Hornpipes and Disordered Dancing in <em>The Late Lancashire Witches</em>: A Reel Crux?
DOI:
https://doi.org/10.12745/et.16.1.8Keywords:
The Late Lancashire Witches, dancing, dance, reel, hornpipe, crux, Heywood, Brome, witchcraft,Abstract
This note considers a potential crux on the word 'reel' in Thomas Heywood and Richard Brome's The Late Lancashire Witches (1634), as referring to the country dance of the same name as well as a whirling or rolling motion. Contemporary references to witches' dancing alongside the dancing of reels and hornpipes are discussed, and previous editorial treatment of the play is considered alongside that of Shakespeare.
Downloads
Published
Issue
Section
License
Contributors to Early Theatre retain full copyright to their content. All published authors are required to grant a limited exclusive license to the journal. According to the terms of this license, authors agree that for one year following publication in Early Theatre, they will not publish their submission elsewhere in the same form, in any language, without the consent of the journal, and without acknowledgment of its initial publication in the journal thereafter.