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• ‘This alters not thy beauty’: Face-paint, Gender, and Race in The English Moor

  Farah Karim-Cooper

  2007-01-01

• The Waits of Lincolnshire

  James Stokes

  1998-01-01

• A 'Ludicrous and Inappropriate' Dinner Guest: The Character of the Titus Andronicus Fly

  Mary Odbert

  2025-06-10

• ‘M[aster] Monkesters schollars’: Richard Mulcaster, Physical Education, and the Early Modern Boy Companies

  Harry R. McCarthy

  2021-12-17

• The Seven Deadly Sins and Theatrical Apprenticeship

  David Kathman

  2011-06-01

• ‘Once more unto the breach’: Katherine's Victory in Henry V

  Corinne S. Abate

  2001-01-01

• Between the Stage and the Page: Printed Marginalia in Gascoigne’s Supposes

  Cristiano Ragni

  2024-12-17

• Lesbians, Drag Kings, and Pregnant Queens: The Digby Mary Magdalene’s Queer Relationships

  Daisy Black

  2024-12-17

• New Work In and Beyond Repertory at the Royal Shakespeare Company and Shakespeare’s Globe

  Catriona Fallow

  2022-12-09

• Artist Development and Collective Therapy in the Repertory: The Case of After Edward

  Peter Kirwan

  2022-12-09

• Decoding Misfortunes: Advice to Elizabeth I and Her Subjects

  Lorna Wallace

  2021-12-17

• Thereby Hangs a Tail: Jonson’s The Devil Is an Ass and Stage Representations of Devil-Servants

  Tom Harrison

  2019-06-04

• Who Performed at Newington Butts in May 1586?

  Laurie Johnson

  2018-11-02

• Leicester’s Men and the Lost Telomo of 1583

  Domenico Lovascio

  2017-07-04

• Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage

  Morwenna Carr

  2017-07-04

• Aaron’s Roots: Spaniards, Englishmen, and Blackamoors in Titus Andronicus

  Noémie Ndiaye

  2016-12-21

• Sound, Vision, and Representation: Pageantry in 1610 Chester

  Susan Anderson

  2014-07-07

• A New Context for the Manuscript of Wit and Science

  Louise Rayment

  2014-07-07

• The Twelfth-Century Story of Daniel for Performance by Hilarius: An Introduction, Translation, and Commentary

  Stephen K. Wright

  2014-07-07

• Old Testament Adaptation in The Stonyhurst Pageants

  J. Case. Tompkins

  2013-06-20

• Accidents Happen: Roger Barnes's 1612 Edition of Marlowe's Edward II

  Mathew R. Martin

  2013-06-20

• 'If I had begun to dance': Women's Performance in Kemps Nine Daies Wonder

  Peter Parolin

  2012-07-06

• Women and Performance in Medieval and Early Modern Suffolk

  James Stokes

  2012-07-06

• The Magistrate — and Humorous Magistrates — in Early Seventeenth-Century England

  Louis A. Knafla

  2011-12-12

• The English Entertainment for the French Ambassadors in 1564

  C. Edward. McGee

  2011-06-29

• The Functions of the English Vice and Dutch Sinnekens: A Comparison

  Charlotte Steenbrugge

  2010-10-01

• A lost Jacobean tragedy: Henry the Una (c.1619)

  Matthew Steggle

  2010-09-01

• 'Canst paint a doleful cry?': Promotion and Performance in the Spanish Tragedy Title-Page Illustration

  Diane K. Jakacki

  2010-09-01

• A Dramaturgical Study of Merrythought's Songs in The Knight of the Burning Pestle

  Katrine K. Wong

  2009-01-01

• Miraculous Rhetoric: The Relationship between Rhetoric and Miracles in the York 'Entry into Jerusalem'

  Frank Napolitano

  2009-01-01

• ‘You see the times are dangerous’: The Political and Theatrical Situation of The Humorous Magistrate (1637)

  Mary Polito, Jean-Sebastien Windle

  2009-01-01

• We pray you all ... To drink ere ye pass': Bann Criers, Parish Players, and the Henrician Reformation in England's South-east

  Ernst Gerhardt

  2008-01-01

• Christopher Beeston and the Caroline Office of Theatrical ‘Governor’

  Christopher Matusiak

  2008-01-01

• Touring, Women, and the Professional Stage

  Sara Mueller

  2008-01-01

• A Crisis of Gerontocracy and the Coventry Play

  Sheila K. Christie

  2008-01-01

• ‘Vs for to wepe no man may lett’: Accommodating Female Grief in the Medieval English Lazarus Plays

