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Early Theatre: A Journal Associated with the Records of Early English Drama
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  1. Home /
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  3. Vol. 16 No. 2 (2013)

Vol. 16 No. 2 (2013)

DOI: https://doi.org/10.12745/et.16.2
Published: 2013-11-02

Editorial

  • Editorial

    Helen M. Ostovich, Melinda J. Gough, Erin E. Kelly, Sarah E. Johnson
    • PDF

Articles

  • Procula’s Civic Body and Pilate’s Masculinity Crisis in the York Cycle’s ‘Christ Before Pilate 1: The Dream of Pilate’s Wife’

    Kimberly Fonzo
    • PDF
  • Aural Space, Sonorous Presence, and the Performance of Christian Community in the Chester Shepherds Play

    Andrew J. Albin
    • PDF
  • Advertising Status and Legitimacy: or, Why Did Henry VIII's Queens and Children Patronize Travelling Performers?

    James H. Forse
    • PDF
  • Theatre and/as Witchcraft: A Reading of The Late Lancashire Witches (1634)

    Charlotte A. Coffin
    • PDF
  • 'Wanton Females of All Sorts': Spectatorship in The Antipodes

    Nova Myhill
    • PDF

Notes

  • ‘For now hath time made me his numbering clock’: Shakespeare’s Jacquemarts

    Wendy Beth Hyman
    • PDF
  • Cupid’s Grand Polititian (1657)

    David McInnis
    • PDF

Issues in Review Essays

  • Introduction: Why Attend to Earlier Tudor Drama?

    Erin E. Kelly
    • PDF
  • John Rastell’s London Stage: Reconstructing Repertory and Collaborative Practice

    Maura Giles-Watson
    • PDF
  • Ecocritical Heywood and The Play of the Weather

    Jennifer L. Ailles
    • PDF
  • New Contexts for Early Tudor Plays: William Briton, an Early Reader of Gorboduc

    Laura Estill
    • PDF
  • 'To see the Playes of Theatre newe wrought': Electronic Editions and Early Tudor Drama

    Brett D. Hirsch
    • PDF

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Early Theatre (Online)
ISSN 2293-7609

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