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Why publish with us?

Efficient, Personalized, Professional Service: Our policy is to report expeditiously on submissions – generally within 4 months. We use a standardized, independent, double-anonymous peer-review process.

Global Readership: Early Theatre is available internationally through Project Muse, JStor, EBSCO, and Érudit. Through our adoption of the DOI citation system, Early Theatre ensures persistent, reliable links that help direct greater online traffic to your research.

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“Early Theatre has such an efficient, professional, and courteous editorial and production team—this has been a very positive experience!” – Misha Teramura, University of Toronto

“Journals like @early_theatre prove that it is indeed possible to nurture and respect the work of scholars of all stripes, to find expert and humane reviewers, and to stick to reasonable time frames." - Harry R. McCarthy, Jesus College, Cambridge University

Search Results

Ayanna Thompson, ed. The Cambridge Companion to Shakespeare and Race. Cambridge: Cambridge University Press, 2021. Pp 280.

Ayanna Thompson. Passing Strange: Shakespeare, Race and Contemporary America. Oxford: Oxford University Press, 2011. Pp 224.

Pursued by a Bear The Art of Identity in Shakespeare and Spenser

Daniel’s Cleopatra and Lady Anne Clifford: From a Jacobean Portrait to Modern Performance

Premodern Critical Race Studies and the Question of History

The Appearance of Blacks on the Early Modern Stage: Love’s Labour’s Lost’s African Connections to Court

Aaron’s Roots: Spaniards, Englishmen, and Blackamoors in Titus Andronicus

Make a Submission

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whypublishwithet