  Katharine Goodland

  2005-01-01

• ‘If my sign could speak’: The Signboard and the Visual Culture of Early Modern London

  Andrew Gordon

  2005-01-01

• A Greatly Exaggerated Demise: The Remaking of the Children of Paul's as the Duke of York's Men (1608)

  Brandon Centerwall

  2006-01-01

• Taking Liberties

  Matt Kozusko

  2006-01-01

• Othello the Traveller

  Philip D. Collington

  2005-01-01

• Foreign Affairs: The Search for the Lost Husbad in Shakespeare's All's Well that Ends Well

  Karen Bamford

  2005-01-01

• ‘Another Voyage’: Death as Social Performance in the Major Tragedies of John Webster

  Roberta Barker

  2005-01-01

• ‘The top of woman! All her sex in abstract!’: Ben Jonson Directs the Boy Actor in The Devil is an Ass

  Regina Buccola

  2005-01-01

• Making Death a Miracle: Audience and the Genres of Martyrdom in Dekker and Massinger's The Virgin Martyr

  Nova Myhill

  2004-01-01

• The Empress of Babylon's ‘carbuncles and rich stones’: The Metaphorizing of the Pox in Thomas Dekker's The Whore of Babylon

  Sarah Scott

  2004-01-01

• Historicizing the Self-Starved Female Body in A Woman Killed with Kindness

  Christopher Frey, Leanore Lieblein

  2004-01-01

• Landscape, Movement, and Civic Mimesis in the West of England

  James Stokes

  2003-01-01

• The Feast of Corpus Christi in the West Country

  Alexandra F. Johnston

  2003-01-01

• Tales of Patient Griselda and Henry VIII

  Ursula Potter

  2002-01-01

• Mrs. Noah and Didactic Abuses

  Jane Tolmie

  2002-01-01

• Raging in the Streets of Medieval York

  Margaret Rogerson

  2000-01-01

• The Medieval Pagent Wagons at York: Their Orientation and Height

  John McKinnell

  2000-01-01

• The Donington Cast List: Innovation and Tradition in Parish Guild Drama in Early Elizabethan Lincolnshire

  James Stokes, Stephen K. Wright

  1999-01-01

• The Meaning of Thunder and Lightning: Stage Directions and Audience Expectations

  Leslie Thomson

  1999-01-01

• Sufficient To Have Stood The Lady Unparalyzed in Milton’s A Maske Presented at Ludlow Castle

  Philip Goldfarb Styrt

  2025-06-10

• The Esquire and the Pettifogger Reintroducing James Cobbe and Rethinking his Alopichos

  Michael Lind Menna

  2025-06-10

• Through the Looking Glass: Reflections of the Prodigal Daughter

  Carla Suthren

  2024-12-17

• ‘To Coosen the Expectation’: George Gascoigne’s Moral ‘Poses’ in Supposes

  Silvia Silvestri

  2024-12-17

• ‘A Tragedie Written in Greeke’: How Jocasta was Made ‘Classical’

  Silvia Bigliazzi

  2024-12-17

• ‘Lely-wyte, clene with pure virginyté’: The N-Town 'Nativity', the Virgin Mary, and Trans Misogyny

  Nat Rivkin

  2024-12-17

• On Unstable Ground: Trans-Civic, Trans Gender Fluidity in Chester’s ‘Play of the Flood’

  Gillian Redfern

  2024-12-17

• The Elder Brother, Virgil’s De apibus, and the Chronology of the Plays in the Canon of John Fletcher and His Collaborators, 1617–20

  Domenico Lovascio

  2024-06-26

• The Politics of Sport: John Day's The Isle of Gulls

  Alexandra Finn-Atkins

  2024-06-26

• Early English Drama Records and Other Manuscripts from Coventry Destroyed Before and During the Second World War

  Krista A. Milne

  2023-12-08

• Performative Print: A Printing Anomaly in The Coblers Prophesie

  Frances Eastwood

  2023-12-08

• An Edition of Jonson’s Entertainment at Britain’s Burse and a New Letter by Collier on Massinger in the Athenaeum (1857)

  Marlin E. Blaine

  2023-12-08

• Amateur Theatre at the Early Modern Inns of Court? The Implications of a Performance Copy of Jonson’s 1640 Folio

