Skip to main content Skip to main navigation menu Skip to site footer
Early Theatre
  • Home
  • About
    • About the Journal
    • Editorial Team
    • Green Open Access Policy
    • Subscriptions
    • Contact
  • Guidelines
    • Submission Guidelines: Authors
    • Guidelines and Principles: Book Reviewers
    • Guidelines and Principles: Peer Reviewers
    • Guidelines: Issues in Review
    • Guidelines: Guest Editors for Special Volumes
  • Content
    • Current
    • Archives
    • Search
  • News
    • Essay Prizes
    • Announcements
Search
  • Register
  • Login
  1. Home /
  2. Archives /
  3. Vol. 25 No. 2 (2022)

Vol. 25 No. 2 (2022)

DOI: https://doi.org/10.12745/et.25.2
Published: 2022-12-13

Editorial

  • Editorial

    Melinda J. Gough, Erin E. Kelly
    • PDF

Articles

  • ‘Pretie conveyance’: Jack Juggler and the Idea of Play

    Agnes Matuska
    • PDF
  • The Inconvenience of Stage Posts: Green World Locales at the Rose Theatre

    Adrian Blamires
    • PDF
  • ‘Riddling Shrift': Confession, Speech, and Power in Romeo and Juliet and ‘Tis Pity She’s a Whore

    Jane Wanninger
    • PDF
  • Envy, Leanness, and Shakespeare’s Julius Caesar

    Bradley Irish
    • PDF

Note

  • Alcaics on Restoration Actresses by the Cambridge Classical Scholar James Duport

    Thomas Matthew Vozar
    • PDF

Review Essays

  • Premodern Critical Race Studies and the Question of History

    Vanessa I. Corredera
    • PDF

Issues in Review Essays

  • Introduction: Repertory, Dramaturgy, and Embodiment

    Elizabeth Tavares, Laurie Johnson
    • PDF
  • 'You shall see me do the Moor': The Blackfriars Children and the Performance of Race in Poetaster

    Emily MacLeod
    • PDF
  • Birth of a Tragedy Queen: Richard Robinson and the Repertory of the King's Men, 1610-11

    Roberta Barker
    • PDF
  • Artist Development and Collective Therapy in the Repertory: The Case of After Edward

    Peter Kirwan
    • PDF
  • New Work In and Beyond Repertory at the Royal Shakespeare Company and Shakespeare’s Globe

    Catriona Fallow
    • PDF

Make a Submission

Make a Submission

Current Issue

  • Atom logo
  • RSS2 logo
  • RSS1 logo

whypublishwithet

Why publish with us?

Efficient, Personalized, Professional Service: Our policy is to report expeditiously on submissions – generally within 4 months. We use a standardized, independent, double-anonymous peer-review process.

Global Readership: Early Theatre is available internationally through Project Muse, JStor, EBSCO, and Érudit. Through our adoption of the DOI citation system, Early Theatre ensures persistent, reliable links that help direct greater online traffic to your research.

Green Open Access: Each author receive a digital copy of their finalized article for self-archiving to a repository where it can be immediately accessed, freely, by readers around the world. Our open access policy aligns with UK Research Excellence Framework recommendations as well as Canadian TriCouncil requirements.

What our contributors say:

“Early Theatre has such an efficient, professional, and courteous editorial and production team—this has been a very positive experience!” – Misha Teramura, University of Toronto

“Journals like @early_theatre prove that it is indeed possible to nurture and respect the work of scholars of all stripes, to find expert and humane reviewers, and to stick to reasonable time frames." - Harry R. McCarthy, Jesus College, Cambridge University

 

Early Theatre (Online)
ISSN 2293-7609

Early Theatre is published by McMaster University Library Press and Becker Associates.

More information about the publishing system, Platform and Workflow by OJS/PKP.