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• Daniel’s Cleopatra and Lady Anne Clifford: From a Jacobean Portrait to Modern Performance

  Yasmin Arshad, Helen Hackett, Emma Whipday

  2015-12-31

• Performing The Tragedy of Mariam and Constructing Stage History

  Ramona Wray

  2015-12-31

• ‘I will keep and character that name’: Dramatis Personae Lists in Early Modern Manuscript Plays

  Matteo A. Pangallo

  2015-12-31

• Preaching Rhetorical Invention: Poeta and Paul in the Digby Conversion of St Paul

  Ann Hubert

  2014-09-08

• ‘Stolne and Surreptitious’: Heywood as a Test Case

  William Proctor Williams

  2014-09-24

• Hocus Pocus and the Croxton Play of the Sacrament

  Cameron Hunt McNabb

  2014-12-31

• ‘The cunning of their ground’: The Relevance of Sejanus to Renaissance Tragedy

  Peter Byrne

  2014-07-07

• 'Bogus History' and Robert Greene’s Friar Bacon and Friar Bungay

  David M. Bergeron

  2014-07-07

• John a Kent, the Wise Man of Westchester

  Douglas H. Arrell

  2014-07-07

• 'Wanton Females of All Sorts': Spectatorship in The Antipodes

  Nova Myhill

  2014-01-01

• Theatre and/as Witchcraft: A Reading of The Late Lancashire Witches (1634)

  Charlotte A. Coffin

  2014-01-01

• Advertising Status and Legitimacy: or, Why Did Henry VIII's Queens and Children Patronize Travelling Performers?

  James H. Forse

  2014-01-01

• Aural Space, Sonorous Presence, and the Performance of Christian Community in the Chester Shepherds Play

  Andrew J. Albin

  2014-01-01

• Procula’s Civic Body and Pilate’s Masculinity Crisis in the York Cycle’s ‘Christ Before Pilate 1: The Dream of Pilate’s Wife’

  Kimberly Fonzo

  2014-01-01

• 'To see the Playes of Theatre newe wrought': Electronic Editions and Early Tudor Drama

  Brett D. Hirsch

  2014-01-01

• John Rastell’s London Stage: Reconstructing Repertory and Collaborative Practice

  Maura Giles-Watson

  2014-01-01

• ‘Bound up and clasped together’: Bookbinding as Metaphor for Marriage in Richard Brome's The Love-Sick Court

  Eleanor Lowe

  2013-06-20

• Shared Borders: The Puppet in Ben Jonson’s Bartholomew Fair

  Kristina E. Caton

  2013-06-20

• 'This place was made for pleasure not for death': Performativity, Language, and Action in The Spanish Tragedy

  Alexandra S. Ferretti

  2013-06-20

• The Will of Simon Jewell and the Queen’s Men Tours in 1592

  Chiaki Hanabusa

  2013-06-20

• Theatre of Judgment: Space, Spectators, and the Epistemologies of Law in Bartholomew Fair

  Andrew Brown

  2012-12-23

• The Raw and the Cooked in Ford’s ’Tis Pity She’s a Whore

  Mathew R. Martin

  2011-08-02

• Staging Exchange: Why The Knight of the Burning Pestle Flopped at Blackfriars in 1607

  Brent E. Whitted

  2011-08-02

• Saying Farewell with Shoes: The Gift Cycle and Unresolved Class Tensions in The Shoemaker's Holiday

  Andrea C. Lawson

  2011-08-02

• Reinstating Shakespeare's Instrumental Music

  David Mann

  2012-12-23

• John Cholmley on the Bankside

  William Ingram

  2012-12-23

• From Subject to Earthly Matter: The Plowman’s Argument and Popular Discourse in Gentleness and Nobility

  Rachel Greenberg

  2012-12-23

• Performance, Print, and the Senses: Aretino and the Spaces of the City

  Marlene Eberhart

  2012-12-23

• The Spanish Actress’s Art: Improvisation, Transvestism, and Disruption in Tirso’s El vergonzoso en palacio

