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Vol. 16 No. 2 (2013)
Vol. 16 No. 2 (2013)
DOI:
https://doi.org/10.12745/et.16.2
Published:
2013-11-02
Editorial
Editorial
Helen M. Ostovich, Melinda J. Gough, Erin E. Kelly, Sarah E. Johnson
PDF
Articles
Procula’s Civic Body and Pilate’s Masculinity Crisis in the York Cycle’s ‘Christ Before Pilate 1: The Dream of Pilate’s Wife’
Kimberly Fonzo
PDF
Aural Space, Sonorous Presence, and the Performance of Christian Community in the Chester Shepherds Play
Andrew J. Albin
PDF
Advertising Status and Legitimacy: or, Why Did Henry VIII's Queens and Children Patronize Travelling Performers?
James H. Forse
PDF
Theatre and/as Witchcraft: A Reading of
The Late Lancashire Witches
(1634)
Charlotte A. Coffin
PDF
'Wanton Females of All Sorts': Spectatorship in
The Antipodes
Nova Myhill
PDF
Notes
‘For now hath time made me his numbering clock’: Shakespeare’s Jacquemarts
Wendy Beth Hyman
PDF
Cupid’s Grand Polititian
(1657)
David McInnis
PDF
Issues in Review Essays
Introduction: Why Attend to Earlier Tudor Drama?
Erin E. Kelly
PDF
John Rastell’s London Stage: Reconstructing Repertory and Collaborative Practice
Maura Giles-Watson
PDF
Ecocritical Heywood and
The Play of the Weather
Jennifer L. Ailles
PDF
New Contexts for Early Tudor Plays: William Briton, an Early Reader of
Gorboduc
Laura Estill
PDF
'To see the Playes of Theatre newe wrought': Electronic Editions and Early Tudor Drama
Brett D. Hirsch
PDF
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