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• Book Review: Brian Vickers. Shakespeare, Co-Author: A Historical Study of Five Collaborative Plays. Oxford: Oxford University Press, 2002.

  Jayson B. Brown

  2006-01-01

• Book Review: W.R. Elton and John M. Mucciolo (eds). The Shakespearean International Yearbook 1: Where Are We Now in Shakespearean Studies? Aldershot and Brookfield: Ashgate, 1999.

  Alexander Leggatt

  2003-01-01

• Vanessa I. Corredera. Reanimating Shakespeare’s Othello in Post-Racial America. Edinburgh: Edinburgh University Press, 2022.

  Alexa Alice Joubin

  2024-06-26

• Introduction: Histories and Contexts in The Witch of Edmonton

  David Dean

  2018-11-02

• Introduction: Exploring Neighbourhoods

  Christopher Highley

  2016-12-21

• Lukas Erne. Shakespeare and the Book Trade. Cambridge: Cambridge University Press, 2013. Pp 302. Lukas Erne. Shakespeare as Literary Dramatist. 2nd ed. Cambridge: Cambridge University Press, 2013. Pp 323.

  Andy Kesson

  2014-07-07

• Review of Shakespeare, Computers, and the Mystery of Authorship, ed. Hugh Craig and Arthur F. Kinney

  Peter Kirwan

  2010-04-01

• Book Review: James Shapiro. A Year in the Life of William Shakespeare: 1599. New York: HarperCollins, 2005.

  Sister Lucia Treanor

  2007-01-01

• Book Review: Rebecca Ann Bach. Colonial Transformations: The Cultural Production of the New Atlantic World. New York: Palgrave, 2000.

  Eric Griffin

  2004-01-01

• Book Review: John Southworth, Fools and Jesters at the English Court. Stroud, Gloucestershire: Sutton Publishing, 1998.

  Phebe Jensen

  2001-01-01

• Amanda Eubanks Winkler. Music, Dance, and Drama in Early Modern English Schools. Cambridge: Cambridge University Press, 2020. Pp 258.

  Simon Smith

  2022-06-10

• What is Commedia dell’Arte Today? A Review Essay

  Pavel Drabek

  2019-12-28

• ‘I will keep and character that name’: Dramatis Personae Lists in Early Modern Manuscript Plays

  Matteo A. Pangallo

  2015-12-31

• Katherine R. Larson. Early Modern Women in Conversation. Houndmills: Palgrave Macmillan, 2011. Pp xii, 218.

  Sarah E. Johnson

  2013-06-20

• Book Review: Peter Holland (ed.). Shakespeare, Memory and Performance Cambridge: Cambridge University Press, 2006.

  Elizabeth Klett

  2008-01-01

• Book Review: Tristan Marshall. Theatre and Empire: Great Britain on the London Stage under James VI and I. Manchester: Manchester University Press, 2000.

  David Baker

  2005-01-01

• Book Review: Roslyn Lander Knutson. Playing Companies and Commerce in Shakespeare's Time. Cambridge: Cambridge University Press, 2001.

  R. A. Foakes

  2003-01-01

• Saint Plays

  Clifford Davidson, Lawrence M. Clopper, Elizabeth Baldwin

  1999-01-01

• Cristina Paravano. Massinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger. New York: Routledge, 2023.

  Domenico Lovascio

  2024-06-26

• Matteo A. Pangallo. Playwriting Playgoers in Shakespeare’s Theater. Philadelphia: University of Pennsylvania Press, 2017. Pp 248. Hardback USD $59.95. ISBN: 97808122494415.

  Laurie Ellinghausen

  2019-06-04

• David Crystal. The Oxford Dictionary of Original Shakespearean Pronunciation. Oxford: Oxford University Press, 2016. Pp 704.

