Skip to main content Skip to main navigation menu Skip to site footer
Early Theatre
  • Home
  • About
    • About the Journal
    • Editorial Team
    • Open Access Policy
    • Subscriptions
    • Contact
  • Guidelines
    • Submission Guidelines: Authors
    • Guidelines and Principles: Book Reviewers
    • Guidelines and Principles: Peer Reviewers
    • Guidelines: Issues in Review
    • Guidelines: Guest Editors for Special Volumes
  • Content
    • Current
    • Archives
    • Search
  • News
    • Essay Prizes
    • Announcements
  • Register
  • Login
  1. Home /
  2. Search

Search

Advanced filters
Published After
Published Before

Search Results

Found 11 items.
  • The Oxford Marston and The Dutch Courtesan

    Martin Butler
    2020-06-30
  • Living by Others’ Pleasure: Marston, The Dutch Courtesan, and Theatrical Profit

    Lucy Munro
    2020-06-30
  • How Marston Read His Merchant: Ruled Women and Structures of Circulation in The Dutch Courtesan

    Meghan Andrews
    2020-06-30
  • ‘La bella Franceschina’ and Other Foreign Names in Marston’s The Dutch Courtesan

    Tom Bishop
    2020-06-30
  • Introduction: Strangers and Aliens in London ca 1605 -- Is Anyone Stranger than a London Gallant?

    Helen M. Ostovich
    2020-06-30
  • Proximity and the Pox: Pathologizing Infidelity in Marston’s Dutch Courtesan

    Andrew J. Fleck
    2020-06-30
  • Sensuality, Spirit, and Society in The Dutch Courtesan and Lording Barry’s The Family of Love (1608)

    Sophie Tomlinson
    2020-06-30
  • Cosmopolitan Desire and Profitable Performance in The Dutch Courtesan

    Liz Fox
    2020-06-30
  • 'Our hurtless mirth': What’s Funny about The Dutch Courtesan?

    Erin Julian
    2020-06-30
  • The Dutch Courtesan and 'The Soul of Lively Action'

    Michael Cordner
    2020-06-30
  • Editorial

    Melinda J. Gough, Erin E. Kelly
    2020-06-30
1 - 11 of 11 items

Make a Submission

Make a Submission

Current Issue

  • Atom logo
  • RSS2 logo
  • RSS1 logo

whypublishwithet

Why publish with us?

Efficient, Personalized, Professional Service: Our policy is to report expeditiously on submissions – generally within 4 months. We use a standardized, independent, double-anonymous peer-review process.

Global Readership: Early Theatre is available internationally through Project Muse, JStor, EBSCO, and Érudit. Through our adoption of the DOI citation system, Early Theatre ensures persistent, reliable links that help direct greater online traffic to your research.

Open Access: Each author receives a digital copy of their finalized, published article for self-archiving to a non-profit repository where it can be immediately accessed, freely, by readers around the world. Please consult our Open Access page for full details.  

What our contributors say:

“Early Theatre has such an efficient, professional, and courteous editorial and production team—this has been a very positive experience!” – Misha Teramura, University of Toronto

“Journals like @early_theatre prove that it is indeed possible to nurture and respect the work of scholars of all stripes, to find expert and humane reviewers, and to stick to reasonable time frames." - Harry R. McCarthy, Jesus College, Cambridge University

 

Early Theatre (Online)
ISSN 2293-7609

Early Theatre is published by McMaster University Library Press and Becker Associates.

More information about the publishing system, Platform and Workflow by OJS/PKP.