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• A Performance Studies Approach to The Tragedy of Mariam

  Rebecca McCutcheon

  2015-12-31

• Introduction: Rethinking Performance in Early Modern England Sources, Contexts, and Forms

  Emily Mayne

  2021-02-18

• Women and Performance in Medieval and Early Modern Suffolk

  James Stokes

  2012-07-06

• Popular Theatre and the Red Bull

  Lucy Munro, Anne Lancashire, John H. Astington, Marta Straznicky

  2006-01-01

• Raging in the Streets of Medieval York

  Margaret Rogerson

  2000-01-01

• Performing Early Modern Libel Expanding the Boundaries of Performance

  Clare Egan

  2021-02-18

• Performance, Print, and the Senses: Aretino and the Spaces of the City

  Marlene Eberhart

  2012-12-23

• 'If I had begun to dance': Women's Performance in Kemps Nine Daies Wonder

  Peter Parolin

  2012-07-06

• Deanne Williams. Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy. London: Bloomsbury, 2023.

  Camila Reyes

  2025-06-10

• Noémie Ndiaye. Scripts of Blackness: Early Modern Performance Culture and the Making of Race. Philadelphia: University of Pennsylvania Press, 2022, and Emily Weissbourd. Bad Blood: Staging Race Between Early Modern England and Spain. Philadelphia: University of Pennsylvania Press, 2023.

  Bernadette Andrea

  2024-06-26

• Amateur Theatre at the Early Modern Inns of Court? The Implications of a Performance Copy of Jonson’s 1640 Folio

  Tom Harrison, James Loxley

  2023-06-06

• Publishing Misfortunes: Recording Performance at the Inns of Court

  Romola Nuttall

  2021-12-17

• Perambulation and Performance in Early Modern Festive Culture

  Matthew Woodcock

  2021-02-18

• 'Players' in Context Determining Performance in Medieval Accountancy Records

  Mark Chambers

  2021-02-18

• 'Our hurtless mirth': What’s Funny about The Dutch Courtesan?

  Erin Julian

  2020-06-30

• ‘By consent of the whole chapter’: Lincoln Cathedral’s Rewards for Touring Players and School Comedies, 1561-1593

  Jason Burg

  2018-02-05

• Putting On and Removing the Mask: Layers of Performance Pretence

  Philip Butterworth

  2018-06-01

• The Future Francis Beaumont

  Eoin Price

  2017-12-15

• Reading Performance, Reading Gender: Early Encounters with Beaumont and Fletcher’s The Scornful Lady in Print

  Simon Smith

  2017-12-15

• Introduction: Attending to Early Modern Women as Theatre Makers

  Elizabeth Schafer

  2015-12-31

• Reproducing Iphigenia at Aulis

  Alison G. Findlay

  2015-12-31

• The Appearance of Blacks on the Early Modern Stage: Love’s Labour’s Lost’s African Connections to Court

  Matthieu A Chapman

  2014-09-24

• The Twelfth-Century Story of Daniel for Performance by Hilarius: An Introduction, Translation, and Commentary

  Stephen K. Wright

  2014-07-07

• Aural Space, Sonorous Presence, and the Performance of Christian Community in the Chester Shepherds Play

  Andrew J. Albin

  2014-01-01

• Touring, Women, and the Professional Stage

  Sara Mueller

  2008-01-01

• Italian Perspectives on Late Tudor and Early Stuart Theatre

  Richard Allen Cave

  2005-01-01

• ‘Another Voyage’: Death as Social Performance in the Major Tragedies of John Webster

  Roberta Barker

  2005-01-01

• Joseph Mansky. Libels and Theater in Shakespeare’s England: Publics, Politics, Performance. Cambridge: Cambridge University Press, 2023.

  Stephen Wittek

  2025-06-10

• On Unstable Ground: Trans-Civic, Trans Gender Fluidity in Chester’s ‘Play of the Flood’

  Gillian Redfern

  2024-12-17

• Lesbians, Drag Kings, and Pregnant Queens: The Digby Mary Magdalene’s Queer Relationships

  Daisy Black

  2024-12-17

• Simon Smith and Emma Whipday, eds. Playing and Playgoing in Early Modern England: Actor, Audience and Performance. Cambridge: Cambridge University Press, 2022.

  David McInnis

  2024-06-26

• 'Participating Immortality': Memory and Performance in Middleton's Hengist, King of Kent

  J. Gavin Paul

  2023-12-08

• Eleanor Rycroft. Facial Hair and the Performance of Early Modern Masculinity. London and New York: Routledge, 2019.

  Rob Carson

  2023-06-06

• Introduction: Repertory, Dramaturgy, and Embodiment

  Elizabeth Tavares, Laurie Johnson

  2022-12-09

• Staging Arthur

  James Wallace

  2021-12-17

• Claire M.L. Bourne. Typographies of Performance in Early Modern England. Oxford: Oxford University Press, 2020. Pp 328.