  Sarah Grandage

  2017-07-04

• Situating Ben Jonson: The Cambridge Edition of the Works

  Peter Kirwan

  2014-07-07

• Review of Drama and Religion in English Provincial Society, 1485-1660, by Paul Whitfield White

  Jennifer Roberts-Smith

  2010-04-01

• Book Review: Jonathan Burton. Traffic and Turning: Islam and English Drama, 1579-1624. Newark:University of Delaware Press, 2005.

  Matthew Dimmock

  2007-01-01

• Book Review: Claire Jowitt. Voyage Drama and Gender Politics 1589-1642: Real and Imagined Worlds. Manchester: Manchester University Press, 2003.

  M. G. Aune

  2006-01-01

• Book Review: Cameron Louis (ed). Sussex. Records of Early English Drama. Brepols and University of Toronto Press, 2000.

  David Hickman

  2002-01-01

• W.B. Worthen. Shakespeare, Technicity, Theatre. Cambridge: Cambridge University Press, 2020.

  Marie Trotter

  2023-06-06

• Philip Butterworth. Staging Conventions in Medieval English Theatre. Cambridge: Cambridge University Press, 2014. Pp 272.

  Tamara Haddad

  2016-06-10

• Martin Wiggins, in association with Catherine Richardson. British Drama 1533–1642: A Catalogue. Volume I: 1533–1566. Oxford: Oxford University Press, 2012. Pp li, 500.

  Peter Happe

  2013-06-20

• Book Review: Christina Fitzgerald, The Drama of Masculinity and Medieval English Guild Culture (Houndmills: Palgrave Macmillan, 2007).

  Anne Higgins

  2009-01-01

• Book Review: Edward Berry. Shakespeare and the Hunt: A Cultural and Social Study. Cambridge: Cambridge University Press, 2001.

  Jeanne A. Roberts

  2003-01-01

• Book Review: Clare Harraway, Re-citing Marlowe: Approaches to the Drama. Aldershot and Brookfield, VT: Ashgate, 2000.

  Judith Weil

  2001-01-01

• Lukas Erne and Kareen Seidler, eds. Early Modern German Shakespeare: Hamlet and Romeo and Juliet: Der Bestrafte Brudermord and Romio und Julieta in Translation. The Arden Shakespeare. London and New York: Bloomsbury, 2020. Pp. 366.

  Pavel Drábek

  2022-06-10

• Jeanne H. McCarthy. The Children’s Troupes and the Transformation of English Theater 1509-1608: Pedagogue Playwrights, Playbooks, and Play-boys. Abingdon: Routledge, 2017. Pp xxiv, 251. Hardback £115.00. ISBN: 9781472487797.

  Lucy Munro

  2019-06-04

• Farah Karim-Cooper. The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment. London: Bloomsbury, 2016. Pp 309.

  Miranda Fay Thomas

  2017-07-04

• Vernon Guy Dickson. Emulation on the Shakespearean Stage. Farnham: Ashgate, 2013. Pp 216.

  C. K. Ash

  2015-04-29

• Playing to the (Twenty-First Century) Crowd: On the Ground at Chester 2010

  Heather S. Mitchell

  2010-12-06

• Book Review: Robert Mills. Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture. London: Reaktion Books, 2005.

  Lisa Dickson

  2008-01-01

• Book Review: Jacqueline Vanhoutte. Strange Communion: Motherland and Masculinity in Tudor Plays, Pamphlets, and Politics. Newark: University of Delaware Press, 2003.

  Caroline Bicks

  2006-01-01

• Book Review: Catherine Belsey. Shakespeare and the Loss of Eden. New Brunswick, NJ: Rutgers University Press, 1999.

  Rebecca Ann Bach

  2003-01-01

• Editorial

  Melinda J. Gough, Erin E. Kelly

  2023-12-08

• Edward Greene, Goldsmith; William Marston, Apprentice; and Eastward Ho!

