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• Popular Theatre and the Red Bull

  Lucy Munro, Anne Lancashire, John H. Astington, Marta Straznicky

  2006-01-01

• ‘Go sound the ocean, and cast your nets’: Surfing the Net for Early Modern Theatre

  Suzanne Westfall

  2002-01-01

• Issues in Review: Reading Acting Companies

  Scott McMillin, Lawrence Manley, Roslyn L. Knutson, Mark Bayer

  2001-01-01

• 'To see the Playes of Theatre newe wrought': Electronic Editions and Early Tudor Drama

  Brett D. Hirsch

  2014-01-01

• Subjectivity, Theory and Early Modern Drama

  Viviana Comensoli Viviana, Theodora Jankowski, Bryan Reynolds

  2004-01-01

• ‘The Pen lookes to be canoniz’d’: John Newdigate III, Author and Scribe

  Kirsten Inglis, Boyda Johnstone

  2011-12-12

• Introduction: Beaumont400

  Lucy Munro

  2017-12-15

• Defining Tudor Drama

  Kent Cartwright

  2013-06-20

• Reading Performance, Reading Gender: Early Encounters with Beaumont and Fletcher’s The Scornful Lady in Print

  Simon Smith

  2017-12-15

• Lukas Erne. Shakespeare and the Book Trade. Cambridge: Cambridge University Press, 2013. Pp 302. Lukas Erne. Shakespeare as Literary Dramatist. 2nd ed. Cambridge: Cambridge University Press, 2013. Pp 323.

  Andy Kesson

  2014-07-07

• Book Review: Medieval and Renaissance Drama in England, vol 14. Madison, NJ: Fairleigh Dickinson University Press, 2001.

  James Hirsh

  2004-01-01

• Situating Ben Jonson: The Cambridge Edition of the Works

  Peter Kirwan

  2014-07-07

• New Contexts for Early Tudor Plays: William Briton, an Early Reader of Gorboduc

  Laura Estill

  2014-01-01

• Playhouse Shadows: The Manuscript behind Dick of Devonshire

  William B Long

  2014-09-24

• New Directions in Jonson Scholarship

  Erin Julian

  2014-07-07

• John Rastell’s London Stage: Reconstructing Repertory and Collaborative Practice

  Maura Giles-Watson

  2014-01-01

• Helen Smith. Grossly Material Things: Women and Book Production in Early Modern England. Oxford: Oxford University Press, 2012. Pp 254.

  Christina Luckyj

  2013-06-20

• ‘You see the times are dangerous’: The Political and Theatrical Situation of The Humorous Magistrate (1637)

  Mary Polito, Jean-Sebastien Windle

  2009-01-01

• Actor, Poet, Playwright, Sharer ... Rival? Shakespeare and Heywood, 1603-4

  Clare Smout

  2010-10-01

• Philip Butterworth. Staging Conventions in Medieval English Theatre. Cambridge: Cambridge University Press, 2014. Pp 272.

  Tamara Haddad

  2016-06-10

• Issues in review: Dramatists, playing companies, and repertories: Introduction

  Tom Rutter

  2010-10-01

• An Icon for a New Woman: A Previously Unidentified Portrait of Isabella Andreini by Paolo Veronese

  Maria Ines Aliverti

  2008-01-01

• Book Review: Brian Vickers. Shakespeare, Co-Author: A Historical Study of Five Collaborative Plays. Oxford: Oxford University Press, 2002.

  Jayson B. Brown

  2006-01-01

• Book Review: John H. Astington, English Court Theatre 1558-1642. Cambridge: Cambridge University Press, 1999.

  William Ingram

  2001-01-01

• Performance, Print, and the Senses: Aretino and the Spaces of the City

  Marlene Eberhart

  2012-12-23

• 'What makes thou upon a stage?': Child Actors, Royalist Publicity, and the Space of the Nation in the Queen's Men's True Tragedy of Richard the Third

  Jennifer Roberts-Smith

  2012-12-23

• 'In th'armor of a Pagan knight': Romance and Anachronism East of England in Book V of The Faerie Queene and Tamburlaine

  Justin Kolb

  2009-01-01

• Book Review: Virginia Mason Vaughan. Performing Blackness on English Stages, 1500-1800. Cambridge: Cambridge University Press, 2005.

