Miraculous Rhetoric: The Relationship between Rhetoric and Miracles in the York 'Entry into Jerusalem'
DOI:
https://doi.org/10.12745/et.12.2.815Abstract
This article examines the varying levels of certainty associated with verbal rhetoric and miracles, for both are means through which the York‘Entry into Jerusalem' transmits and affirms the Christian faith. Emphasizing the importance of the characters' rhetorical interactions and investment, the play depicts the relationship between rhetoric and miracles in a manner different from other biblical plays, which appear to subordinate the role of human speech in exploring or conveying religious truths. In contrast, the York 'Entry' privileges rhetoric as the primary catalyst for the characters' encounter with Jesus, and affirms humanity's efforts to engage rhetorically with the tenets of its faith. Rhetorical interaction eventually leads the faithful, like the fictional townspeople of Jerusalem, to a literal and figurative encounter with the divine.
Downloads
Published
Issue
Section
License
Contributors to Early Theatre retain full copyright to their content. All published authors are required to grant a limited exclusive license to the journal. According to the terms of this license, authors agree that for one year following publication in Early Theatre, they will not publish their submission elsewhere in the same form, in any language, without the consent of the journal, and without acknowledgment of its initial publication in the journal thereafter.