Vol. 19 No. 1 (2016)

DOI: https://doi.org/10.12745/et.19.1

Published: 2016-06-10

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Editorial

Editorial

Helen M. Ostovich, Melinda J. Gough, Erin E. Kelly, Peter Kirwan
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Articles

A History of ‘The Mysteries’

Emma Maggie Solberg
- PDF
Jewish Questions in The Three Ladies of London

Brett D. Hirsch
- PDF
Talbot's Death as Passion Play in Shakespeare's 1 Henry VI

John A. Warrick
- PDF
‘A Mad-Cap Ruffian and a Swearing Jack’: Braggart Courtship from Miles Gloriosus to The Taming of the Shrew

Philip D. Collington
- PDF
Youth and Privacy in Romeo and Juliet

Rachel Prusko
- PDF

Note

The Peaceable King, or the Lord Mendall: A Lost Jack Cade Play and its 1623 Revival

David Nicol
- PDF

Book Reviews

Philip Butterworth. Staging Conventions in Medieval English Theatre. Cambridge: Cambridge University Press, 2014. Pp 272.

Tamara Haddad
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Anne Lancashire and David J. Parkinson (eds). Civic London to 1558. 3 vols. Cambridge: Records of Early English Drama/D.S. Brewer, 2015. Pp 1795.

Tracey Hill
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Richard Preiss. Clowning and Authorship in Early Modern Theatre. Cambridge: Cambridge University Press, 2014. Pp x, 287.

John H. Astington
- PDF
David McInnis and Matthew Steggle (eds). Lost Plays in Shakespeare’s England. London: Palgrave MacMillan, 2014. Pp 295.

Todd Andrew Borlik
- PDF
Charlotte Scott. Shakespeare’s Nature: From Cultivation to Culture. Oxford: Oxford University Press, 2014. Pp 257.

Sarah O'Malley
- PDF
Deanne Williams. Shakespeare and the Performance of Girlhood. New York: Palgrave Macmillan, 2014. Pp xi, 277.

M. Tyler Sasser
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James Knowles. Politics and Political Culture in the Court Masque. Basingstoke: Palgrave Macmillan, 2015. Pp vii, 288.

Richard Allen Cave
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Heather Hirschfeld. The End of Satisfaction: Drama and Repentance in the Age of Shakespeare. Ithaca, NY: Cornell University Press, 2014. Pp 239.

Kenneth J.E. Graham
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Laura Estill. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays. Lanham: University of Delaware Press, 2015. Pp xxviii, 254.

Douglas Bruster
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Lisa Hopkins. Renaissance Drama on the Edge. Farnham: Ashgate, 2015. Pp ii, 191.

Eoin Price
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Thomas L. Berger and Sonia Massai (eds), with Tania Demetriou. Paratexts in English Printed Drama to 1642. 2 vols. Cambridge: Cambridge University Press, 2014. Pp xx, 614 (vol. 1); x, 430 (vol. 2).

Helen Smith
- PDF

Vol. 19 No. 1 (2016)

Full Issue

Editorial

Editorial

Articles

A History of ‘The Mysteries’

Jewish Questions in The Three Ladies of London

Talbot's Death as Passion Play in Shakespeare's 1 Henry VI

‘A Mad-Cap Ruffian and a Swearing Jack’: Braggart Courtship from Miles Gloriosus to The Taming of the Shrew

Youth and Privacy in Romeo and Juliet

Note

The Peaceable King, or the Lord Mendall: A Lost Jack Cade Play and its 1623 Revival

Book Reviews

Philip Butterworth. Staging Conventions in Medieval English Theatre. Cambridge: Cambridge University Press, 2014. Pp 272.

Anne Lancashire and David J. Parkinson (eds). Civic London to 1558. 3 vols. Cambridge: Records of Early English Drama/D.S. Brewer, 2015. Pp 1795.

Richard Preiss. Clowning and Authorship in Early Modern Theatre. Cambridge: Cambridge University Press, 2014. Pp x, 287.

David McInnis and Matthew Steggle (eds). Lost Plays in Shakespeare’s England. London: Palgrave MacMillan, 2014. Pp 295.

Charlotte Scott. Shakespeare’s Nature: From Cultivation to Culture. Oxford: Oxford University Press, 2014. Pp 257.

Deanne Williams. Shakespeare and the Performance of Girlhood. New York: Palgrave Macmillan, 2014. Pp xi, 277.

James Knowles. Politics and Political Culture in the Court Masque. Basingstoke: Palgrave Macmillan, 2015. Pp vii, 288.

Heather Hirschfeld. The End of Satisfaction: Drama and Repentance in the Age of Shakespeare. Ithaca, NY: Cornell University Press, 2014. Pp 239.

Laura Estill. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays. Lanham: University of Delaware Press, 2015. Pp xxviii, 254.

Lisa Hopkins. Renaissance Drama on the Edge. Farnham: Ashgate, 2015. Pp ii, 191.

Thomas L. Berger and Sonia Massai (eds), with Tania Demetriou. Paratexts in English Printed Drama to 1642. 2 vols. Cambridge: Cambridge University Press, 2014. Pp xx, 614 (vol. 1); x, 430 (vol. 2).

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