Vol. 19 No. 2 (2016)

DOI: https://doi.org/10.12745/et.19.2

Published: 2016-12-21

Editorial

Editorial

Erin Kelly, Melinda Gough, Helen Ostovich
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Articles

Night of the Living Bread: Unstable Signs in Chester's 'Antichrist'

Cameron Hunt McNabb
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Beds on the Early Modern Stage

Leslie Thomson
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Aaron’s Roots: Spaniards, Englishmen, and Blackamoors in Titus Andronicus

Noémie Ndiaye
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Edward Greene, Goldsmith; William Marston, Apprentice; and Eastward Ho!

Charles Cathcart
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Sung Silence: Complicity, Dramaturgy, and Song in Heywood’s Rape of Lucrece

Andrew Bretz
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Saints' Lives and Shoemakers' Holidays: The Gentle Craft and the Wells Cordwainers' Pageant of 1613

Gina M. Di Salvo
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Note

The 'Comedy of a Duke of Ferrara' in 1598

Matthew Steggle
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Issues in Review Essays

Introduction: Exploring Neighbourhoods

Christopher Highley
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‘An Honest Pair of Oars’: Players, Watermen, and A Chaste Maid in Cheapside

Christi Spain-Savage
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‘Our Children Made Enterluders’: Choristers, Actors, and Students in St Paul’s Cathedral Precinct

Roze F. Hentschell
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‘I trac’d him too and fro’: Walking the Neighbourhood on the Early Modern Stage

Rebecca Tomlin
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