Cosmopolitan Desire and Profitable Performance in The Dutch Courtesan

Authors

  • Liz Fox University of Massachusetts Amherst

DOI:

https://doi.org/10.12745/et.23.1.4167

Keywords:

John Marston; Dutch Courtesan

Abstract

The Dutch Courtesan reflects on the uses of seduction and desire in commercial culture. The eponymous courtesan Franceschina circulates among foreign clientele; the native conman Cocledemoy accumulates wealth through a range of foreign disguises. Their cosmopolitan appeal to diverse consumers illustrates the dangers of excessive desire linked to an intensifying fashion for foreign commodities in the period. The commodity that is the play itself also capitalizes on similar fascinations of London audiences. Franceschina and Cocledemoy’s explicitly theatrical performances display and satirize how salesmanship – in the form of seduction and trickery – preys on consumer interests to fuel commerce in the global marketplace.

Author Biography

Liz Fox, University of Massachusetts Amherst

Liz Fox (efox@umass.edu) is arts and academic programs coordinator at the Kinney Center for Interdisciplinary Renaissance Studies, University of Massachusetts, Amherst. She also serves as editorial assistant for English Literary Renaissance.

Published

2020-06-30

Issue

Section

Special Issue