  Arthur L. Little, Jr.

  2008-01-01

• Affective Inheritances: A Review Essay

  Lesel Dawson, Eric Langley

  2017-07-04

• Book Review: Catherine Belsey. Shakespeare and the Loss of Eden. New Brunswick, NJ: Rutgers University Press, 1999.

  Rebecca Ann Bach

  2003-01-01

• Book Review: Garret A. Sullivan, Jr. Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster. Cambridge: Cambridge University Press, 2005.

  Christopher Ivic

  2007-01-01

• Bawdily Manipulations: Spheres of Female Power in The Birth of Merlin

  Monika Karpinska

  2006-01-01

• 'The Great Choreographer': Embodying Space in Fuenteovejuna

  Laura L. Vidler

  2012-12-23

• Will Kemp, Shakespeare and the Composition of Romeo and Juliet

  Elizabeth Ford

  2010-10-01

• Beaumont's Lives

  Lucy Munro

  2017-12-15

• Book Review: Leeds Barroll (ed), Susan Zimmerman (book review ed); Shakespeare Studies 29. Madison: Fairleigh Dickinson University Press, 2001.

  Gillian Murray Kendall

  2005-01-01

• Richard Preiss. Clowning and Authorship in Early Modern Theatre. Cambridge: Cambridge University Press, 2014. Pp x, 287.

  John H. Astington

  2016-06-10

• Lisa Hopkins. Renaissance Drama on the Edge. Farnham: Ashgate, 2015. Pp ii, 191.

  Eoin Price

  2016-06-10

• Theatre of Judgment: Space, Spectators, and the Epistemologies of Law in Bartholomew Fair

  Andrew Brown

  2012-12-23

• Daniel’s Cleopatra and Lady Anne Clifford: From a Jacobean Portrait to Modern Performance

  Yasmin Arshad, Helen Hackett, Emma Whipday

  2015-12-31

• Thomas Heywood, Just in Time

  Grace Ioppolo

  2014-09-24

• ‘Stolne and Surreptitious’: Heywood as a Test Case

  William Proctor Williams

  2014-09-24

• The Commedia dell'Arte: New Perspectives and New Documents

  M. A. Katritzky

  2008-01-01

• Elizabeth Zeman Kolkovich. The Elizabethan Country House Entertainment: Print, Performance, and Gender. Cambridge: Cambridge University Press, 2016. Pp 256.

  Wendy Wall

  2017-07-04

• Book Review: Richard Wilson. Secret Shakespeare: Studies in Theatre, Religion and Resistance. Manchester and New York: Manchester University Press, 2004.

  Ian McAdam

  2007-01-01

• Mary Frith at the Fortune

  Mark Hutchings

  2007-01-01

• Book Review: Philip Schwyzer. Literature, Nationalism, and Memory in Early Modern England and Wales. Cambridge: Cambridge University Press, 2005.

  Christopher Ivic

  2006-01-01

• Book Review: Theodore K. Lerud, Memory, Images, and the English Corpus Christi Drama (Houndmills:Palgrave Macmillan, 2008).

  Boyda Johnstone

  2009-01-01

• Book Review: Barbara A. Murray. Restoration Shakespeare: Viewing the Voice. Madison: Fairleigh Dickinson University Press, 2001.

  Matthew J. Kinservik

  2004-01-01

• Book Review: H. R. Coursen. Shakespeare: The Two Traditions. Madison: Fairleight Dickiinson University Press, 1999

  Deborah Cartmell

  2002-01-01

• Book Review: Cyndia Susan Clegg. Press Censorship in Jacobean England. Cambridge: Cambridge University Press, 2001.

  Andrew Fleck

  2003-01-01

• Italian Perspectives on Late Tudor and Early Stuart Theatre

  Richard Allen Cave

  2005-01-01

• ‘The Grocers Honour’: or, Taking the City Seriously in The Knight of the Burning Pestle

  Tracey Hill

  2017-12-15

• Much Virtue in O-Oh: A Case Study

  Alan C. Dessen

  2017-12-15

• Rebecca Yearling. Ben Jonson, John Marston and Early Modern Drama: Satire and the Audience. Basingstoke: Palgrave, 2016. Pp 223.

