‘La bella Franceschina’ and Other Foreign Names in Marston’s The Dutch Courtesan
DOI:
https://doi.org/10.12745/et.23.1.4171Keywords:
John Marston; Dutch CourtesanAbstract
John Marston’s play, The Dutch Courtesan, presents characters with remarkably polyglot names for action set in England. My essay examines this naming practice, attending in particular to the Italian name and background of the 'Dutch' courtesan, Franceschina, familiar to theatre-goers as a traditional character in commedia dell’arte troupes and scenarios. Overall, the essay argues that Marston’s deployment of foreign and polyglot names plays out and extends the ambivalences criticism has identified in the play, and in the genre of city comedy, towards hybridizations springing up in England in response to contemporary mercantile and cross-cultural relations.
Downloads
Published
Issue
Section
License
Contributors to Early Theatre retain full copyright to their content. All published authors are required to grant a limited exclusive license to the journal. According to the terms of this license, authors agree that for one year following publication in Early Theatre, they will not publish their submission elsewhere in the same form, in any language, without the consent of the journal, and without acknowledgment of its initial publication in the journal thereafter.