Vol. 14 No. 2 (2011): Circles and Circuits: Drama and Politics in the Midlands

DOI: https://doi.org/10.12745/et.14.2

Published: 2011-09-30

Editorial

Editorial

Helen M. Ostovich, Melinda Gough, Erin E. Kelly
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Special Issue

Introduction Circles and Circuits: Drama and Politics in the Midlands

Amy Scott, Mary Polito
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Articles

‘The Pen lookes to be canoniz’d’: John Newdigate III, Author and Scribe

Kirsten Inglis, Boyda Johnstone
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Staging Roman History, Stuart Politics, and the Duke of Buckingham: The Example of The Emperor’s Favourite

Siobhan C. Keenan
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Politics, Poetry, and Performance: The Miscellaneous Contents of Arbury Hall MS 414

Laura Estill
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Jockeying Jony: The Politics of Horse-Racing and Regional Identity in The Humorous Magistrate

Vimala C. Pasupathi
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The Magistrate — and Humorous Magistrates — in Early Seventeenth-Century England

Louis A. Knafla
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‘This rare Poetesse’: the Remains of Lady Jane Burdett

Mary E. Polito
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Events and Texts: The Prologues and Epilogues of the Arbury Plays

Amy Scott
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Notes

Trying to be Diplomatic: Editing The Humorous Magistrate

Margaret Jane Kidnie
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John Newdigate III, Gilbert Sheldon, and MS A414 106r

Owen Stockden
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Imported Popular Song in The Humorous Magistrate: 'The Noble Acts of Arthur of the Round Table' and 'Come heare, Lady Muses'

Paul L. Faber
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