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Found 129 items.
  • Kirk Melnikoff and Roslyn Knutson eds. Christopher Marlowe, Theatrical Commerce, and the Book Trade. Cambridge: Cambridge University Press, 2018. Pp 313.

    Laurie Maguire
    2021-06-30
  • Book Review: Leeds Barroll (ed), Susan Zimmerman (book review ed); Shakespeare Studies 29. Madison: Fairleigh Dickinson University Press, 2001.

    Gillian Murray Kendall
    2005-01-01
  • Helen Smith. Grossly Material Things: Women and Book Production in Early Modern England. Oxford: Oxford University Press, 2012. Pp 254.

    Christina Luckyj
    2013-06-20
  • Tiffany Stern, ed. Rethinking Theatrical Documents in Shakespeare’s England. Bloomsbury, 2020. Roslyn L. Knutson, David McInnis, and Matthew Steggle, eds. Loss and the Literary Culture of Shakespeare’s Time. Palgrave Macmillan, 2020.

    Dr. Elizabeth E. Tavares
    2021-06-30
  • David McInnis ed. Old Fortunatus by Thomas Dekker. Manchester: Manchester University Press, The Revels Plays, 2020. Pp 253.

    Emma Smith
    2021-06-30
  • Fabien Cavaillé, ed. and Richard Hillman, ed. and trans. Coriolan by Alexandre Hardy. Tours: Presses Universitaires François-Rabelais, 2019. Pp 180.

    Lucy Rayfield
    2021-06-30
  • Lucy Munro. Shakespeare in the Theatre: The King’s Men. London: Bloomsbury, 2020. Pp 239.

    Eoin Price
    2021-06-30
  • Andrew Bozio, Thinking Through Place on the Early Modern English Stage. Oxford: Oxford University Press, 2020. Pp 240.

    Randall Martin
    2021-06-30
  • Sophie Chiari and John Mucciolo, eds. Performances at Court in the Age of Shakespeare. Cambridge: Cambridge University Press, 2019. Pp 278.

    Jess Hamlet
    2021-06-30
  • David Gunby, David Carnegie, and MacDonald P. Jackson, eds. The Works of John Webster, Vol. IV. Cambridge: Cambridge University Press, 2019. Pp 642.

    José A. Pérez Díez
    2021-06-30
  • Emma Whipday. Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home. Cambridge: Cambridge University Press, 2019. Pp 262.

    Lucy Clarke
    2021-06-30
  • Rory Loughnane and Andrew Power, eds. Early Shakespeare 1588-1594. Cambridge: Cambridge University Press, 2020. Pp 336.

    Benjamin Blyth
    2021-06-30
  • Yasmin Arshad. Imagining Cleopatra: Performing Gender and Power in Early Modern England. London: Bloomsbury, 2019. Pp 337.

    Cristina León Alfar
    2021-06-30
  • Claire M.L. Bourne. Typographies of Performance in Early Modern England. Oxford: Oxford University Press, 2020. Pp 328.

    Brandi K. Adams
    2021-06-30
  • A.D. Cousins and Daniel Derrin, eds. Shakespeare and the Soliloquy in Early Modern English Drama. Cambridge: Cambridge University Press, 2018. Pp. 278.

    Joshua Caldicott
    2020-06-30
  • Catherine A. Henze. Robert Armin and Shakespeare’s Performed Songs. New York: Routledge, 2017. Pp. xi, 204.

    Nicole Sheriko
    2020-06-30
  • Harry Newman. Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama. New York: Routledge, 2019. Pp. xviii, 199.

    Claire McEachern
    2020-06-30
  • Patricia Akhimie and Bernadette Andrea, eds. Travel and Travail: Early Modern Women, English Drama, and the Wider World. Lincoln: University of Nebraska Press, 2019. Early Modern Cultural Studies. Pp. 384.

    Gavin Hollis
    2020-06-30
  • Leslie Thomson. Discoveries on the Early Modern Stage: Contexts and Conventions. Cambridge: Cambridge University Press, 2018. Pp. 265.

