Farah Karim-Cooper. <i>The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment</i>. London: Bloomsbury, 2016. Pp 309.

Authors

  • Miranda Fay Thomas St Anne's College, Oxford

DOI:

https://doi.org/10.12745/et.20.1.3174

Abstract

This review considers The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment.

Author Biography

Miranda Fay Thomas, St Anne's College, Oxford

Miranda Fay Thomas (miranda.f.thomas@gmail.com) is a visiting tutor in English at St Anne's College, Oxford.

Downloads

Published

2017-07-04

Issue

Vol. 20 No. 1 (2017)

Section

Book Reviews

License

Contributors to Early Theatre retain full copyright to their content. All published authors are required to grant a limited exclusive license to the journal. According to the terms of this license, authors agree that for one year following publication in Early Theatre, they will not publish their submission elsewhere in the same form, in any language, without the consent of the journal, and without acknowledgment of its initial publication in the journal thereafter.