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• The Salting Down of Gertrude: Transgression and Preservation in Three Early German Carnival Plays

  Stephen K. Wright

  2017-12-15

• Sejanus, the King’s Men Altar Scenes, and the Theatrical Production of Paganism

  John Kuhn

  2017-12-15

• Aaron’s Roots: Spaniards, Englishmen, and Blackamoors in Titus Andronicus

  Noémie Ndiaye

  2016-12-21

• Night of the Living Bread: Unstable Signs in Chester's 'Antichrist'

  Cameron Hunt McNabb

  2016-12-21

• An Acoustical Approach to the Study of the Wagons of the York Mystery Plays: Structure and Orientation

  Mariana Lopez

  2015-12-31

• Susan Bennett and Mary Polito (eds). Performing Environments: Site-Specificity in Medieval and Early Modern English Drama. Basingstoke: Palgrave Macmillan, 2014. Pp xii, 271.

  Eleanor Rycroft

  2015-04-27

• ‘Stolne and Surreptitious’: Heywood as a Test Case

  William Proctor Williams

  2014-09-24

• ‘The cunning of their ground’: The Relevance of Sejanus to Renaissance Tragedy

  Peter Byrne

  2014-07-07

• Introduction: Why Attend to Earlier Tudor Drama?

  Erin E. Kelly

  2014-01-01

• Advertising Status and Legitimacy: or, Why Did Henry VIII's Queens and Children Patronize Travelling Performers?

  James H. Forse

  2014-01-01

• New Contexts for Early Tudor Plays: William Briton, an Early Reader of Gorboduc

  Laura Estill

  2014-01-01

• 'This place was made for pleasure not for death': Performativity, Language, and Action in The Spanish Tragedy

  Alexandra S. Ferretti

  2013-06-20

• The Will of Simon Jewell and the Queen’s Men Tours in 1592

  Chiaki Hanabusa

  2013-06-20

• Alden T. & Virginia Mason Vaughan. Shakespeare in America. Oxford: Oxford University Press, 2012. Pp xii, 220.

  Alan Andrews

  2013-06-20

• Theatre of Judgment: Space, Spectators, and the Epistemologies of Law in Bartholomew Fair

  Andrew Brown

  2012-12-23

• Staging Exchange: Why The Knight of the Burning Pestle Flopped at Blackfriars in 1607

  Brent E. Whitted

  2011-08-02

• Reinstating Shakespeare's Instrumental Music

  David Mann

  2012-12-23

• 'What makes thou upon a stage?': Child Actors, Royalist Publicity, and the Space of the Nation in the Queen's Men's True Tragedy of Richard the Third

  Jennifer Roberts-Smith

  2012-12-23

• 'In the sight of all': Queen Elizabeth and the Dance of Diplomacy

  Bella Mirabella

  2012-07-06

• Brian Walsh. Shakespeare, the Queen’s Men, and the Elizabethan Performance of History. Cambridge: Cambridge University Press, 2009.

  Peter Kuling

  2012-07-06

• Robert Mullally. The Carole: A Study of a Medieval Dance. Aldershot: Ashgate, 2011.

  Emily F. Winerock

  2012-07-06

• Jane Hwang Degenhardt and Elizabeth Williamson (eds). Religion and Drama in Early Modern England: The Performance of Religion on the Renaissance Stage. Aldershot: Ashgate, 2011.

