Search

Search Results

• Kirk Melnikoff and Roslyn Knutson eds. Christopher Marlowe, Theatrical Commerce, and the Book Trade. Cambridge: Cambridge University Press, 2018. Pp 313.

  Laurie Maguire

  2021-06-30

• Book Review: Leeds Barroll (ed), Susan Zimmerman (book review ed); Shakespeare Studies 29. Madison: Fairleigh Dickinson University Press, 2001.

  Gillian Murray Kendall

  2005-01-01

• Helen Smith. Grossly Material Things: Women and Book Production in Early Modern England. Oxford: Oxford University Press, 2012. Pp 254.

  Christina Luckyj

  2013-06-20

• Tiffany Stern, ed. Rethinking Theatrical Documents in Shakespeare’s England. Bloomsbury, 2020. Roslyn L. Knutson, David McInnis, and Matthew Steggle, eds. Loss and the Literary Culture of Shakespeare’s Time. Palgrave Macmillan, 2020.

  Dr. Elizabeth E. Tavares

  2021-06-30

• David McInnis ed. Old Fortunatus by Thomas Dekker. Manchester: Manchester University Press, The Revels Plays, 2020. Pp 253.

  Emma Smith

  2021-06-30

• Fabien Cavaillé, ed. and Richard Hillman, ed. and trans. Coriolan by Alexandre Hardy. Tours: Presses Universitaires François-Rabelais, 2019. Pp 180.

  Lucy Rayfield

  2021-06-30

• Lucy Munro. Shakespeare in the Theatre: The King’s Men. London: Bloomsbury, 2020. Pp 239.

  Eoin Price

  2021-06-30

• Andrew Bozio, Thinking Through Place on the Early Modern English Stage. Oxford: Oxford University Press, 2020. Pp 240.

  Randall Martin

  2021-06-30

• Sophie Chiari and John Mucciolo, eds. Performances at Court in the Age of Shakespeare. Cambridge: Cambridge University Press, 2019. Pp 278.

  Jess Hamlet

  2021-06-30

• David Gunby, David Carnegie, and MacDonald P. Jackson, eds. The Works of John Webster, Vol. IV. Cambridge: Cambridge University Press, 2019. Pp 642.

  José A. Pérez Díez

  2021-06-30

• Emma Whipday. Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home. Cambridge: Cambridge University Press, 2019. Pp 262.

  Lucy Clarke

  2021-06-30

• Rory Loughnane and Andrew Power, eds. Early Shakespeare 1588-1594. Cambridge: Cambridge University Press, 2020. Pp 336.

  Benjamin Blyth

  2021-06-30

• Yasmin Arshad. Imagining Cleopatra: Performing Gender and Power in Early Modern England. London: Bloomsbury, 2019. Pp 337.

  Cristina León Alfar

  2021-06-30

• Claire M.L. Bourne. Typographies of Performance in Early Modern England. Oxford: Oxford University Press, 2020. Pp 328.

  Brandi K. Adams

  2021-06-30

• A.D. Cousins and Daniel Derrin, eds. Shakespeare and the Soliloquy in Early Modern English Drama. Cambridge: Cambridge University Press, 2018. Pp. 278.

  Joshua Caldicott

  2020-06-30

• Catherine A. Henze. Robert Armin and Shakespeare’s Performed Songs. New York: Routledge, 2017. Pp. xi, 204.

  Nicole Sheriko

  2020-06-30

• Harry Newman. Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama. New York: Routledge, 2019. Pp. xviii, 199.

  Claire McEachern

  2020-06-30

• Patricia Akhimie and Bernadette Andrea, eds. Travel and Travail: Early Modern Women, English Drama, and the Wider World. Lincoln: University of Nebraska Press, 2019. Early Modern Cultural Studies. Pp. 384.

  Gavin Hollis

  2020-06-30

• Leslie Thomson. Discoveries on the Early Modern Stage: Contexts and Conventions. Cambridge: Cambridge University Press, 2018. Pp. 265.

