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• Deanne Williams. Girl Culture in the Middle Ages and Renaissance: Performance and Pedagogy. London: Bloomsbury, 2023.

  Camila Reyes

  2025-06-10

• Heidi Craig. Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars. Cambridge: Cambridge University Press, 2023.

  Jonathan P. Lamb

  2025-06-10

• Editorial

  Melinda J. Gough; Erin E. Kelly

  2024-12-17

• Hannah August. Playbooks and Their Readers in Early Modern England. New York and London: Routledge, 2022.

  Laura Estill

  2024-06-26

• Jeremy Lopez, ed. The Routledge Anthology of Early Modern Drama. London and New York: Routledge, 2020.

  Emma Smith

  2023-06-06

• Tiffany Stern, ed. Rethinking Theatrical Documents in Shakespeare’s England. Bloomsbury, 2020. Roslyn L. Knutson, David McInnis, and Matthew Steggle, eds. Loss and the Literary Culture of Shakespeare’s Time. Palgrave Macmillan, 2020.

  Dr. Elizabeth E. Tavares

  2021-06-30

• David McInnis ed. Old Fortunatus by Thomas Dekker. Manchester: Manchester University Press, The Revels Plays, 2020. Pp 253.

  Emma Smith

  2021-06-30

• Fabien Cavaillé, ed. and Richard Hillman, ed. and trans. Coriolan by Alexandre Hardy. Tours: Presses Universitaires François-Rabelais, 2019. Pp 180.

  Lucy Rayfield

  2021-06-30

• Lucy Munro. Shakespeare in the Theatre: The King’s Men. London: Bloomsbury, 2020. Pp 239.

  Eoin Price

  2021-06-30

• Andrew Bozio, Thinking Through Place on the Early Modern English Stage. Oxford: Oxford University Press, 2020. Pp 240.

  Randall Martin

  2021-06-30

• Kirk Melnikoff and Roslyn Knutson eds. Christopher Marlowe, Theatrical Commerce, and the Book Trade. Cambridge: Cambridge University Press, 2018. Pp 313.

  Laurie Maguire

  2021-06-30

• Sophie Chiari and John Mucciolo, eds. Performances at Court in the Age of Shakespeare. Cambridge: Cambridge University Press, 2019. Pp 278.

  Jess Hamlet

  2021-06-30

• David Gunby, David Carnegie, and MacDonald P. Jackson, eds. The Works of John Webster, Vol. IV. Cambridge: Cambridge University Press, 2019. Pp 642.

  José A. Pérez Díez

  2021-06-30

• Emma Whipday. Shakespeare’s Domestic Tragedies: Violence in the Early Modern Home. Cambridge: Cambridge University Press, 2019. Pp 262.

  Lucy Clarke

  2021-06-30

• Rory Loughnane and Andrew Power, eds. Early Shakespeare 1588-1594. Cambridge: Cambridge University Press, 2020. Pp 336.

  Benjamin Blyth

  2021-06-30

• Yasmin Arshad. Imagining Cleopatra: Performing Gender and Power in Early Modern England. London: Bloomsbury, 2019. Pp 337.

  Cristina León Alfar

  2021-06-30

• Claire M.L. Bourne. Typographies of Performance in Early Modern England. Oxford: Oxford University Press, 2020. Pp 328.

  Brandi K. Adams

  2021-06-30

• A.D. Cousins and Daniel Derrin, eds. Shakespeare and the Soliloquy in Early Modern English Drama. Cambridge: Cambridge University Press, 2018. Pp. 278.

  Joshua Caldicott

  2020-06-30

• Catherine A. Henze. Robert Armin and Shakespeare’s Performed Songs. New York: Routledge, 2017. Pp. xi, 204.

  Nicole Sheriko

  2020-06-30

• Harry Newman. Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama. New York: Routledge, 2019. Pp. xviii, 199.

  Claire McEachern

  2020-06-30

• Patricia Akhimie and Bernadette Andrea, eds. Travel and Travail: Early Modern Women, English Drama, and the Wider World. Lincoln: University of Nebraska Press, 2019. Early Modern Cultural Studies. Pp. 384.

  Gavin Hollis

  2020-06-30

• Leslie Thomson. Discoveries on the Early Modern Stage: Contexts and Conventions. Cambridge: Cambridge University Press, 2018. Pp. 265.

  Jess Hamlet

  2020-06-30

• Tamara Atkin and Laura Estill, eds. Early British Drama in Manuscript. Turnhout: Brepols, 2019. British Manuscripts 1. Pp. xvi, 376.

  Brett Greatley-Hirsch

  2020-06-30

• Review: Robert Henke, Poverty and Charity in Early Modern Theater and Performance.