  Amy L. Tigner

  2012-07-06

• ‘Cattle of this colour’: Boying the Diva in As You Like It

  Pamela Allen Brown

  2012-07-06

• Marie de Medici’s 1605 ballet de la reine: New Evidence and Analysis

  Melinda J. Gough

  2012-07-06

• Between Courts: Female Masquers and Anglo-Spanish Diplomacy, 1603-5

  Mark Hutchings, Berta Cano-Echevarría

  2012-07-06

• 'In the sight of all': Queen Elizabeth and the Dance of Diplomacy

  Bella Mirabella

  2012-07-06

• Introduction Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain

  Peter Parolin

  2012-07-06

• Conniving Women and Superannuated Coquettes: Travestis and Caractères in the Early Modern French Theatre

  Virginia Scott

  2012-07-06

• Events and Texts: The Prologues and Epilogues of the Arbury Plays

  Amy Scott

  2011-12-12

• ‘This rare Poetesse’: the Remains of Lady Jane Burdett

  Mary E. Polito

  2011-12-12

• Jockeying Jony: The Politics of Horse-Racing and Regional Identity in The Humorous Magistrate

  Vimala C. Pasupathi

  2011-12-12

• Politics, Poetry, and Performance: The Miscellaneous Contents of Arbury Hall MS 414

  Laura Estill

  2011-12-12

• Staging Roman History, Stuart Politics, and the Duke of Buckingham: The Example of The Emperor’s Favourite

  Siobhan C. Keenan

  2011-01-01

• ‘The Pen lookes to be canoniz’d’: John Newdigate III, Author and Scribe

  Kirsten Inglis, Boyda Johnstone

  2011-12-12

• Queen Elizabeth I's Progress to Bristol in 1574: An Examination of Expenses

  Francis Wardell

  2011-06-29

• 'Sette on foote with gode Wyll': Towards a Reconstruction of Robin Hood and the Sheriff of Nottingham

  Alexis M. Butzner

  2011-10-01

• How to get from A to B: Fulgens and Lucres, Histrionic Power, and the Invention of the English Comic Duo

  Rick Bowers

  2011-06-29

• The Animals in Chester's Noah's Flood

  Lisa J. Kiser

  2011-06-29

• John Fletcher of Corpus Christi College: New Records of His Early Years

  Arata Ide

  2010-10-01

• Space and Staging in the Digby Mary Magdalen and Pericles, Prince of Tyre.

  Joanne M. Rochester

  2010-10-01

• Repertory and riot: The relocation of plays from the Red Bull to the Cockpit stage

  Eleanor C. Collins

  2010-10-01

• Bringing Richard Brome Online

  Brett D. Hirsch

  2010-09-01

• Slavery and Anti-Republicanism in Sir Ralph Freeman’s Imperiale, a tragedy (1639)

  Ray Bossert

  2010-09-01

• 'Between You and Her No Comparison': Witches, Healers, and Elizabeth I in John Lyly's Endymion

  Natalia Khomenko

  2010-09-01

• 'An honest dog yet': Performing The Witch of Edmonton

  Roberta Barker

  2009-01-01

• 'The house is hers, the soul is but a tenant': Material Self-Fashioning and Revenge Tragedy

  Sheetal Lodhia

  2009-01-01

• Vengeance, Variously: Revenge Before Kyd in Early Elizabethan Drama

  Bradley J. Irish

  2009-01-01

• The Singing 'Vice': Music and Mischief in Early English Drama

  Maura Giles-Watson

  2009-01-01

• 'On yestern day, in Feverere, the yere passeth fully': On the Dating and Prosopography of Mankind

  John A. Geck

  2009-01-01

• 'By Mortus Ali and our Persian gods': Multiple Persian Identities in Tamburlaine and The Travels of the Three English Brothers

  Javad Ghatta

  2009-01-01

• Guy of Warwick, Godfrey of Bouillon, and Elizabethan Repertory

  Annaliese Connolly

  2009-01-01

• Hedgerows and Petticoats: Sartorial Subversion and Anti-enclosure Protest in Seventeenth-century England

  Christina Bosco Langert

  2009-01-01

• Female Bodies, Speech, and Silence in The Witch of Edmonton

  Sarah Johnson

  2009-01-01

• These bookes, as I heare, are all cawled in': Dance and Choreographic Records from the Stuart Masques

  Jennifer Nevile

  2009-01-01

• Dekker's Accession Pageant for James I

  Anne Lancashire

  2009-01-01

• The Rise of Commercial Playing in 1540s London

  David Kathman

  2009-01-01

• A Dog, A Witch, a Play: The Witch of Edmonton

  Meg F. Pearson

  2008-01-01

• New sightings of Christopher Marlowe in London

  David Mateer

  2008-01-01

• The Italian Actress and the Foundations of Early Modern European Theatre: Performing Female Sexual Identites on the Commedia dell'Arte Stage