  Tom Harrison, James Loxley

  2023-06-06

• The Inconvenience of Stage Posts: Green World Locales at the Rose Theatre

  Adrian Blamires

  2022-12-09

• Divine Thoughts and the Corruption of the Will in Doctor Faustus

  Nathan Pensky

  2022-06-10

• The Name of Grim: Tracing the Character of Grim the Collier in Sixteenth- and Seventeenth-Century English Theatre

  Laura Seymour

  2021-12-17

• Walking with Vigilance: Middleton's Edge in The Triumphs of Truth

  Mark Kaethler

  2021-12-17

• Shakespeare’s Statuary Women and the Indoor Theatre’s Discovery Space

  Myles O'Gorman, Bonnie Lander Johnson

  2021-06-30

• The Personation of John Suckling, 1635

  James Doelman

  2021-02-18

• The Dutch Courtesan and 'The Soul of Lively Action'

  Michael Cordner

  2020-06-30

• ‘Rub Him About the Temples’: Othello, Disability, and the Failures of Care

  Justin Shaw

  2019-12-28

• Building a Wall Around Tudor England: Coastal Forts and Fantasies of Border Control in Friar Bacon and Friar Bungay

  Todd Andrew Borlik

  2019-12-28

• Touring in Kent: Some Observations from Records Published to Date

  James H. Forse

  2019-12-28

• ‘[M]istris Drewry,/ You do not well’: The Gossip as an Ill-Doer in A Warning for Fair Women (1599)

  Iman Sheeha

  2019-12-28

• ‘[A]dore my topless villainy’: Metatheatrical Rivalry in John Marston’s Antonio’s Revenge

  Mitchell Macrae

  2019-06-04

• The York Bakers and Their Play of the Last Supper

  Leanne Groeneveld

  2019-06-04

• Ovidian Retro-Metamorphosis on the Elizabethan Stage

  Lindsay Ann Reid

  2018-11-02

• Underemployed Elizabethans: Gabriel Harvey and Thomas Nashe in the Parnassus Plays

  P. B. Roberts

  2018-11-02

• How to Do Things with Organs: Moving Parts in The Duchess of Malfi

  Roya Biggie

  2018-11-02

• Putting On and Removing the Mask: Layers of Performance Pretence

  Philip Butterworth

  2018-06-01

• '[N]or bear I in this breast / So much cold spirit to be called a woman': The Queerness of Female Revenge in The Maid’s Tragedy

  Katherine M. Graham

  2018-01-22

• The Hamlet First Quarto (1603) & the Play of Typography

  Erika Mary Boeckeler

  2017-11-30

• 'Untruss a Point' - Interiority, Sword Combat, and Gender in The Roaring Girl

  Matthew Charles Carter

  2017-09-02

• Reading Performance, Reading Gender: Early Encounters with Beaumont and Fletcher’s The Scornful Lady in Print

  Simon Smith

  2017-12-15

• Rape, Massacre, The Lucrece Tradition, and Alarum for London

  Georgina Lucas

  2017-12-15

• The Physician and His Servant in the Croxton Play of the Sacrament

  Jillian Linster

  2017-12-15

• The Salting Down of Gertrude: Transgression and Preservation in Three Early German Carnival Plays

  Stephen K. Wright

  2017-12-15

• Sejanus, the King’s Men Altar Scenes, and the Theatrical Production of Paganism

  John Kuhn

  2017-12-15

• Affective Inheritances: A Review Essay

  Lesel Dawson, Eric Langley

  2017-07-04

• Reading the Royal Entry (1604) in/as Print

  Heather C. Easterling

  2017-07-04

• The Vow Breaker and William Sampson’s Role in ‘the Anne Willoughby Affair’

  Emanuel Stelzer

  2017-07-04

• ‘Sick interpreters’: Criticizing Historical Adaptations of Cardinal Wolsey in Shakespeare’s Henry VIII

  Nadia Thérèse Van Pelt

  2017-07-04

• ‘I trac’d him too and fro’: Walking the Neighbourhood on the Early Modern Stage

  Rebecca Tomlin

  2016-12-21

• Edward Greene, Goldsmith; William Marston, Apprentice; and Eastward Ho!

  Charles Cathcart

  2016-12-21

• Talbot's Death as Passion Play in Shakespeare's 1 Henry VI

  John A. Warrick

  2016-06-10

• A Performance Studies Approach to The Tragedy of Mariam

  Rebecca McCutcheon

  2015-12-31