  Pavel Drábek

  2018-06-15

• Review: Bill Barclay and David Lindley (eds), Shakespeare, Music and Performance.

  Jennifer Claire Moss Waghorn

  2018-04-03

• Review: Katherine Steele Brokaw, Staging Harmony: Music and Religious Change in Late Medieval and Early Modern English Drama.

  Maggie Vinter

  2018-04-03

• Review: Jeffrey S. Doty, Shakespeare, Popularity, and the Public Sphere.

  Emma Smith

  2018-04-03

• Review: Kirk Melnikoff (ed.), Edward II: A Critical Reader.

  Bethany Packard

  2018-04-03

• Review: David B. Goldstein and Julia Reinhard Lupton (eds), Shakespeare and Hospitality: Ethics, Politics, and Exchange.

  Sarah O'Malley

  2018-04-03

• Review: Alexandra Johnston, The City and the Parish: Drama in York and Beyond.

  Katie Normington

  2018-04-03

• Review: Gary Watt, Shakespeare’s Acts of Will: Law, Testament and the Properties of Performance.

  Subha Mukherji

  2018-04-03

• Review: Evelyn Tribble, Early Modern Actors & Shakespeare’s Theatre: Thinking with the Body.

  Paul Menzer

  2018-04-03

• Review: Richard Preiss and Deanne Williams (eds), Childhood, Education and the Stage in Early Modern England.

  Harry R. McCarthy

  2018-04-03

• Review: Julie Ackroyd, Child Actors on the London Stage, circa 1600: Their Education, Recruitment and Theatrical Success.

  Edel Lamb

  2018-04-03

• Review: Jonathan Walker, Site Unscene: The Offstage in English Renaissance Drama.

  Emily Ruth Isaacson

  2018-04-03

• Review: Tom Rutter, Shakespeare and the Admiral’s Men: Reading Across Repertories on the London Stage, 1594-1600.

  Donna B. Hamilton

  2018-04-03

• Review: Kevin Curran, Shakespeare’s Legal Ecologies: Law and Distributed Selfhood.

  Derek Dunne

  2018-04-03

• Review: Barbara Ravelhofer (ed), James Shirley and Early Modern Theatre: New Critical Perspectives.

  Catherine Clifford

  2018-04-03

• Review: Roger D. Sell, Anthony W. Johnson, and Helen Wilcox (eds), Community-Making in Early Stuart Theatres: Stage and Audience.

  Mark Bayer

  2018-04-03

• Review: Derek Dunne, Shakespeare, Revenge Tragedy and Early Modern Law: Vindictive Justice.

  Jessica Apolloni

  2018-04-03

• Affective Inheritances: A Review Essay

  Lesel Dawson, Eric Langley

  2017-07-04

• Charles R. Forker (ed.). The Troublesome Reign of John, King of England. Manchester: Manchester University Press, 2011. Pp xxviii, 379.

  Karen M. Oberer

  2013-06-20

• Issues in review: Dramatists, playing companies, and repertories: Introduction

  Tom Rutter

  2010-10-01

• The Commedia dell'Arte: New Perspectives and New Documents

  M. A. Katritzky

  2008-01-01

• Book Review: Leeds Barroll (ed), Susan Zimmerman (book review ed); Shakespeare Studies 29. Madison: Fairleigh Dickinson University Press, 2001.

  Gillian Murray Kendall

  2005-01-01

• Daisy Black and Katharine Goodland, eds. Medieval Afterlives: Transforming Traditions in Shakespeare and Early English Drama. Manchester: Manchester University Press, 2024.

  Jacob Ridley

  2025-06-10

• Joseph Gamble. Sex Lives: Intimate Infrastructures in Early Modernity. Philadelphia: University of Pennsylvania Press, 2023.

  Mario DiGangi

  2025-06-10

• Ari Friedlander. Rogue Sexuality in Early Modern English Literature: Desire, Status, Biopolitics. Oxford: Oxford University Press, 2022.

  Gillian Knoll

  2025-06-10

• Domenico Lovascio, ed. The False One by John Fletcher and Philip Massinger. Manchester: Manchester University Press, The Revels Plays, 2022.

  Pavel Drábek

  2025-06-10

• Mathew R. Martin, ed. Selimus by Robert Greene. Peterborough, ON: Broadview Press, 2022.

  Edward Gieskes

  2025-06-10

• Edward Gieskes. Generic Innovation in Shakespeare and His Contemporaries. Edinburgh: Edinburgh University Press, 2023.

  Jeremy Lopez

  2025-06-10

• Ruth Lumney, ed. Dido, Queen of Carthage, by Christopher Marlowe. Manchester: Manchester University Press, The Revels Plays, 2023.

