Vol. 23 No. 2 (2020)

DOI: https://doi.org/10.12745/et.23.2

Published: 2021-02-18

Editorial

Editorial

Erin E. Kelly, Melinda J. Gough
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Articles

‘That’s hard’: Christopher Marlowe’s Doctor Faustus and the Trauma of Reprobation

Mark James Richard Scott
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Music, Community, and Middleton's Anti-Masque in The Witch

Andrew Loeb
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‘Marston wrote his father-in-law’s preachings, and his father-in-law his comedies’: Of Obedience, or Ecclesiastical Unity and the Dating of The Malcontent

Richard Dutton
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Narratives of Value in Richard Brome’s Dispute with the Salisbury Court

Bradley Ryner
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Notes

‘Noe Place to Talk In’: Two More Brawling Playgoers and the 1626 Attempt to Close the Blackfriars Playhouse

Matteo Pangallo
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The Personation of John Suckling, 1635

James Doelman
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Issues in Review Essays

Introduction: Rethinking Performance in Early Modern England Sources, Contexts, and Forms

Emily Mayne
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'Players' in Context Determining Performance in Medieval Accountancy Records

Mark Chambers
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Perambulation and Performance in Early Modern Festive Culture

Matthew Woodcock
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Performing Early Modern Libel Expanding the Boundaries of Performance

Clare Egan
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Shows of Joy and Malice Performance, the Star Chamber, and the Celebration of James I’s Coronation in Norwich in 1603

Emily Mayne
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Afterword

John J. McGavin
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