Vol. 20, No. 1 (2017)

DOI: https://doi.org/10.12745/et.20.1

Table of Contents

Editorial

Editorial
Helen Ostovich, Melinda J. Gough, Erin E. Kelly, Sarah E. Johnson

Articles

Leicester’s Men and the Lost Telomo of 1583
Domenico Lovascio
‘Sick interpreters’: Criticizing Historical Adaptations of Cardinal Wolsey in Shakespeare’s Henry VIII
Nadia Thérèse Van Pelt
Reading the Royal Entry (1604) in/as Print
Heather C. Easterling
Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage
Morwenna Carr
The Vow Breaker and William Sampson’s Role in ‘the Anne Willoughby Affair’
Emanuel Stelzer

Notes

Trumpeters from China in Bristol in 1577?
Matteo Pangallo
A Possible Extension of Henslowe's and Alleyn's Sussex Network?
Paul Quinn

Review Essay

Affective Inheritances: A Review Essay
Lesel Dawson, Eric Langley

Book Reviews

Nicole R. Rice and Margaret Aziza Pappano. The Civic Cycles: Artisan Drama and Identity. Notre Dame, IN: Notre Dame University Press, 2015. Pp 360.
Alexandra F. Johnston
Elizabeth Zeman Kolkovich. The Elizabethan Country House Entertainment: Print, Performance, and Gender. Cambridge: Cambridge University Press, 2016. Pp 256.
Wendy Wall
Nicoleta Cinpoeş (ed.). Doing Kyd: Essays on The Spanish Tragedy. Manchester: Manchester University Press, 2016. Pp 240.
Marianne Montgomery
W. R. Streitberger. The Masters of the Revels and Elizabeth I’s Court Theatre. Oxford: Oxford University Press, 2016. Pp xv, 319.
Curtis Perry
Allison P. Hobgood. Passionate Playgoing in Early Modern England. Cambridge: Cambridge University Press, 2014. Pp x, 236.
Katharine Goodland
Eoin Price. 'Public' and 'Private' Playhouses in Renaissance England: The Politics of Publication. London: Palgrave Macmillan, 2015. Pp x, 95.
Holger Schott Syme
Jerry Brotton. This Orient Isle: Elizabethan England and the Islamic World. London: Allen Lane, 2016. Pp xv, 358.
Richard Allen Cave
Gwilym Jones. Shakespeare’s Storms. Manchester: Manchester University Press, 2015. Pp xi, 198.
Edward J. Geisweidt
Farah Karim-Cooper. The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment. London: Bloomsbury, 2016. Pp 309.
Miranda Fay Thomas
David Crystal. The Oxford Dictionary of Original Shakespearean Pronunciation. Oxford: Oxford University Press, 2016. Pp 704.
Sarah Grandage
Simone Chess. Male-to-Female Crossdressing in Early Modern English Literature: Gender, Performance, and Queer Relations. New York: Routledge, 2016. Pp xi, 196.
Jennifer Panek
Rebecca Yearling. Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience. Basingstoke: Palgrave, 2016. Pp 223.
José A Pérez Díez