  Jess Hamlet

  2020-06-30

• Tamara Atkin and Laura Estill, eds. Early British Drama in Manuscript. Turnhout: Brepols, 2019. British Manuscripts 1. Pp. xvi, 376.

  Brett Greatley-Hirsch

  2020-06-30

• Chris Laoutaris. Shakespeare’s Book: The Intertwined Lives Behind the First Folio. London: William Collins, 2023.

  Lucy Munro

  2024-06-26

• Editorial

  Erin E. Kelly, Melinda J. Gough, Helen Ostovich, Sarah Johnson

  2019-06-04

• Lukas Erne. Shakespeare and the Book Trade. Cambridge: Cambridge University Press, 2013. Pp 302. Lukas Erne. Shakespeare as Literary Dramatist. 2nd ed. Cambridge: Cambridge University Press, 2013. Pp 323.

  Andy Kesson

  2014-07-07

• Editorial

  Melinda J. Gough, Erin E. Kelly

  2023-12-08

• Editorial

  Erin E. Kelly, Melinda J. Gough

  2021-12-17

• Introduction: Beaumont400

  Lucy Munro

  2017-12-15

• ‘I will keep and character that name’: Dramatis Personae Lists in Early Modern Manuscript Plays

  Matteo A. Pangallo

  2015-12-31

• Will Fisher, Materializing Gender in Early Modern English Literature and Culture (Cambridge: Cambridge UP, 2006)

  Emma Katherine. Perry

  2011-06-29

• Book Review: William Slights, The Heart in the Age of Shakespeare (Cambridge: Cambridge University Press, 2008).

  Johnathan H. Pope

  2009-01-01

• Book Review: Thomas Rist, Revenge Tragedy and the Drama of Commemoration in Reforming England (Aldershot: Ashgate, 2008).

  Gary Waller

  2009-01-01

• Book Review: Theodore K. Lerud, Memory, Images, and the English Corpus Christi Drama (Houndmills:Palgrave Macmillan, 2008).

  Boyda Johnstone

  2009-01-01

• Book Review: M.A. Katritzky, Women, Medicine and Theatre, 1500-1750: Literary Mountebanks and Performing Quacks. Studies in Performance and Early Modern Drama (Aldershot: Ashgate, 2007).

  Rosalind Kerr

  2009-01-01

• Book Review: Mark Hutchings and A.A. Bromham, Middleton and His Collaborators (Horndon: Northcote House, 2008).

  David Nicol

  2009-01-01

• Book Review: Christina Fitzgerald, The Drama of Masculinity and Medieval English Guild Culture (Houndmills: Palgrave Macmillan, 2007).

  Anne Higgins

  2009-01-01

• Book Review: Alison Findley, Playing Spaces in Early Women's Drama (Cambridge: Cambridge University Press, 2006).

  Reina Green

  2009-01-01

• Book Review: Douglas Bruster and Robert Weimann, Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre (Cambridge: Cambridge University Press, 2008).

  Peter J. Smith

  2009-01-01

• Book Review: Keir Elam (ed.), Twelfth Night (London: Arden Shakespeare, 2008); and Anthony B. Dawson and Gretchen E. Minton (eds), Timon of Athens (London: Arden Shakespeare, 2008).

  Peter Malin

  2009-01-01

• Book Review: Peter Holland (ed.). Shakespeare, Memory and Performance Cambridge: Cambridge University Press, 2006.

  Elizabeth Klett

  2008-01-01

• Book Review: David Gunby, David Carnegie, and MacDonald P. Jackson (eds). The Works of John Webster: An Old-Spelling Critical Edition. Volumen Three. Cambridge: Cambridge University Press, 2007.

  Peter Malin

  2008-01-01

• Book Review: Ceclia R. Daileader and Gary Taylor (eds). TheTamer Tamed, or The Woman's Prize. Manchester: Manchester University Press, 2006.

  Lucy Munro

  2008-01-01

• Book Review: Virginia Mason Vaughan. Performing Blackness on English Stages, 1500-1800. Cambridge: Cambridge University Press, 2005.

