Vol. 15 No. 1 (2012): Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain

DOI: https://doi.org/10.12745/et.15.1

Published: 2012-09-01

Editorial

Editoral

Helen M. Ostovich, Erin E. Kelly
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Articles

Introduction Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain

Peter Parolin
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Women and Performance in Medieval and Early Modern Suffolk

James Stokes
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'If I had begun to dance': Women's Performance in Kemps Nine Daies Wonder

Peter Parolin
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'In the sight of all': Queen Elizabeth and the Dance of Diplomacy

Bella Mirabella
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Between Courts: Female Masquers and Anglo-Spanish Diplomacy, 1603-5

Mark Hutchings, Berta Cano-Echevarría
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Marie de Medici’s 1605 ballet de la reine: New Evidence and Analysis

Melinda J. Gough
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‘Cattle of this colour’: Boying the Diva in As You Like It

Pamela Allen Brown
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The Spanish Actress’s Art: Improvisation, Transvestism, and Disruption in Tirso’s El vergonzoso en palacio

Amy L. Tigner
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Conniving Women and Superannuated Coquettes: Travestis and Caractères in the Early Modern French Theatre

Virginia Scott
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Book Reviews