    Jess Hamlet
    2020-06-30
  • Tamara Atkin and Laura Estill, eds. Early British Drama in Manuscript. Turnhout: Brepols, 2019. British Manuscripts 1. Pp. xvi, 376.

    Brett Greatley-Hirsch
    2020-06-30
  • Chris Laoutaris. Shakespeare’s Book: The Intertwined Lives Behind the First Folio. London: William Collins, 2023.

    Lucy Munro
    2024-06-26
  • Editorial

    Erin E. Kelly, Melinda J. Gough, Helen Ostovich, Sarah Johnson
    2019-06-04
  • Lukas Erne. Shakespeare and the Book Trade. Cambridge: Cambridge University Press, 2013. Pp 302. Lukas Erne. Shakespeare as Literary Dramatist. 2nd ed. Cambridge: Cambridge University Press, 2013. Pp 323.

    Andy Kesson
    2014-07-07
  • Editorial

    Melinda J. Gough, Erin E. Kelly
    2023-12-08
  • Editorial

    Erin E. Kelly, Melinda J. Gough
    2021-12-17
  • Introduction: Beaumont400

    Lucy Munro
    2017-12-15
  • ‘I will keep and character that name’: Dramatis Personae Lists in Early Modern Manuscript Plays

    Matteo A. Pangallo
    2015-12-31
  • Will Fisher, Materializing Gender in Early Modern English Literature and Culture (Cambridge: Cambridge UP, 2006)

    Emma Katherine. Perry
    2011-06-29
  • Book Review: William Slights, The Heart in the Age of Shakespeare (Cambridge: Cambridge University Press, 2008).

    Johnathan H. Pope
    2009-01-01
  • Book Review: Thomas Rist, Revenge Tragedy and the Drama of Commemoration in Reforming England (Aldershot: Ashgate, 2008).

    Gary Waller
    2009-01-01
  • Book Review: Theodore K. Lerud, Memory, Images, and the English Corpus Christi Drama (Houndmills:Palgrave Macmillan, 2008).

    Boyda Johnstone
    2009-01-01
  • Book Review: M.A. Katritzky, Women, Medicine and Theatre, 1500-1750: Literary Mountebanks and Performing Quacks. Studies in Performance and Early Modern Drama (Aldershot: Ashgate, 2007).

    Rosalind Kerr
    2009-01-01
  • Book Review: Mark Hutchings and A.A. Bromham, Middleton and His Collaborators (Horndon: Northcote House, 2008).

    David Nicol
    2009-01-01
  • Book Review: Christina Fitzgerald, The Drama of Masculinity and Medieval English Guild Culture (Houndmills: Palgrave Macmillan, 2007).

    Anne Higgins
    2009-01-01
  • Book Review: Alison Findley, Playing Spaces in Early Women's Drama (Cambridge: Cambridge University Press, 2006).

    Reina Green
    2009-01-01
  • Book Review: Douglas Bruster and Robert Weimann, Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre (Cambridge: Cambridge University Press, 2008).

    Peter J. Smith
    2009-01-01
  • Book Review: Keir Elam (ed.), Twelfth Night (London: Arden Shakespeare, 2008); and Anthony B. Dawson and Gretchen E. Minton (eds), Timon of Athens (London: Arden Shakespeare, 2008).

    Peter Malin
    2009-01-01
  • Book Review: Peter Holland (ed.). Shakespeare, Memory and Performance Cambridge: Cambridge University Press, 2006.

    Elizabeth Klett
    2008-01-01
  • Book Review: David Gunby, David Carnegie, and MacDonald P. Jackson (eds). The Works of John Webster: An Old-Spelling Critical Edition. Volumen Three. Cambridge: Cambridge University Press, 2007.

    Peter Malin
    2008-01-01
  • Book Review: Ceclia R. Daileader and Gary Taylor (eds). TheTamer Tamed, or The Woman's Prize. Manchester: Manchester University Press, 2006.

    Lucy Munro
    2008-01-01
  • Book Review: Virginia Mason Vaughan. Performing Blackness on English Stages, 1500-1800. Cambridge: Cambridge University Press, 2005.