  Arthur L. Little, Jr.

  2008-01-01

• Book Review: Matthew Steggle. Laughing and Weeping in Early Modern Theatres. Aldershot: Ashgate, 2007.

  David Nicol

  2008-01-01

• Book Review: Bryan Reynolds. Transversal Enterprises in the Drama of Shakespeare and his Contemporaries: Fugitive Explorations. Houndmills and New York: Palgrave Macmillan, 2006.

  Adam Max Cohen

  2008-01-01

• Book Review: Barbara Ravelhofer. The Early Stuart Masque: Dance, Costume, and Music. Oxford: Oxford University Press, 2006.

  Emily F. Winerock

  2008-01-01

• Book Review: Robert Mills. Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture. London: Reaktion Books, 2005.

  Lisa Dickson

  2008-01-01

• Book Review: Shakespeare's Marlowe:The Influence of Christopher Marlowe on Shakespeare's Artistry. Aldershot: Ashgate, 2007.

  Ian McAdam

  2008-01-01

• Book Review: Tony Howard. Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction. Cambridge: Cambridge University Press, 2007.

  Bridget Escolme

  2008-01-01

• Book Review: Park Honan. Christopher Marlowe: Poet & Spy. Oxford: Oxford University Press, 2005.

  Todd Andrew. Borlik

  2008-01-01

• Book Review: Julie Hankey (ed). Shakespeare in Production: Othello. Cambridge: Cambridge University Press, 2005.

  Louise Denmead

  2007-01-01

• Book Review: Celia R. Daileader. Racism, Misogyny, and the Othello Myth. Cambridge: Cambridge University Press, 2005.

  Virginia Mason Vaughan

  2007-01-01

• Book Review: Jonathan Burton. Traffic and Turning: Islam and English Drama, 1579-1624. Newark:University of Delaware Press, 2005.

  Matthew Dimmock

  2007-01-01

• Book Review: Richard Wilson. Secret Shakespeare: Studies in Theatre, Religion and Resistance. Manchester and New York: Manchester University Press, 2004.

  Ian McAdam

  2007-01-01

• Book Review: Judith Weil. Service and Dependency in Shakespeare's Plays. Cambridge: Cambridge University Press, 2005.

  Linda Anderson

  2007-01-01

• Book Review: Garret A. Sullivan, Jr. Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster. Cambridge: Cambridge University Press, 2005.

  Christopher Ivic

  2007-01-01

• Book Review: Marta Straznicky. Privacy, Playreading, and Women's Closet Drama, 1550-1700. Cambridge: Cambridge University Press, 2004.

  Yvonne Bruce

  2007-01-01

• Book Review: Frances A. Shirley (ed). Shakespeare in Production: Troilus and Cressida. Cambridge: Cambridge University Press, 2005.

  Peter Hyland

  2007-01-01

• Book Review: James Shapiro. A Year in the Life of William Shakespeare: 1599. New York: HarperCollins, 2005.

  Sister Lucia Treanor

  2007-01-01

• Book Review: Chester N. Scoville. Saints and the Audience in Middle English Biblical Drama. Toronto: University of Toronto Press, 2004.

  Katherine Goodland

  2007-01-01

• Book Review: Lucy Munro. Children of the Queen's Revels: A Jacobean Theatre Repertory. Cambridge: Cambridge University Press, 2005.

  David Nicol

  2007-01-01

• Book Review: Ben Jonson. Every Man Out of His Humour. Ed Helen Ostovich. The Revels Plays. Manchester: Manchester University Press, 2001.

  W. David. Kay

  2005-01-01

• Book Review: Anthony B. Dawson and Paul Yachnin. The Culture of Playgoing in Shakespeare's England: A Collaborative Debate. Cambridge: Cambridge University Press, 2001.

  Douglas Bruster

  2005-01-01

• Book Review: Elizabeth Cary. The Tragedy of Mariam: The Fair Queen of Jewry. Ed Stephanie Hodgson-Wright. Peterborough, Ontario: Broadview Literary Texts, 2000.