  Mathew R. Martin

  2025-06-10

• Lynneth Miller Renberg. Women, Dance, and Parish Religion in England, 1300-1640: Negotiating the Steps of Faith. Woodbridge: Boydell Press, 2022.

  Emily Winerock

  2025-06-10

• Joseph Mansky. Libels and Theater in Shakespeare’s England: Publics, Politics, Performance. Cambridge: Cambridge University Press, 2023.

  Stephen Wittek

  2025-06-10

• Jody Enders, ed. and trans. Trial by Farce: A Dozen Medieval French Comedies in English for the Modern Stage. Ann Arbor: University of Michigan Press, 2023.

  Andreea Marculescu

  2025-06-10

• Kaye McLelland. Violent Liminalities in Early Modern Culture: Inhabiting Contested Thresholds. New York: Routledge, 2023.

  Lauren Coker

  2025-06-10

• Laurie Johnson. Leicester’s Men and Their Plays: An Early Elizabethan Playing Company and Its Legacy. Cambridge: Cambridge University Press, 2023.

  Domenico Lovascio

  2025-06-10

• Introduction: Gascoigne from the Margins — Mediations, Translations, Appropriations

  Silvia Bigliazzi

  2024-12-17

• Harry R. McCarthy. Performing Early Modern Drama Beyond Shakespeare: Edward’s Boys. Cambridge: Cambridge University Press, 2020.

  Roberta Barker

  2024-06-26

• Katherine Gillen, Adrianna M. Santos, and Kathryn Vomero Santos, eds. The Bard in the Borderlands: An Anthology of Shakespeare Appropriations en La Frontera. Vol. 1. Tempe: ACMRS Press, 2023.

  Carol Mejia LaPerle

  2024-06-26

• Sophie Tomlinson, ed. The Family of Love by Lording Barry. Manchester: Manchester University Press, The Revels Plays, 2022.

  William David Green

  2024-06-26

• Cristina Paravano. Massinger’s Italy: Re-Imagining Italian Culture in the Plays of Philip Massinger. New York: Routledge, 2023.

  Domenico Lovascio

  2024-06-26

• Chris Laoutaris. Shakespeare’s Book: The Intertwined Lives Behind the First Folio. London: William Collins, 2023.

  Lucy Munro

  2024-06-26

• Simon Smith and Emma Whipday, eds. Playing and Playgoing in Early Modern England: Actor, Audience and Performance. Cambridge: Cambridge University Press, 2022.

  David McInnis

  2024-06-26

• Noémie Ndiaye. Scripts of Blackness: Early Modern Performance Culture and the Making of Race. Philadelphia: University of Pennsylvania Press, 2022, and Emily Weissbourd. Bad Blood: Staging Race Between Early Modern England and Spain. Philadelphia: University of Pennsylvania Press, 2023.

  Bernadette Andrea

  2024-06-26

• Callan Davies. What Is a Playhouse? England at Play, 1520-1620. Abingdon, Oxon: Routledge, 2023.

  Christopher Highley

  2024-06-26

• Vanessa I. Corredera. Reanimating Shakespeare’s Othello in Post-Racial America. Edinburgh: Edinburgh University Press, 2022.

  Alexa Alice Joubin

  2024-06-26

• Editorial

  Melinda J. Gough, Erin E. Kelly

  2023-12-08

• Witches In Space: Introduction

  Sarah O'Malley

  2023-12-08

• Eleanor Rycroft. Facial Hair and the Performance of Early Modern Masculinity. London and New York: Routledge, 2019.

  Rob Carson

  2023-06-06

• José A. Pérez Díez, ed. Love’s Cure, or The Martial Maid by John Fletcher and Philip Massinger. Manchester: Manchester University Press, 2022.

  Eric Griffin

  2023-06-06

• Tom Bishop, Gina Bloom, and Erika T. Lin, eds. Games and Theatre in Shakespeare’s England. Amsterdam: Amsterdam University Press, 2021.

  Mark Kaethler

  2023-06-06

• Carol Mejia LaPerle, ed. Race and Affect in Early Modern English Literature. Tempe: Arizona Center for Medieval and Renaissance Studies Press, 2022.

  Dennis Britton

  2023-06-06

• W.B. Worthen. Shakespeare, Technicity, Theatre. Cambridge: Cambridge University Press, 2020.

  Marie Trotter

  2023-06-06

• Domenico Lovascio. John Fletcher’s Rome: Questioning the Classics. Manchester: Manchester University Press, 2022.

  Gordon McMullan

  2023-06-06

• Shelby Richardson, ed. The Witch of Edmonton by Thomas Dekker, John Ford, and William Rowley. Peterborough, ON: Broadview Press, 2021.