  José A Pérez Díez

  2017-07-04

• Book Review: Anthony B. Dawson and Paul Yachnin. The Culture of Playgoing in Shakespeare's England: A Collaborative Debate. Cambridge: Cambridge University Press, 2001.

  Douglas Bruster

  2005-01-01

• Book Review: Richard Harp and Stanley Steward (eds). The Cambridge Companion to Ben Jonson. Cambridge University Press, 2000.

  James Hirsh

  2002-01-01

• Christopher Marsh. Music and Society in Early Modern England. Cambridge: Cambridge University Press, 2010. Pp 609 + 1 audio CD.

  Katherine E. Hunt

  2013-06-20

• Book Review: Thomas Rist, Revenge Tragedy and the Drama of Commemoration in Reforming England (Aldershot: Ashgate, 2008).

  Gary Waller

  2009-01-01

• A New Context for the Manuscript of Wit and Science

  Louise Rayment

  2014-07-07

• Book Review: Thomas Moisan and Douglas Bruster (eds). In the Company of Shakespeare: Essays on English Renaissance Literature in Honor of G. Blakemore Evans. Madison and Teaneck: Fairleigh Dickinson University Press; London: Associated University Presses, 2002.

  Joseph Candido

  2004-01-01

• Book Review: Mark Hutchings and A.A. Bromham, Middleton and His Collaborators (Horndon: Northcote House, 2008).

  David Nicol

  2009-01-01

• Book Review: Robert Mills. Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture. London: Reaktion Books, 2005.

  Lisa Dickson

  2008-01-01

• Review of The Stuart Court Masque and Political Culture by Martin Butler

  Kirsten Inglis

  2010-04-01

• Book Review: Alison Findley, Playing Spaces in Early Women's Drama (Cambridge: Cambridge University Press, 2006).

  Reina Green

  2009-01-01

• Performing The Tragedy of Mariam and Constructing Stage History

  Ramona Wray

  2015-12-31

• The Commedia all'improvviso Illustrations of the Corsini Manuscript: A New Reading

  Stefano Mengarelli

  2008-01-01

• Book Review: Glynne Wickham, Herbert Berry, and William Ingram, eds. English Professional Theatre, 1530-1660. Theatre in Europe: A Documentary History. Cambridge: Cambridge University Press, 2000.

  A. R. Braunmuller

  2004-01-01

• Book Review: Pamela Allen Brown. Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest. Ithaca: Cornell University Press, 2003.

  Regina M. Buccola

  2004-01-01

• Book Review: Bruce R. Smith. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: University of Chicago Press, 1999.

  Alan H. Nelson

  2005-01-01

• Book Review: Constance Brown Kuriyama. Christopher Marlowe: A Renaissance Life. Ithaca: Cornell University Press, 2002.

  David Nicol

  2003-01-01

• Tamara Atkin. The Drama of Reform: Theology and Theatricality, 1461-1553. Late Medieval and Early Modern Studies, volume 23. Turnhout, Brepols, 2013. Pp x, 198.

  Elisabeth Dutton

  2015-04-27

• Book Review: John Southworth, Fools and Jesters at the English Court. Stroud, Gloucestershire: Sutton Publishing, 1998.

  Phebe Jensen

  2001-01-01

• Vernon Guy Dickson. Emulation on the Shakespearean Stage. Farnham: Ashgate, 2013. Pp 216.

  C. K. Ash

  2015-04-29

• Book Review: Leon Craig. Of Philosophers and Kings: Political Philosophy in Shakespeare's Macbeth and King Lear. Toronto: University of Toronto Press, 2001.

  Tim Spiekerman

  2004-01-01

• Book Review: Jacqueline Vanhoutte. Strange Communion: Motherland and Masculinity in Tudor Plays, Pamphlets, and Politics. Newark: University of Delaware Press, 2003.

  Caroline Bicks

  2006-01-01

• Islam and English Drama: A Critical History

  Linda McJannet

  2009-01-01

• W. R. Streitberger. The Masters of the Revels and Elizabeth I’s Court Theatre. Oxford: Oxford University Press, 2016. Pp xv, 319.

