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Vol. 23 No. 2 (2020)
Vol. 23 No. 2 (2020)
DOI:
https://doi.org/10.12745/et.23.2
Published:
2021-02-18
Editorial
Editorial
Erin E. Kelly, Melinda J. Gough
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Articles
‘That’s hard’: Christopher Marlowe’s Doctor Faustus and the Trauma of Reprobation
Mark James Richard Scott
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Music, Community, and Middleton's Anti-Masque in The Witch
Andrew Loeb
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‘Marston wrote his father-in-law’s preachings, and his father-in-law his comedies’: Of Obedience, or Ecclesiastical Unity and the Dating of The Malcontent
Richard Dutton
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Narratives of Value in Richard Brome’s Dispute with the Salisbury Court
Bradley Ryner
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Notes
‘Noe Place to Talk In’: Two More Brawling Playgoers and the 1626 Attempt to Close the Blackfriars Playhouse
Matteo Pangallo
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The Personation of John Suckling, 1635
James Doelman
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Issues in Review Essays
Introduction: Rethinking Performance in Early Modern England
Sources, Contexts, and Forms
Emily Mayne
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'Players' in Context
Determining Performance in Medieval Accountancy Records
Mark Chambers
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Perambulation and Performance in Early Modern Festive Culture
Matthew Woodcock
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Performing Early Modern Libel
Expanding the Boundaries of Performance
Clare Egan
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Shows of Joy and Malice
Performance, the Star Chamber, and the Celebration of James I’s Coronation in Norwich in 1603
Emily Mayne
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Afterword
John J. McGavin
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