  Erin E. Kelly

  2012-07-06

• Politics, Poetry, and Performance: The Miscellaneous Contents of Arbury Hall MS 414

  Laura Estill

  2011-12-12

• Editorial

  Helen M. Ostovich, Melinda Gough, Erin E. Kelly

  2011-12-13

• Craig Dionne and Parmita Kapadia (eds), Native Shakespeares: Indigenous Appropriations on a Global Stage (Aldershot: Ashgate, 2008)

  Yolana Wassersug

  2011-06-29

• Chester 2010: Creation and Judgment

  Garrett PJ. Epp

  2010-10-01

• Running over the Stage: Webster and the Running Footman

  David Carnegie

  2010-09-01

• 'Canst paint a doleful cry?': Promotion and Performance in the Spanish Tragedy Title-Page Illustration

  Diane K. Jakacki

  2010-09-01

• Review of Violence Against Women in Early Modern Performance: Invisible Acts by Kim Solga

  Catherine Silverstone

  2010-04-01

• These bookes, as I heare, are all cawled in': Dance and Choreographic Records from the Stuart Masques

  Jennifer Nevile

  2009-01-01

• Book Review: M.A. Katritzky, Women, Medicine and Theatre, 1500-1750: Literary Mountebanks and Performing Quacks. Studies in Performance and Early Modern Drama (Aldershot: Ashgate, 2007).

  Rosalind Kerr

  2009-01-01

• Book Review: Douglas Bruster and Robert Weimann, Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre (Cambridge: Cambridge University Press, 2008).

  Peter J. Smith

  2009-01-01

• Staging Invisibility in English Early Modern Drama

  Barbara D. Palmer

  2008-01-01

• New Perspectives on Language, Oral Transmission, and Multilingualism in Commedia dell'Arte

  Erith Jaffe-Berg

  2008-01-01

• Book Review: Peter Holland (ed.). Shakespeare, Memory and Performance Cambridge: Cambridge University Press, 2006.

  Elizabeth Klett

  2008-01-01

• Book Review: Tony Howard. Women as Hamlet: Performance and Interpretation in Theatre, Film and Fiction. Cambridge: Cambridge University Press, 2007.

  Bridget Escolme

  2008-01-01

• The Red Lion and the White Horse: Inns used by Patronized Performers in Norwich, 1583-1624

  Jennifer Roberts Smith

  2007-01-01

• Mary Frith at the Fortune

  Mark Hutchings

  2007-01-01

• The Reasons of Misrule Revisited: Evangelical Appropriations of Carnival in Tudor Revels

  Robert Hornback

  2007-01-01

• Children, Costume, and Identity in the Chester Midsummer Show

  Susannah Crowder

  2007-01-01

• Crossing County Boundaries: Sixteenth-Century Performance and Celebration in Yeovil, co. Somerset, and Sherbourne, co. Dorset

  Rosalind C. Hays

  2003-01-01

• Plays and Performing in Early Modern South Wales

  David N. Klausner

  2003-01-01

• Minstrels, Morris Dancers, and Players: Tracing the Routes of Travelling Performers in Early Modern Cornwall

  Gloria J. Betcher

  2003-01-01

• Puritans and Performers in Early Modern Dorset

  C. E. McGee

  2003-01-01

• The Performance of Disguise

  Peter Hyland

  2002-01-01

• ‘Arden Winketh at His Wife's Lewdness, & Why!’: A Patrilineal Crisis in Arden of Faversham

  Randall Martin

  2001-01-01

• Book Review: Edward J. Esche, ed. Shakespeare and his Contemporaries in Performance. Aldershot: Ashgate, 2000.

  Roberta Barker

  2001-01-01

• The Pageant Wagon as Iconic Site in the York Cycle

  Ralph Blasting

  2000-01-01

• Afterwards: Overview on the York Cycle Performance

  Joel Kaplan

  2000-01-01

• Saint Plays

  Clifford Davidson, Lawrence M. Clopper, Elizabeth Baldwin

  1999-01-01

• The Donington Cast List: Innovation and Tradition in Parish Guild Drama in Early Elizabethan Lincolnshire

  James Stokes, Stephen K. Wright

  1999-01-01

• The Meaning of Thunder and Lightning: Stage Directions and Audience Expectations

  Leslie Thomson

  1999-01-01

• Issues in Review: The York Cycle in Performance (Toronto and York)

  Barbara Palmer, David Bevington, Garrett Epp, Ralph Blasting, David Mills, Peter Meredith

  1998-01-01