Vol. 20 No. 1 (2017)

DOI: https://doi.org/10.12745/et.20.1

Published: 2017-07-04

Editorial

Editorial

Helen Ostovich, Melinda J. Gough, Erin E. Kelly, Sarah E. Johnson
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Articles

Leicester’s Men and the Lost Telomo of 1583

Domenico Lovascio
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‘Sick interpreters’: Criticizing Historical Adaptations of Cardinal Wolsey in Shakespeare’s Henry VIII

Nadia Thérèse Van Pelt
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Reading the Royal Entry (1604) in/as Print

Heather C. Easterling
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Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage

Morwenna Carr
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The Vow Breaker and William Sampson’s Role in ‘the Anne Willoughby Affair’

Emanuel Stelzer
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Notes

Trumpeters from China in Bristol in 1577?

Matteo Pangallo
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A Possible Extension of Henslowe's and Alleyn's Sussex Network?

Paul Quinn
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Review Essay

Affective Inheritances: A Review Essay

Lesel Dawson, Eric Langley
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Book Reviews

Nicole R. Rice and Margaret Aziza Pappano. The Civic Cycles: Artisan Drama and Identity. Notre Dame, IN: Notre Dame University Press, 2015. Pp 360.

Alexandra F. Johnston
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Elizabeth Zeman Kolkovich. The Elizabethan Country House Entertainment: Print, Performance, and Gender. Cambridge: Cambridge University Press, 2016. Pp 256.

Wendy Wall
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Nicoleta Cinpoeş (ed.). Doing Kyd: Essays on The Spanish Tragedy. Manchester: Manchester University Press, 2016. Pp 240.

Marianne Montgomery
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W. R. Streitberger. The Masters of the Revels and Elizabeth I’s Court Theatre. Oxford: Oxford University Press, 2016. Pp xv, 319.

Curtis Perry
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Allison P. Hobgood. Passionate Playgoing in Early Modern England. Cambridge: Cambridge University Press, 2014. Pp x, 236.

Katharine Goodland
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Eoin Price. 'Public' and 'Private' Playhouses in Renaissance England: The Politics of Publication. London: Palgrave Macmillan, 2015. Pp x, 95.

Holger Schott Syme
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Jerry Brotton. This Orient Isle: Elizabethan England and the Islamic World. London: Allen Lane, 2016. Pp xv, 358.

Richard Allen Cave
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Gwilym Jones. Shakespeare’s Storms. Manchester: Manchester University Press, 2015. Pp xi, 198.

Edward J. Geisweidt
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Farah Karim-Cooper. The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment. London: Bloomsbury, 2016. Pp 309.

Miranda Fay Thomas
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David Crystal. The Oxford Dictionary of Original Shakespearean Pronunciation. Oxford: Oxford University Press, 2016. Pp 704.

Sarah Grandage
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Simone Chess. Male-to-Female Crossdressing in Early Modern English Literature: Gender, Performance, and Queer Relations. New York: Routledge, 2016. Pp xi, 196.

Jennifer Panek
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Rebecca Yearling. Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience. Basingstoke: Palgrave, 2016. Pp 223.

José A Pérez Díez
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Vol. 20 No. 1 (2017)

Editorial

Editorial

Articles

Leicester’s Men and the Lost Telomo of 1583

‘Sick interpreters’: Criticizing Historical Adaptations of Cardinal Wolsey in Shakespeare’s Henry VIII

Reading the Royal Entry (1604) in/as Print

Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage

The Vow Breaker and William Sampson’s Role in ‘the Anne Willoughby Affair’

Notes

Trumpeters from China in Bristol in 1577?

A Possible Extension of Henslowe's and Alleyn's Sussex Network?

Review Essay

Affective Inheritances: A Review Essay

Book Reviews

Nicole R. Rice and Margaret Aziza Pappano. The Civic Cycles: Artisan Drama and Identity. Notre Dame, IN: Notre Dame University Press, 2015. Pp 360.

Elizabeth Zeman Kolkovich. The Elizabethan Country House Entertainment: Print, Performance, and Gender. Cambridge: Cambridge University Press, 2016. Pp 256.

Nicoleta Cinpoeş (ed.). Doing Kyd: Essays on The Spanish Tragedy. Manchester: Manchester University Press, 2016. Pp 240.

W. R. Streitberger. The Masters of the Revels and Elizabeth I’s Court Theatre. Oxford: Oxford University Press, 2016. Pp xv, 319.

Allison P. Hobgood. Passionate Playgoing in Early Modern England. Cambridge: Cambridge University Press, 2014. Pp x, 236.

Eoin Price. 'Public' and 'Private' Playhouses in Renaissance England: The Politics of Publication. London: Palgrave Macmillan, 2015. Pp x, 95.

Jerry Brotton. This Orient Isle: Elizabethan England and the Islamic World. London: Allen Lane, 2016. Pp xv, 358.

Gwilym Jones. Shakespeare’s Storms. Manchester: Manchester University Press, 2015. Pp xi, 198.

Farah Karim-Cooper. The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment. London: Bloomsbury, 2016. Pp 309.

David Crystal. The Oxford Dictionary of Original Shakespearean Pronunciation. Oxford: Oxford University Press, 2016. Pp 704.

Simone Chess. Male-to-Female Crossdressing in Early Modern English Literature: Gender, Performance, and Queer Relations. New York: Routledge, 2016. Pp xi, 196.

Rebecca Yearling. Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience. Basingstoke: Palgrave, 2016. Pp 223.

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