  Charles Cathcart

  2016-12-21

• Julian Bowsher. Shakespeare’s London Theatreland: Archaeology, History, and Drama. London: Museum of London Archaeology, 2012. Anthony Mackinder with Lyn Blackmore, Julian Bowsher and Christopher Phillpotts. The Hope Playhouse, Animal Baiting and Later Industrial Activity at Bear Gardens on Bankside: Excavations at Riverside House and New Globe Walk, Southwark, 1999-2000. London: Museum of London Archaeology, 2013. Pp. xiii, 92.

  David Kathman

  2014-07-07

• Islam and English Drama: A Critical History

  Linda McJannet

  2009-01-01

• Book Review: Chester N. Scoville. Saints and the Audience in Middle English Biblical Drama. Toronto: University of Toronto Press, 2004.

  Katherine Goodland

  2007-01-01

• Book Review: Glynne Wickham, Herbert Berry, and William Ingram, eds. English Professional Theatre, 1530-1660. Theatre in Europe: A Documentary History. Cambridge: Cambridge University Press, 2000.

  A. R. Braunmuller

  2004-01-01

• Book Review: Diane Purkiss, ed. Three Tragedies by Renaissance Women Dramatists. Harmondsworth: Penguin, 1998.

  Marta Straznicky

  2001-01-01

• Iman Sheeha. Household Servants in Early Modern Domestic Tragedy. London: Routledge, 2020. Pp 264.

  Lauren Cantos

  2022-06-10

• Editorial

  Erin E. Kelly, Melinda J. Gough, Helen Ostovich, Sarah Johnson

  2019-06-04

• Margaret Shewring, ed. Waterborne Pageants and Festivities in the Renaissance: Essays in Honour of J.R. Mulryne. Aldershot: Ashgate, 2013. Pp xxv, 439.

  Steve Mentz

  2015-04-27

• Book Review: David Gunby, David Carnegie, and MacDonald P. Jackson (eds). The Works of John Webster: An Old-Spelling Critical Edition. Volumen Three. Cambridge: Cambridge University Press, 2007.

  Peter Malin

  2008-01-01

• Book Review: Courtney Lehmann. Shakespeare Remains: Theater to Film, Early Modern to Postmodern. Ithaca and London: Cornell University Press, 2002.

  Stephen M. Buhler

  2005-01-01

• Book Review: Benjamin Griffin. Playing the Past: Approaches to English Historical Drama 1385-1600. Woodbridge: D. S. Brewer, 2001.

  Peter Womack

  2003-01-01

• Issues in Review: The York Cycle in Performance (Toronto and York)

  Barbara Palmer, David Bevington, Garrett Epp, Ralph Blasting, David Mills, Peter Meredith

  1998-01-01

• Laurence Publicover. Dramatic Geography: Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama. Oxford: Oxford University Press, 2017. Pp. xiii, 204. Hardback £50.00. ISBN: 9780198806813.

  Nandini Das

  2019-06-04

• Allison P. Hobgood. Passionate Playgoing in Early Modern England. Cambridge: Cambridge University Press, 2014. Pp x, 236.

  Katharine Goodland

  2017-07-04

• Gilles Monsarrat, Brian Vickers and R. J. C. Watt (eds). The Collected Works of John Ford, Vol. 1. Oxford: Oxford University Press, 2011. Pp xxiv, 720.

  Patrick J. Murray

  2014-07-07

• Review of Violence Against Women in Early Modern Performance: Invisible Acts by Kim Solga

  Catherine Silverstone

  2010-04-01

• Book Review: Richard Wilson. Secret Shakespeare: Studies in Theatre, Religion and Resistance. Manchester and New York: Manchester University Press, 2004.

  Ian McAdam

  2007-01-01

• Book Review: James Hirsh. Shakespeare and the History of Soliloquies. Madison, Teaneck: Fairleigh Dickinson University Press, 2003.

  Anthony J. Gilbert

  2006-01-01

• Book Review: Chris Humphrey. The Politics of Carnival: Festive Misrule in Medieval England. Manchester UP/ Palgrave, 2001.