  Rosalind Kerr

  2008-01-01

• The ‘plentiful Lady-feast’ in Brome's A Madd Couple Well Matcht

  Rachel E. Poulsen

  2008-01-01

• Thomas Heywood and the Portrayal of Female Benefactors in Post-Reformation England

  Robert Tittler

  2008-01-01

• ‘On cheating Pictures’: Gender and Portrait Miniatures in Philip Massinger's The Picture

  Erin Obermueller

  2007-01-01

• ‘An Amazonian Heroickess’: The Military Leadership of Queen Henrietta Maria in Margaret Cavendish's Bell in Campo (1662)

  Kamille Stone Stanton

  2007-01-01

• Female Play-going and the Good Woman

  David Mann

  2007-01-01

• A Theatrical Miracle: The Boxley Rood of Grace as Puppet

  Leanne Groeneveld

  2007-01-01

• The Red Lion and the White Horse: Inns used by Patronized Performers in Norwich, 1583-1624

  Jennifer Roberts Smith

  2007-01-01

• Mary Frith at the Fortune

  Mark Hutchings

  2007-01-01

• The Reasons of Misrule Revisited: Evangelical Appropriations of Carnival in Tudor Revels

  Robert Hornback

  2007-01-01

• The Work of Elizabethan Plotters, and 2 The Seven Deadly Sins

  Andrew Gurr

  2007-01-01

• Children, Costume, and Identity in the Chester Midsummer Show

  Susannah Crowder

  2007-01-01

• The Borrowed Expositor

  Michelle M. Butler

  2006-01-01

• The Repertory of Prince Charles's (I) Company, 1608-1625

  David Nicol

  2006-01-01

• Napping in the Arbour in the Digby Mary Magdalene Play

  Joanne Findon

  2006-01-01

• York Guilds and the Corpus Christi Plays: Unwilling Participants?

  Clifford Davidson

  2006-01-01

• ‘Plucking a Crow’ in The Comedy of Errors

  Maureen Godman

  2005-01-01

• Expanding the Political Nation: Gorboduc at the Inns of Court and Succession Revisited

  Jessica Winston

  2005-01-01

• Jonson's Gossips and the Stuart Family Drama

  Kristen McDermott

  2006-01-01

• Seniority and Mastery: The Politics of Ageism in the Coventry Cycle

  Brandon Alakas

  2006-01-01

• Editorial

  Helen Ostovich

  2005-01-01

• Galley-foists, Lord Mayors' Shows, and Early Modern English Drama

  David Carnegie

  2004-01-01

• Food and Foreignnes in Sir Thomas More

  Joan Fitzpatrick

  2004-01-01

• Reconsidering The Seven Deadly Sins

  David Kathman

  2004-01-01

• Performance, Politics, and Culture in the Southwest of Britain, 1350-1642: Historian's Response

  Peter Fleming

  2003-01-01

• Crossing County Boundaries: Sixteenth-Century Performance and Celebration in Yeovil, co. Somerset, and Sherbourne, co. Dorset

  Rosalind C. Hays

  2003-01-01

• Plays and Performing in Early Modern South Wales

  David N. Klausner

  2003-01-01

• Minstrels, Morris Dancers, and Players: Tracing the Routes of Travelling Performers in Early Modern Cornwall

  Gloria J. Betcher

  2003-01-01

• At the End of the Road: An Overview of Southwestern Touring Circuits

  Sally-Beth MacLean

  2003-01-01

• ‘Parish’ and ‘City’ -- A Shifting Identity: Salisbury 1440-1600

  Audrey Douglas

  2003-01-01

• Puritans and Performers in Early Modern Dorset

  C. E. McGee

  2003-01-01

• Religious Drama and Ecclesiastical Reform in the Tenth Century

  James H. Forse

  2002-01-01

• ‘To obtain his soul’: Demonic Desire for the Soul in Marlowe and Others

  John D. Cox

  2002-01-01

• Playhouse Calls: Folk Play Doctors on the Elizabethan Stage

  Richard Hardin

  2002-01-01

• The Certainty of Uncertain Knowledge: The Collaborative Authorship of The Changling

  Richard Nochimson

  2002-01-01