    Arthur L. Little, Jr.
    2008-01-01
  • Book Review: Matthew Steggle. Laughing and Weeping in Early Modern Theatres. Aldershot: Ashgate, 2007.

    David Nicol
    2008-01-01
  • Book Review: Bryan Reynolds. Transversal Enterprises in the Drama of Shakespeare and his Contemporaries: Fugitive Explorations. Houndmills and New York: Palgrave Macmillan, 2006.

    Adam Max Cohen
    2008-01-01
  • Book Review: Barbara Ravelhofer. The Early Stuart Masque: Dance, Costume, and Music. Oxford: Oxford University Press, 2006.

    Emily F. Winerock
    2008-01-01
  • Book Review: Robert Mills. Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture. London: Reaktion Books, 2005.

    Lisa Dickson
    2008-01-01
  • Book Review: Shakespeare's Marlowe:The Influence of Christopher Marlowe on Shakespeare's Artistry. Aldershot: Ashgate, 2007.

    Ian McAdam
    2008-01-01
  • Book Review: Tony Howard. Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction. Cambridge: Cambridge University Press, 2007.

    Bridget Escolme
    2008-01-01
  • Book Review: Park Honan. Christopher Marlowe: Poet & Spy. Oxford: Oxford University Press, 2005.

    Todd Andrew. Borlik
    2008-01-01
  • Book Review: Julie Hankey (ed). Shakespeare in Production: Othello. Cambridge: Cambridge University Press, 2005.

    Louise Denmead
    2007-01-01
  • Book Review: Celia R. Daileader. Racism, Misogyny, and the Othello Myth. Cambridge: Cambridge University Press, 2005.

    Virginia Mason Vaughan
    2007-01-01
  • Book Review: Jonathan Burton. Traffic and Turning: Islam and English Drama, 1579-1624. Newark:University of Delaware Press, 2005.

    Matthew Dimmock
    2007-01-01
  • Book Review: Richard Wilson. Secret Shakespeare: Studies in Theatre, Religion and Resistance. Manchester and New York: Manchester University Press, 2004.

    Ian McAdam
    2007-01-01
  • Book Review: Judith Weil. Service and Dependency in Shakespeare's Plays. Cambridge: Cambridge University Press, 2005.

    Linda Anderson
    2007-01-01
  • Book Review: Garret A. Sullivan, Jr. Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster. Cambridge: Cambridge University Press, 2005.

    Christopher Ivic
    2007-01-01
  • Book Review: Marta Straznicky. Privacy, Playreading, and Women's Closet Drama, 1550-1700. Cambridge: Cambridge University Press, 2004.

    Yvonne Bruce
    2007-01-01
  • Book Review: Frances A. Shirley (ed). Shakespeare in Production: Troilus and Cressida. Cambridge: Cambridge University Press, 2005.

    Peter Hyland
    2007-01-01
  • Book Review: James Shapiro. A Year in the Life of William Shakespeare: 1599. New York: HarperCollins, 2005.

    Sister Lucia Treanor
    2007-01-01
  • Book Review: Chester N. Scoville. Saints and the Audience in Middle English Biblical Drama. Toronto: University of Toronto Press, 2004.

    Katherine Goodland
    2007-01-01
  • Book Review: Lucy Munro. Children of the Queen's Revels: A Jacobean Theatre Repertory. Cambridge: Cambridge University Press, 2005.

    David Nicol
    2007-01-01
  • Book Review: Ben Jonson. Every Man Out of His Humour. Ed Helen Ostovich. The Revels Plays. Manchester: Manchester University Press, 2001.

    W. David. Kay
    2005-01-01
  • Book Review: Anthony B. Dawson and Paul Yachnin. The Culture of Playgoing in Shakespeare's England: A Collaborative Debate. Cambridge: Cambridge University Press, 2001.

    Douglas Bruster
    2005-01-01
  • Book Review: Elizabeth Cary. The Tragedy of Mariam: The Fair Queen of Jewry. Ed Stephanie Hodgson-Wright. Peterborough, Ontario: Broadview Literary Texts, 2000.