  Brandi K. Adams

  2021-06-30

• Editorial

  Erin E. Kelly, Melinda J. Gough

  2021-02-18

• Shows of Joy and Malice Performance, the Star Chamber, and the Celebration of James I’s Coronation in Norwich in 1603

  Emily Mayne

  2021-02-18

• A New Performance Strategy for a Twelve-Station, One-Day York Cycle

  Arlynda L. Boyer

  2019-12-28

• John Bale’s King John (Cultures of Performance in Medieval and Early Modern Europe), directed by Russell Bender at St Stephen’s Church, Canterbury, UK. 20 February 2019.

  Jessica Winston

  2019-06-04

• Philip Butterworth and Katie Normington, eds. Medieval Theatre Performance: Actors, Dancers, Automata and their Audiences. Cambridge: D. S. Brewer, 2017. Pp 296. Hardback £60.00 ISBN: 9781843844761.

  Sarah Brazil

  2019-06-04

• Review: Robert Henke, Poverty and Charity in Early Modern Theater and Performance.

  Pavel Drábek

  2018-06-15

• Review: Bill Barclay and David Lindley (eds), Shakespeare, Music and Performance.

  Jennifer Claire Moss Waghorn

  2018-04-03

• Review: Gary Watt, Shakespeare’s Acts of Will: Law, Testament and the Properties of Performance.

  Subha Mukherji

  2018-04-03

• Elizabeth Zeman Kolkovich. The Elizabethan Country House Entertainment: Print, Performance, and Gender. Cambridge: Cambridge University Press, 2016. Pp 256.

  Wendy Wall

  2017-07-04

• Simone Chess. Male-to-Female Crossdressing in Early Modern English Literature: Gender, Performance, and Queer Relations. New York: Routledge, 2016. Pp xi, 196.

  Jennifer Panek

  2017-07-04

• Beds on the Early Modern Stage

  Leslie Thomson

  2016-12-21

• Deanne Williams. Shakespeare and the Performance of Girlhood. New York: Palgrave Macmillan, 2014. Pp xi, 277.

  M. Tyler Sasser

  2016-06-10

• Daniel’s Cleopatra and Lady Anne Clifford: From a Jacobean Portrait to Modern Performance

  Yasmin Arshad, Helen Hackett, Emma Whipday

  2015-12-31

• Performing The Tragedy of Mariam and Constructing Stage History

  Ramona Wray

  2015-12-31

• Performance Spaces in Thomas Chaundler’s Liber apologeticus

  Elza C. Tiner

  2015-06-30

• Kathryn M. Moncrief and Kathryn R. McPherson (eds). Performing Pedagogy in Early Modern England: Gender, Instruction, and Performance. Aldershot: Ashgate, 2011. Pp 248.

  Yvonne Bruce

  2013-06-20

• Marie de Medici’s 1605 ballet de la reine: New Evidence and Analysis

  Melinda J. Gough

  2012-07-06

• Introduction Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain

  Peter Parolin

  2012-07-06

• Queen Elizabeth I's Progress to Bristol in 1574: An Examination of Expenses

  Francis Wardell

  2011-06-29

• How to get from A to B: Fulgens and Lucres, Histrionic Power, and the Invention of the English Comic Duo

  Rick Bowers

  2011-06-29

• Peter Kanelos and Matt Kozusko (eds), Thunder at a Playhouse: Essaying Shakespeare and the Early Modern Stage (Cranbury NJ: Rosemount Publishing, 2010)

  Helen M. Ostovich

  2011-06-29

• 'An honest dog yet': Performing The Witch of Edmonton

  Roberta Barker

  2009-01-01

• 'On yestern day, in Feverere, the yere passeth fully': On the Dating and Prosopography of Mankind

  John A. Geck

  2009-01-01

• Book Review: Robert Mills. Suspended Animation: Pain, Pleasure and Punishment in Medieval Culture. London: Reaktion Books, 2005.

  Lisa Dickson

  2008-01-01

• ‘Now mark that fellow; he speaks Extempore’: Scripted Improvisation in The Antipodes

  Karen Kettnich

  2007-01-01

• ‘Plucking a Crow’ in The Comedy of Errors

  Maureen Godman

  2005-01-01

• ‘The top of woman! All her sex in abstract!’: Ben Jonson Directs the Boy Actor in The Devil is an Ass

  Regina Buccola

  2005-01-01

• Subjectivity, Theory and Early Modern Drama

  Viviana Comensoli Viviana, Theodora Jankowski, Bryan Reynolds

  2004-01-01

• Performance, Politics, and Culture in the Southwest of Britain, 1350-1642: Historian's Response

  Peter Fleming

  2003-01-01

• The Medieval Pagent Wagons at York: Their Orientation and Height

  John McKinnell

  2000-01-01

• The Waits of Lincolnshire

  James Stokes

  1998-01-01

• Lynneth Miller Renberg. Women, Dance, and Parish Religion in England, 1300-1640: Negotiating the Steps of Faith. Woodbridge: Boydell Press, 2022.

