Vol. 16 No. 2 (2013)

DOI: https://doi.org/10.12745/et.16.2

Published: 2013-11-02

Editorial

Editorial

Helen M. Ostovich, Melinda J. Gough, Erin E. Kelly, Sarah E. Johnson
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Articles

Procula’s Civic Body and Pilate’s Masculinity Crisis in the York Cycle’s ‘Christ Before Pilate 1: The Dream of Pilate’s Wife’

Kimberly Fonzo
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Aural Space, Sonorous Presence, and the Performance of Christian Community in the Chester Shepherds Play

Andrew J. Albin
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Advertising Status and Legitimacy: or, Why Did Henry VIII's Queens and Children Patronize Travelling Performers?

James H. Forse
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Theatre and/as Witchcraft: A Reading of The Late Lancashire Witches (1634)

Charlotte A. Coffin
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'Wanton Females of All Sorts': Spectatorship in The Antipodes

Nova Myhill
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Notes

‘For now hath time made me his numbering clock’: Shakespeare’s Jacquemarts

Wendy Beth Hyman
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Cupid’s Grand Polititian (1657)

David McInnis
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Issues in Review Essays

Introduction: Why Attend to Earlier Tudor Drama?

Erin E. Kelly
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John Rastell’s London Stage: Reconstructing Repertory and Collaborative Practice

Maura Giles-Watson
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Ecocritical Heywood and The Play of the Weather

Jennifer L. Ailles
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New Contexts for Early Tudor Plays: William Briton, an Early Reader of Gorboduc

Laura Estill
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'To see the Playes of Theatre newe wrought': Electronic Editions and Early Tudor Drama

Brett D. Hirsch
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