    Nancy A. Gutierrez
    2005-01-01
  • Book Review: Robert Weimann. Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre. Ed Helen Higbee and William West. Cambridge: Cambridge University Press, 2000.

    Ric Knowles
    2005-01-01
  • Book Review: Bruce R. Smith. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: University of Chicago Press, 1999.

    Alan H. Nelson
    2005-01-01
  • Book Review: Alan Shepard. Marlowe's Soldiers: Rhetorics of Masculinity in the Age of the Armada. Aldershot: Ashgate, 2002.

    Mario DiGangi
    2005-01-01
  • Book Review: Richard Rastall. Minstrels Playing: Music in Early English Religious Drama. Woodbridge, Suffolk: D. S. Brewer, 2002.

    Joanna Dutka
    2005-01-01
  • Book Review: Thomas Middleton. Michaelmas Term. Ed. Gail Kern Paster. The Revel Plays. Manchester University Press, 2000.

    Paul Yachnin
    2005-01-01
  • Book Review: Tristan Marshall. Theatre and Empire: Great Britain on the London Stage under James VI and I. Manchester: Manchester University Press, 2000.

    David Baker
    2005-01-01
  • Book Review: Courtney Lehmann. Shakespeare Remains: Theater to Film, Early Modern to Postmodern. Ithaca and London: Cornell University Press, 2002.

    Stephen M. Buhler
    2005-01-01
  • Book Review: Anne Lancashire. London Civic Theatre: City Drama and Pageantry from Roman Times to 1558. Cambridge: Cambridge University Press, 2002.

    Daryll Grantley
    2005-01-01
  • Book Review: Joan Fitzpatrick. Shakespeare, Spenser and the Contours of Britain: Reshaping the Atlantic Archipelago Hertfordshire: University of Hertfordshire, 2004.

    Dermot Cavanagh
    2006-01-01
  • Book Review: Stanley Cavell. Disowning Knowledge in Seven Plays by Shakespeare. Updated edition. Cambridge: Cambridge University Press, 2003.

    David Schalkwyk
    2006-01-01
  • Book Review: Germaine Warkentin (ed.). The Queen's Majesty's Passage and Related Documents. Tudor and Stuart Texts. Toronto: Centre for Reformation and Renaissance Studies, 2004.

    Anthony Miller
    2006-01-01
  • Book Review: Brian Vickers. Shakespeare, Co-Author: A Historical Study of Five Collaborative Plays. Oxford: Oxford University Press, 2002.

    Jayson B. Brown
    2006-01-01
  • Book Review: Jacqueline Vanhoutte. Strange Communion: Motherland and Masculinity in Tudor Plays, Pamphlets, and Politics. Newark: University of Delaware Press, 2003.

    Caroline Bicks
    2006-01-01
  • Book Review: Philip Schwyzer. Literature, Nationalism, and Memory in Early Modern England and Wales. Cambridge: Cambridge University Press, 2005.

    Christopher Ivic
    2006-01-01
  • Book Review: David Ruiter. Shakespeare's Festive Hisstory: Feastin, Festivity, Fasting, and Lent in the Second Henriad. Burlington: Ashgate, 2003.

    Charles Whitney
    2006-01-01
  • Book Review: Carol Thomas Neely. Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. Ithaca and London: Cornell University Press, 2004.

    Katharine Goodland
    2006-01-01
  • Book Review: Laurie E. Maguire. Studying Shakespeare: A Guide to the Plays. Oxford: Blackwell, 2004.

    Shannon Murray
    2006-01-01
  • Book Review: Timothy J. McGee (ed). Improvisation in the Arts of the Middle Ages and Renaissance. Early Drama, Art and Music Monograph series, 30. Kalamazoo: Medieval Institute Publications (Western Michigan University), 2003.

    M. A. Katritzky
    2006-01-01
  • Book Review: Claire Jowitt. Voyage Drama and Gender Politics 1589-1642: Real and Imagined Worlds. Manchester: Manchester University Press, 2003.

    M. G. Aune
    2006-01-01
  • Book Review: James Hirsh. Shakespeare and the History of Soliloquies. Madison, Teaneck: Fairleigh Dickinson University Press, 2003.