  Emily Winerock

  2025-06-10

• The Esquire and the Pettifogger Reintroducing James Cobbe and Rethinking his Alopichos

  Michael Lind Menna

  2025-06-10

• In Great Haste to See a Play A Woman Playgoer in Jacobean Worcester

  Matteo Pangallo

  2025-06-10

• Between the Stage and the Page: Printed Marginalia in Gascoigne’s Supposes

  Cristiano Ragni

  2024-12-17

• ‘A Tragedie Written in Greeke’: How Jocasta was Made ‘Classical’

  Silvia Bigliazzi

  2024-12-17

• 'Be You Never So Gaye': A Queer Everyman

  Matthew W. Irvin

  2024-12-17

• Harry R. McCarthy. Performing Early Modern Drama Beyond Shakespeare: Edward’s Boys. Cambridge: Cambridge University Press, 2020.

  Roberta Barker

  2024-06-26

• Performative Print: A Printing Anomaly in The Coblers Prophesie

  Frances Eastwood

  2023-12-08

• W.B. Worthen. Shakespeare, Technicity, Theatre. Cambridge: Cambridge University Press, 2020.

  Marie Trotter

  2023-06-06

• 'You shall see me do the Moor': The Blackfriars Children and the Performance of Race in Poetaster

  Emily MacLeod

  2022-12-09

• Artist Development and Collective Therapy in the Repertory: The Case of After Edward

  Peter Kirwan

  2022-12-09

• Callan Davies. Strangeness in Jacobean Drama. London: Routledge, 2021. Pp 203.

  Eric Dunnum

  2022-06-10

• Amanda Eubanks Winkler. Music, Dance, and Drama in Early Modern English Schools. Cambridge: Cambridge University Press, 2020. Pp 258.

  Simon Smith

  2022-06-10

• ‘I am but a fool, look you’: Will Kemp and the Performance of Welshness

  Michael David Friedman

  2022-06-10

• Decoding Misfortunes: Advice to Elizabeth I and Her Subjects

  Lorna Wallace

  2021-12-17

• The Introduction of Admission Fees in London: Fencing Prizes, Bearbaiting Arenas, and Speculative Origins

  Oliver W. Gerland III

  2021-12-17

• Hidden Music in Early Elizabethan Tragedy

  Ross W. Duffin

  2021-06-30

• Afterword

  John J. McGavin

  2021-02-18

• ‘That’s hard’: Christopher Marlowe’s Doctor Faustus and the Trauma of Reprobation

  Mark James Richard Scott

  2021-02-18

• Introduction: Strangers and Aliens in London ca 1605 -- Is Anyone Stranger than a London Gallant?

  Helen M. Ostovich

  2020-06-30

• The Dutch Courtesan and 'The Soul of Lively Action'

  Michael Cordner

  2020-06-30

• 'Unwholesome Reversions': Contagion as Dramaturgy in The Dutch Courtesan

  Noam Lior

  2020-06-30

• Cosmopolitan Desire and Profitable Performance in The Dutch Courtesan

  Liz Fox

  2020-06-30

• Bowling Alleys and Playhouses in London, 1560-90

  Callan Davies

  2019-12-28

• Goran Stanivukovic, ed. Queer Shakespeare: Desire and Sexuality. London: Bloomsbury, 2017. Pp 424. Hardback: £72.00. ISBN: 9781350084476.

  Emer McHugh

  2019-06-04

• Thereby Hangs a Tail: Jonson’s The Devil Is an Ass and Stage Representations of Devil-Servants

  Tom Harrison

  2019-06-04

• The Towneley 'First Shepherds’ Play': Its ‘Grotesque’ Feast Revisited

  Ernst Gerhardt

  2019-06-04

• The Hamlet First Quarto (1603) & the Play of Typography

  Erika Mary Boeckeler

  2017-11-30

• 'Untruss a Point' - Interiority, Sword Combat, and Gender in The Roaring Girl

  Matthew Charles Carter

  2017-09-02

• ‘The Grocers Honour’: or, Taking the City Seriously in The Knight of the Burning Pestle

  Tracey Hill

  2017-12-15

• Introduction: Beaumont400

  Lucy Munro

  2017-12-15

• Much Virtue in O-Oh: A Case Study

  Alan C. Dessen

  2017-12-15

• The Physician and His Servant in the Croxton Play of the Sacrament

  Jillian Linster

  2017-12-15