  Curtis Perry

  2017-07-04

• Book Review: Elizabeth Cary. The Tragedy of Mariam: The Fair Queen of Jewry. Ed Stephanie Hodgson-Wright. Peterborough, Ontario: Broadview Literary Texts, 2000.

  Nancy A. Gutierrez

  2005-01-01

• Book Review: Chester N. Scoville. Saints and the Audience in Middle English Biblical Drama. Toronto: University of Toronto Press, 2004.

  Katherine Goodland

  2007-01-01

• Book Review: Chris Humphrey. The Politics of Carnival: Festive Misrule in Medieval England. Manchester UP/ Palgrave, 2001.

  Kathleen Ashley

  2002-01-01

• Book Review: Mitchell B. Merback. The Thief, the Cross and the Wheel. Chicago: University of Chicago Press, 1999.

  Garrett Epp

  2001-01-01

• Book Review: Nancy Gutierrez. 'Shall She Famish Then?': Female Food Refusal in Early Modern England. Burlington: Ashgate, 2003.

  Leanore Lieblein

  2006-01-01

• Book Review: Edward J. Esche, ed. Shakespeare and his Contemporaries in Performance. Aldershot: Ashgate, 2000.

  Roberta Barker

  2001-01-01

• Review of Performing Childhood in the Early Modern Theatre: The Children's Playing Companies by Edel Lamb

  Theodore F. Kaouk

  2010-04-01

• Book Review: Benjamin Griffin. Playing the Past: Approaches to English Historical Drama 1385-1600. Woodbridge: D. S. Brewer, 2001.

  Peter Womack

  2003-01-01

• Julie Sanders. The Cambridge Introduction to Early Modern Drama, 1576-1642. Cambridge: Cambridge University Press, 2014. Pp xvii, 261.

  Roslyn L. Knutson

  2015-04-27

• Book Review: Diana Brydon and Irena R. Makary (eds). Shakespeare in Canada: 'A World Elsewhere'? Toronto, Buffalo, and London: University of Toronto Press, 2002.

  Linda Woodbridge

  2004-01-01

• Bringing Richard Brome Online

  Brett D. Hirsch

  2010-09-01

• ‘This alters not thy beauty’: Face-paint, Gender, and Race in The English Moor

  Farah Karim-Cooper

  2007-01-01

• Back to the Future: A Review of Twentieth-Century Commedia-Shakespeare Studies

  Robert Henke

  2008-01-01

• Eoin Price. 'Public' and 'Private' Playhouses in Renaissance England: The Politics of Publication. London: Palgrave Macmillan, 2015. Pp x, 95.

  Holger Schott Syme

  2017-07-04

• Book Review: David Gunby, David Carnegie, and MacDonald P. Jackson (eds). The Works of John Webster: An Old-Spelling Critical Edition. Volumen Three. Cambridge: Cambridge University Press, 2007.

  Peter Malin

  2008-01-01

• Farah Karim-Cooper. The Hand on the Shakespearean Stage: Gesture, Touch and the Spectacle of Dismemberment. London: Bloomsbury, 2016. Pp 309.

  Miranda Fay Thomas

  2017-07-04

• Book Review: Jonathan Burton. Traffic and Turning: Islam and English Drama, 1579-1624. Newark:University of Delaware Press, 2005.

  Matthew Dimmock

  2007-01-01

• Gwilym Jones. Shakespeare’s Storms. Manchester: Manchester University Press, 2015. Pp xi, 198.

  Edward J. Geisweidt

  2017-07-04

• York Guilds and the Corpus Christi Plays: Unwilling Participants?

  Clifford Davidson

  2006-01-01

• Book Review: James Shapiro. A Year in the Life of William Shakespeare: 1599. New York: HarperCollins, 2005.

  Sister Lucia Treanor

  2007-01-01

• The Animals in Chester's Noah's Flood

  Lisa J. Kiser

  2011-06-29

• Book Review: Claire Jowitt. Voyage Drama and Gender Politics 1589-1642: Real and Imagined Worlds. Manchester: Manchester University Press, 2003.

  M. G. Aune

  2006-01-01