Vol. 18 No. 2 (2015)

DOI: https://doi.org/10.12745/et.18.2

Published: 2015-12-31

Full Issue

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Editorial

Editorial

Helen M. Ostovich, Melinda J. Gough, Erin E. Kelly, Sarah E. Johnson
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Articles

An Acoustical Approach to the Study of the Wagons of the York Mystery Plays: Structure and Orientation

Mariana Lopez
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‘Here may we se a merveyl one’: Miracles and the Psalter in the N-Town ‘Marriage of Mary and Joseph’

Frank M Napolitano
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From Court to Playhouse and Back: Middleton's Appropriation of the Masque

Caroline Baird
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‘I will keep and character that name’: Dramatis Personae Lists in Early Modern Manuscript Plays

Matteo A. Pangallo
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Note

‘We have this day, expell’d our Men the Stage’: Dating the Prologue and Epilogue of The Parson’s Wedding

Riki Miyoshi
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Issues in Review Essays

Introduction: Attending to Early Modern Women as Theatre Makers

Elizabeth Schafer
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Reproducing Iphigenia at Aulis

Alison G. Findlay
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Performing The Tragedy of Mariam and Constructing Stage History

Ramona Wray
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Daniel’s Cleopatra and Lady Anne Clifford: From a Jacobean Portrait to Modern Performance

Yasmin Arshad, Helen Hackett, Emma Whipday
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A Performance Studies Approach to The Tragedy of Mariam

Rebecca McCutcheon
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