  Nancy A. Gutierrez

  2005-01-01

• Book Review: Robert Weimann. Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre. Ed Helen Higbee and William West. Cambridge: Cambridge University Press, 2000.

  Ric Knowles

  2005-01-01

• Book Review: Bruce R. Smith. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: University of Chicago Press, 1999.

  Alan H. Nelson

  2005-01-01

• Book Review: Alan Shepard. Marlowe's Soldiers: Rhetorics of Masculinity in the Age of the Armada. Aldershot: Ashgate, 2002.

  Mario DiGangi

  2005-01-01

• Book Review: Richard Rastall. Minstrels Playing: Music in Early English Religious Drama. Woodbridge, Suffolk: D. S. Brewer, 2002.

  Joanna Dutka

  2005-01-01

• Book Review: Thomas Middleton. Michaelmas Term. Ed. Gail Kern Paster. The Revel Plays. Manchester University Press, 2000.

  Paul Yachnin

  2005-01-01

• Book Review: Tristan Marshall. Theatre and Empire: Great Britain on the London Stage under James VI and I. Manchester: Manchester University Press, 2000.

  David Baker

  2005-01-01

• Book Review: Courtney Lehmann. Shakespeare Remains: Theater to Film, Early Modern to Postmodern. Ithaca and London: Cornell University Press, 2002.

  Stephen M. Buhler

  2005-01-01

• Book Review: Anne Lancashire. London Civic Theatre: City Drama and Pageantry from Roman Times to 1558. Cambridge: Cambridge University Press, 2002.

  Daryll Grantley

  2005-01-01

• Book Review: Joan Fitzpatrick. Shakespeare, Spenser and the Contours of Britain: Reshaping the Atlantic Archipelago Hertfordshire: University of Hertfordshire, 2004.

  Dermot Cavanagh

  2006-01-01

• Book Review: Stanley Cavell. Disowning Knowledge in Seven Plays by Shakespeare. Updated edition. Cambridge: Cambridge University Press, 2003.

  David Schalkwyk

  2006-01-01

• Book Review: Germaine Warkentin (ed.). The Queen's Majesty's Passage and Related Documents. Tudor and Stuart Texts. Toronto: Centre for Reformation and Renaissance Studies, 2004.

  Anthony Miller

  2006-01-01

• Book Review: Brian Vickers. Shakespeare, Co-Author: A Historical Study of Five Collaborative Plays. Oxford: Oxford University Press, 2002.

  Jayson B. Brown

  2006-01-01

• Book Review: Jacqueline Vanhoutte. Strange Communion: Motherland and Masculinity in Tudor Plays, Pamphlets, and Politics. Newark: University of Delaware Press, 2003.

  Caroline Bicks

  2006-01-01

• Book Review: Philip Schwyzer. Literature, Nationalism, and Memory in Early Modern England and Wales. Cambridge: Cambridge University Press, 2005.

  Christopher Ivic

  2006-01-01

• Book Review: David Ruiter. Shakespeare's Festive Hisstory: Feastin, Festivity, Fasting, and Lent in the Second Henriad. Burlington: Ashgate, 2003.

  Charles Whitney

  2006-01-01

• Book Review: Carol Thomas Neely. Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. Ithaca and London: Cornell University Press, 2004.

  Katharine Goodland

  2006-01-01

• Book Review: Laurie E. Maguire. Studying Shakespeare: A Guide to the Plays. Oxford: Blackwell, 2004.

  Shannon Murray

  2006-01-01

• Book Review: Timothy J. McGee (ed). Improvisation in the Arts of the Middle Ages and Renaissance. Early Drama, Art and Music Monograph series, 30. Kalamazoo: Medieval Institute Publications (Western Michigan University), 2003.

  M. A. Katritzky

  2006-01-01

• Book Review: Claire Jowitt. Voyage Drama and Gender Politics 1589-1642: Real and Imagined Worlds. Manchester: Manchester University Press, 2003.

  M. G. Aune

  2006-01-01

• Book Review: James Hirsh. Shakespeare and the History of Soliloquies. Madison, Teaneck: Fairleigh Dickinson University Press, 2003.

