Across the Reformation Divide. Notre Dame: University of Notre Dame Press, 2017. Pp. xiv, 377. Paperback USD $45.00. ISBN 9780268102302.
Abstract PDF -
Early Theatre Vol. 22 No. 1 (2019) - Book Reviews
Laurence Publicover. Dramatic Geography: Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama. Oxford: Oxford University Press, 2017. Pp. xiii, 204. Hardback £50.00. ISBN: 9780198806813.
Abstract PDF -
Early Theatre Vol. 22 No. 1 (2019) - Book Reviews
Chris Fitter, ed. Shakespeare and the Politics of Commoners: Digesting the New Social History. Oxford: Oxford University Press, 2017. Pp. 264. Hardback £55.00. ISBN: 9780198806899.
Abstract PDF -
Early Theatre Vol. 22 No. 1 (2019) - Book Reviews
Margaret Jane Kidnie, ed. A Woman Killed with Kindness, by Thomas Heywood. London: Bloomsbury, 2017. Pp xviii, 301. Paperback £14.99. ISBN: 9781904271581
Abstract PDF -
Early Theatre Vol. 22 No. 1 (2019) - Book Reviews
Jeanne H. McCarthy. The Children’s Troupes and the Transformation of English Theater 1509-1608: Pedagogue Playwrights, Playbooks, and Play-boys. Abingdon: Routledge, 2017. Pp xxiv, 251. Hardback £115.00. ISBN: 9781472487797.
Abstract PDF -
Early Theatre Vol. 22 No. 1 (2019) - Book Reviews
Lauren Shohet, ed. Temporality, Genre and Experience in The Age of Shakespeare: Forms of Time. London: Bloomsbury. 2018. Pp 344. Hardback £75.00. ISBN: 9781350017290.
Abstract PDF -
Early Theatre Vol. 22 No. 1 (2019) - Book Reviews
Tanya Pollard. Greek Tragic Women on Shakespearean Stages. Oxford: Oxford University Press, 2017. Pp. 331. Hardback £60.00. ISBN: 9780198793113.
Abstract PDF -
Early Theatre Vol. 22 No. 2 (2019) - Issues in Review Essays
Introduction: Disability in Early Modern Theatre
Abstract PDF -
Early Theatre Vol. 22 No. 2 (2019) - Review Essay
What is Commedia dell’Arte Today? A Review Essay
Abstract PDF -
Early Theatre Vol. 23 No. 1 (2020) - Special Issue
Living by Others’ Pleasure: Marston, The Dutch Courtesan, and Theatrical Profit
Abstract PDF -
Early Theatre Vol. 23 No. 1 (2020) - Special Issue
The Oxford Marston and The Dutch Courtesan
Abstract PDF -
Early Theatre Vol. 23 No. 1 (2020) - Special Issue
The Dutch Courtesan and 'The Soul of Lively Action'
Abstract PDF -
Early Theatre Vol. 24 No. 1 (2021) - Articles
Shakespeare’s Statuary Women and the Indoor Theatre’s Discovery Space
Abstract PDF -
Early Theatre Vol. 23 No. 1 (2020) - Book Reviews
Tamara Atkin and Laura Estill, eds. Early British Drama in Manuscript. Turnhout: Brepols, 2019. British Manuscripts 1. Pp. xvi, 376.
Abstract PDF -
Early Theatre Vol. 23 No. 1 (2020) - Book Reviews
A.D. Cousins and Daniel Derrin, eds. Shakespeare and the Soliloquy in Early Modern English Drama. Cambridge: Cambridge University Press, 2018. Pp. 278.
Abstract PDF -
Early Theatre Vol. 23 No. 2 (2020) - Issues in Review Essays
'Players' in Context
Abstract PDF -
Early Theatre Vol. 23 No. 2 (2020) - Issues in Review Essays
Perambulation and Performance in Early Modern Festive Culture
Abstract PDF -
Early Theatre Vol. 23 No. 2 (2020) - Issues in Review Essays
Performing Early Modern Libel
Abstract PDF -
Early Theatre Vol. 23 No. 2 (2020) - Issues in Review Essays
Afterword
Abstract PDF -
Early Theatre Vol. 23 No. 2 (2020) - Issues in Review Essays
Shows of Joy and Malice
Abstract PDF -
Early Theatre Vol. 23 No. 2 (2020) - Issues in Review Essays
Introduction: Rethinking Performance in Early Modern England
Abstract PDF -
Early Theatre Vol. 24 No. 2 (2021) - Articles
‘M[aster] Monkesters schollars’: Richard Mulcaster, Physical Education, and the Early Modern Boy Companies
Abstract PDF -
Early Theatre Vol. 24 No. 1 (2021) - Book Reviews
Emma Whipday. Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home. Cambridge: Cambridge University Press, 2019. Pp 262.
Abstract PDF -
Early Theatre Vol. 24 No. 1 (2021) - Book Reviews
David Gunby, David Carnegie, and MacDonald P. Jackson, eds. The Works of John Webster, Vol. IV. Cambridge: Cambridge University Press, 2019. Pp 642.
Abstract PDF -
Early Theatre Vol. 24 No. 1 (2021) - Book Reviews
Kirk Melnikoff and Roslyn Knutson eds. Christopher Marlowe, Theatrical Commerce, and the Book Trade. Cambridge: Cambridge University Press, 2018. Pp 313.
Abstract PDF -
Early Theatre Vol. 24 No. 1 (2021) - Book Reviews
Lucy Munro. Shakespeare in the Theatre: The King’s Men. London: Bloomsbury, 2020. Pp 239.
Abstract PDF -
Early Theatre Vol. 24 No. 1 (2021) - Book Reviews
Fabien Cavaillé, ed. and Richard Hillman, ed. and trans. Coriolan by Alexandre Hardy. Tours: Presses Universitaires François-Rabelais, 2019. Pp 180.
Abstract PDF -
Early Theatre Vol. 24 No. 1 (2021) - Book Reviews
David McInnis ed. Old Fortunatus by Thomas Dekker. Manchester: Manchester University Press, The Revels Plays, 2020. Pp 253.
Abstract PDF -
Early Theatre Vol. 19 No. 1 (2016) - Editorial
Editorial
Abstract PDF