    Anthony J. Gilbert
    2006-01-01
  • Book Review: Nancy Gutierrez. 'Shall She Famish Then?': Female Food Refusal in Early Modern England. Burlington: Ashgate, 2003.

    Leanore Lieblein
    2006-01-01
  • Book Review: Leon Craig. Of Philosophers and Kings: Political Philosophy in Shakespeare's Macbeth and King Lear. Toronto: University of Toronto Press, 2001.

    Tim Spiekerman
    2004-01-01
  • Book Review: Diana Brydon and Irena R. Makary (eds). Shakespeare in Canada: 'A World Elsewhere'? Toronto, Buffalo, and London: University of Toronto Press, 2002.

    Linda Woodbridge
    2004-01-01
  • Book Review: Pamela Allen Brown. Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest. Ithaca: Cornell University Press, 2003.

    Regina M. Buccola
    2004-01-01
  • Book Review: Rebecca Ann Bach. Colonial Transformations: The Cultural Production of the New Atlantic World. New York: Palgrave, 2000.

    Eric Griffin
    2004-01-01
  • Book Review: Glynne Wickham, Herbert Berry, and William Ingram, eds. English Professional Theatre, 1530-1660. Theatre in Europe: A Documentary History. Cambridge: Cambridge University Press, 2000.

    A. R. Braunmuller
    2004-01-01
  • Book Review: Medieval and Renaissance Drama in England, vol 14. Madison, NJ: Fairleigh Dickinson University Press, 2001.

    James Hirsh
    2004-01-01
  • Book Review: Michael O'Connell. The Idolatrous Eye: Iconoclasm & Theater in Early Modern England. Oxford: Oxford University Press, 2000.

    Jacqueline Vanhoutt
    2004-01-01
  • Book Review: Barbara A. Murray. Restoration Shakespeare: Viewing the Voice. Madison: Fairleigh Dickinson University Press, 2001.

    Matthew J. Kinservik
    2004-01-01
  • Book Review: Thomas Moisan and Douglas Bruster (eds). In the Company of Shakespeare: Essays on English Renaissance Literature in Honor of G. Blakemore Evans. Madison and Teaneck: Fairleigh Dickinson University Press; London: Associated University Presses, 2002.

    Joseph Candido
    2004-01-01
  • Book Review: Alexander Leggatt (ed). The Cambridge Companion to Shakespearean Comedy. Cambridge: Cambridge Univeristy Press, 2002.

    Judith M. Kennedy
    2004-01-01
  • Book Review: Edward Berry. Shakespeare and the Hunt: A Cultural and Social Study. Cambridge: Cambridge University Press, 2001.

    Jeanne A. Roberts
    2003-01-01
  • Book Review: David M. Bergeron. Practicing Renaissance Scholarship: Plays and Pageants, Patrons and Politics. Pittsburgh: Duquesne University Press, 2000.

    Su Fang Ng
    2003-01-01
  • Book Review: Sarah Beckwith. Signifying God: Social Relation and Symbolic Act in the York Corpus Christi Plays. Chicago and London: University of Chicago Press, 2001.

    Margaret Rogerson
    2003-01-01
  • Book Review: Timothy Raylor. The Essex House Masque of 1621: Viscount Doncaster and the Jacobean Masque. Medieval and Renaissance Literary Studies. Pittsburgh: Duquesne University Press, 2000.

    Kristen McDermott
    2003-01-01
  • Book Review: Tom McAlindon. Shakespeare's Tudor History: A Study of Henry IV, Parts 1 and 2. Aldershot, Ashgate, 2001.

    René Weis
    2003-01-01
  • Book Review: Constance Brown Kuriyama. Christopher Marlowe: A Renaissance Life. Ithaca: Cornell University Press, 2002.

    David Nicol
    2003-01-01
  • Book Review: Roslyn Lander Knutson. Playing Companies and Commerce in Shakespeare's Time. Cambridge: Cambridge University Press, 2001.

    R. A. Foakes
    2003-01-01
1 - 100 of 129 items 1 2 > >> 

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