  Kathleen Ashley

  2002-01-01

• Heather Hirschfeld. The End of Satisfaction: Drama and Repentance in the Age of Shakespeare. Ithaca, NY: Cornell University Press, 2014. Pp 239.

  Kenneth J.E. Graham

  2016-06-10

• Alden T. & Virginia Mason Vaughan. Shakespeare in America. Oxford: Oxford University Press, 2012. Pp xii, 220.

  Alan Andrews

  2013-06-20

• Book Review: Alison Findley, Playing Spaces in Early Women's Drama (Cambridge: Cambridge University Press, 2006).

  Reina Green

  2009-01-01

• Book Review: Robert Weimann. Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre. Ed Helen Higbee and William West. Cambridge: Cambridge University Press, 2000.

  Ric Knowles

  2005-01-01

• Book Review: David M. Bergeron. Practicing Renaissance Scholarship: Plays and Pageants, Patrons and Politics. Pittsburgh: Duquesne University Press, 2000.

  Su Fang Ng

  2003-01-01

• Book Review: Lynn Forest-Hill. Transgressive Language in Medieval English Drama. Aldershot, VT: Ashgate, 2000.

  Edwin D. Craun

  2001-01-01

• David McInnis. Shakespeare and Lost Plays: Reimagining Drama in Early Modern England. Cambridge: Cambridge University Press. 2021.

  Eoin Price

  2022-06-10

• Ross W. Duffin. Some Other Note: The Lost Songs of English Renaissance Comedy. New York: Oxford University Press, 2018. Pp xxxviii, 722. Hardback £32.99. ISBN: 9780190856601.

  David McInnis

  2019-06-04

• Eoin Price. 'Public' and 'Private' Playhouses in Renaissance England: The Politics of Publication. London: Palgrave Macmillan, 2015. Pp x, 95.

  Holger Schott Syme

  2017-07-04

• Julie Sanders. The Cambridge Introduction to Early Modern Drama, 1576-1642. Cambridge: Cambridge University Press, 2014. Pp xvii, 261.

  Roslyn L. Knutson

  2015-04-27

• Chester 2010: Creation and Judgment

  Garrett PJ. Epp

  2010-10-01

• Book Review: Shakespeare's Marlowe:The Influence of Christopher Marlowe on Shakespeare's Artistry. Aldershot: Ashgate, 2007.

  Ian McAdam

  2008-01-01

• Book Review: Philip Schwyzer. Literature, Nationalism, and Memory in Early Modern England and Wales. Cambridge: Cambridge University Press, 2005.

  Christopher Ivic

  2006-01-01

• Book Review: Susan Frye and Karen Robertson (eds).Maids and Mistresses, Cousins and Queens. Oxford: Oxford University Press, 1999.

  Joan Larsen. Klein

  2002-01-01

• Witches In Space: Introduction

  Sarah O'Malley

  2023-12-08

• Deanne Williams. Shakespeare and the Performance of Girlhood. New York: Palgrave Macmillan, 2014. Pp xi, 277.

  M. Tyler Sasser

  2016-06-10

• Verena Theile and Andrew D. McCarthy, eds. Staging the Superstitions of Early Modern Europe. Burlington, VT: Ashgate, 2013. Pp. xxiii, 284.

  Barbara H. Traister

  2014-07-07

• Book Review: William Slights, The Heart in the Age of Shakespeare (Cambridge: Cambridge University Press, 2008).

  Johnathan H. Pope

  2009-01-01

• Book Review: Lucy Munro. Children of the Queen's Revels: A Jacobean Theatre Repertory. Cambridge: Cambridge University Press, 2005.

  David Nicol

  2007-01-01

• Book Review: Medieval and Renaissance Drama in England, vol 14. Madison, NJ: Fairleigh Dickinson University Press, 2001.

  James Hirsh

  2004-01-01

• Book Review: Mitchell B. Merback. The Thief, the Cross and the Wheel. Chicago: University of Chicago Press, 1999.

  Garrett Epp

  2001-01-01