  Laura Wright

  2023-06-06

• Introduction: Repertory, Dramaturgy, and Embodiment

  Elizabeth Tavares, Laurie Johnson

  2022-12-09

• Callan Davies. Strangeness in Jacobean Drama. London: Routledge, 2021. Pp 203.

  Eric Dunnum

  2022-06-10

• Amanda Eubanks Winkler. Music, Dance, and Drama in Early Modern English Schools. Cambridge: Cambridge University Press, 2020. Pp 258.

  Simon Smith

  2022-06-10

• Iman Sheeha. Household Servants in Early Modern Domestic Tragedy. London: Routledge, 2020. Pp 264.

  Lauren Cantos

  2022-06-10

• Subha Mukherji, ed. Blind Spots of Knowledge in Shakespeare and His World: A Conversation. Kalamazoo: Medieval Institute Publications, Western Michigan University, 2019. Pp 213.

  Evelyn Tribble

  2022-06-10

• Tison Pugh. On the Queerness of Early English Drama: Sex in the Subjunctive. Toronto: University of Toronto Press, 2021. Pp 241.

  Jeffery G. Stoyanoff

  2022-06-10

• Ayanna Thompson, ed. The Cambridge Companion to Shakespeare and Race. Cambridge: Cambridge University Press, 2021. Pp 280.

  Mira Assaf Kafantaris

  2022-06-10

• Mark Kaethler. Thomas Middleton and the Plural Politics of Jacobean Drama. Berlin: De Gruyter, 2021. Pp 223.

  William Green

  2022-06-10

• James M. Bromley. Clothing and Queer Style in Early Modern English Drama. Oxford: Oxford University Press, 2021. Pp 220.

  Kit Heyam

  2022-06-10

• Lukas Erne and Kareen Seidler, eds. Early Modern German Shakespeare: Hamlet and Romeo and Juliet: Der Bestrafte Brudermord and Romio und Julieta in Translation. The Arden Shakespeare. London and New York: Bloomsbury, 2020. Pp. 366.

  Pavel Drábek

  2022-06-10

• David McInnis. Shakespeare and Lost Plays: Reimagining Drama in Early Modern England. Cambridge: Cambridge University Press. 2021.

  Eoin Price

  2022-06-10

• Editorial

  Erin E. Kelly, Melinda J. Gough

  2021-12-17

• Sourcing Misfortunes: Translation and Tragedy

  Felicity Brown

  2021-12-17

• Introduction. Changing Fortunes: Reviving and Revisiting The Misfortunes of Arthur

  Romola Nuttall

  2021-12-17

• Introduction: Rethinking Performance in Early Modern England Sources, Contexts, and Forms

  Emily Mayne

  2021-02-18

• Afterword

  John J. McGavin

  2021-02-18

• What is Commedia dell’Arte Today? A Review Essay

  Pavel Drabek

  2019-12-28

• Editorial

  Erin E. Kelly, Melinda J. Gough, Helen Ostovich, Sarah Johnson

  2019-06-04

• John Bale’s King John (Cultures of Performance in Medieval and Early Modern Europe), directed by Russell Bender at St Stephen’s Church, Canterbury, UK. 20 February 2019.

  Jessica Winston

  2019-06-04

• Sarah Dustagheer and Gillian Woods, eds. Stage Directions and Shakespearean Theatre. London: Bloomsbury, 2018. Pp. xvi, 350. Hardback £80.00. ISBN: 9781474257473.

  Leslie Thomson

  2019-06-04

• Tanya Pollard. Greek Tragic Women on Shakespearean Stages. Oxford: Oxford University Press, 2017. Pp. 331. Hardback £60.00. ISBN: 9780198793113.

  Carla Suthren

  2019-06-04

• Lauren Shohet, ed. Temporality, Genre and Experience in The Age of Shakespeare: Forms of Time. London: Bloomsbury. 2018. Pp 344. Hardback £75.00. ISBN: 9781350017290.

  Adam Railton

  2019-06-04

• Kelly J. Stage. Producing Early Modern London: A Comedy of Urban Space, 1598–1616. Lincoln: University of Nebraska Press, 2018. Pp x, 342. Hardback USD $55.00. ISBN: 9781496201812.

  Matteo Pangallo

  2019-06-04

• Jeanne H. McCarthy. The Children’s Troupes and the Transformation of English Theater 1509-1608: Pedagogue Playwrights, Playbooks, and Play-boys. Abingdon: Routledge, 2017. Pp xxiv, 251. Hardback £115.00. ISBN: 9781472487797.

  Lucy Munro

  2019-06-04