The Inconvenience of Stage Posts: Green World Locales at the Rose Theatre
DOI:
https://doi.org/10.12745/et.25.2.4848Keywords:
green world, scenography, Rose Theatre, stage postsAbstract
A long-running debate surrounds the staging of ‘green worlds’ in early modern drama, with some commentators envisioning a bare stage while others believe that performances utilized multiple properties. One area of contention concerns the extent to which theatres used stage posts to represent trees. This article considers four plays (by Shakespeare, Munday, and Porter) performed at the Rose Theatre in the period 1594-8 and makes a case for the employment of various properties in forest scenes. Reference to the playhouse’s architecture after it was renovated in 1592, in particular the location of its stage posts, underpins the argument.
Downloads
Published
Issue
Section
License
Contributors to Early Theatre retain full copyright to their content. All published authors are required to grant a limited exclusive license to the journal. According to the terms of this license, authors agree that for one year following publication in Early Theatre, they will not publish their submission elsewhere in the same form, in any language, without the consent of the journal, and without acknowledgment of its initial publication in the journal thereafter.