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Vol. 20 No. 1 (2017)
Vol. 20 No. 1 (2017)
DOI:
https://doi.org/10.12745/et.20.1
Published:
2017-07-04
Editorial
Editorial
Helen Ostovich, Melinda J. Gough, Erin E. Kelly, Sarah E. Johnson
PDF
Articles
Leicester’s Men and the Lost
Telomo
of 1583
Domenico Lovascio
PDF
‘Sick interpreters’: Criticizing Historical Adaptations of Cardinal Wolsey in Shakespeare’s
Henry VIII
Nadia Thérèse Van Pelt
PDF
Reading the Royal Entry (1604) in/as Print
Heather C. Easterling
PDF
Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage
Morwenna Carr
PDF
The Vow Breaker
and William Sampson’s Role in ‘the Anne Willoughby Affair’
Emanuel Stelzer
PDF
Notes
Trumpeters from China in Bristol in 1577?
Matteo Pangallo
PDF
A Possible Extension of Henslowe's and Alleyn's Sussex Network?
Paul Quinn
PDF
Review Essay
Affective Inheritances: A Review Essay
Lesel Dawson, Eric Langley
PDF
Book Reviews
Nicole R. Rice and Margaret Aziza Pappano.
The Civic Cycles: Artisan Drama and Identity
. Notre Dame, IN: Notre Dame University Press, 2015. Pp 360.
Alexandra F. Johnston
PDF
Elizabeth Zeman Kolkovich.
The Elizabethan Country House Entertainment: Print, Performance, and Gender
. Cambridge: Cambridge University Press, 2016. Pp 256.
Wendy Wall
PDF
Nicoleta Cinpoeş (ed.).
Doing Kyd: Essays on The Spanish Tragedy
. Manchester: Manchester University Press, 2016. Pp 240.
Marianne Montgomery
PDF
W. R. Streitberger.
The Masters of the Revels and Elizabeth I’s Court Theatre
. Oxford: Oxford University Press, 2016. Pp xv, 319.
Curtis Perry
PDF
Allison P. Hobgood.
Passionate Playgoing in Early Modern England
. Cambridge: Cambridge University Press, 2014. Pp x, 236.
Katharine Goodland
PDF
Eoin Price.
'Public' and 'Private' Playhouses in Renaissance England: The Politics of Publication
. London: Palgrave Macmillan, 2015. Pp x, 95.
Holger Schott Syme
PDF
Jerry Brotton.
This Orient Isle: Elizabethan England and the Islamic World
. London: Allen Lane, 2016. Pp xv, 358.
Richard Allen Cave
PDF
Gwilym Jones.
Shakespeare’s Storms
. Manchester: Manchester University Press, 2015. Pp xi, 198.
Edward J. Geisweidt
PDF
Farah Karim-Cooper.
The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment
. London: Bloomsbury, 2016. Pp 309.
Miranda Fay Thomas
PDF
David Crystal.
The Oxford Dictionary of Original Shakespearean Pronunciation
. Oxford: Oxford University Press, 2016. Pp 704.
Sarah Grandage
PDF
Simone Chess.
Male-to-Female Crossdressing in Early Modern English Literature: Gender, Performance, and Queer Relations
. New York: Routledge, 2016. Pp xi, 196.
Jennifer Panek
PDF
Rebecca Yearling.
Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience
. Basingstoke: Palgrave, 2016. Pp 223.
José A Pérez Díez
PDF
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