  Anthony J. Gilbert

  2006-01-01

• Book Review: Nancy Gutierrez. 'Shall She Famish Then?': Female Food Refusal in Early Modern England. Burlington: Ashgate, 2003.

  Leanore Lieblein

  2006-01-01

• Book Review: Leon Craig. Of Philosophers and Kings: Political Philosophy in Shakespeare's Macbeth and King Lear. Toronto: University of Toronto Press, 2001.

  Tim Spiekerman

  2004-01-01

• Book Review: Diana Brydon and Irena R. Makary (eds). Shakespeare in Canada: 'A World Elsewhere'? Toronto, Buffalo, and London: University of Toronto Press, 2002.

  Linda Woodbridge

  2004-01-01

• Book Review: Pamela Allen Brown. Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest. Ithaca: Cornell University Press, 2003.

  Regina M. Buccola

  2004-01-01

• Book Review: Rebecca Ann Bach. Colonial Transformations: The Cultural Production of the New Atlantic World. New York: Palgrave, 2000.

  Eric Griffin

  2004-01-01

• Book Review: Glynne Wickham, Herbert Berry, and William Ingram, eds. English Professional Theatre, 1530-1660. Theatre in Europe: A Documentary History. Cambridge: Cambridge University Press, 2000.

  A. R. Braunmuller

  2004-01-01

• Book Review: Medieval and Renaissance Drama in England, vol 14. Madison, NJ: Fairleigh Dickinson University Press, 2001.

  James Hirsh

  2004-01-01

• Book Review: Michael O'Connell. The Idolatrous Eye: Iconoclasm & Theater in Early Modern England. Oxford: Oxford University Press, 2000.

  Jacqueline Vanhoutt

  2004-01-01

• Book Review: Barbara A. Murray. Restoration Shakespeare: Viewing the Voice. Madison: Fairleigh Dickinson University Press, 2001.

  Matthew J. Kinservik

  2004-01-01

• Book Review: Thomas Moisan and Douglas Bruster (eds). In the Company of Shakespeare: Essays on English Renaissance Literature in Honor of G. Blakemore Evans. Madison and Teaneck: Fairleigh Dickinson University Press; London: Associated University Presses, 2002.

  Joseph Candido

  2004-01-01

• Book Review: Alexander Leggatt (ed). The Cambridge Companion to Shakespearean Comedy. Cambridge: Cambridge Univeristy Press, 2002.

  Judith M. Kennedy

  2004-01-01

• Book Review: Edward Berry. Shakespeare and the Hunt: A Cultural and Social Study. Cambridge: Cambridge University Press, 2001.

  Jeanne A. Roberts

  2003-01-01

• Book Review: David M. Bergeron. Practicing Renaissance Scholarship: Plays and Pageants, Patrons and Politics. Pittsburgh: Duquesne University Press, 2000.

  Su Fang Ng

  2003-01-01

• Book Review: Sarah Beckwith. Signifying God: Social Relation and Symbolic Act in the York Corpus Christi Plays. Chicago and London: University of Chicago Press, 2001.

  Margaret Rogerson

  2003-01-01

• Book Review: Timothy Raylor. The Essex House Masque of 1621: Viscount Doncaster and the Jacobean Masque. Medieval and Renaissance Literary Studies. Pittsburgh: Duquesne University Press, 2000.

  Kristen McDermott

  2003-01-01

• Book Review: Tom McAlindon. Shakespeare's Tudor History: A Study of Henry IV, Parts 1 and 2. Aldershot, Ashgate, 2001.

  René Weis

  2003-01-01

• Book Review: Constance Brown Kuriyama. Christopher Marlowe: A Renaissance Life. Ithaca: Cornell University Press, 2002.

  David Nicol

  2003-01-01

• Book Review: Roslyn Lander Knutson. Playing Companies and Commerce in Shakespeare's Time. Cambridge: Cambridge University Press, 2001.

  R. A. Foakes

  2003-01-01