Search

Search Results

• Italian Perspectives on Late Tudor and Early Stuart Theatre

  Richard Allen Cave

  2005-01-01

• Issues in Review: The York Cycle in Performance (Toronto and York)

  Barbara Palmer, David Bevington, Garrett Epp, Ralph Blasting, David Mills, Peter Meredith

  1998-01-01

• 'In th'armor of a Pagan knight': Romance and Anachronism East of England in Book V of The Faerie Queene and Tamburlaine

  Justin Kolb

  2009-01-01

• An Icon for a New Woman: A Previously Unidentified Portrait of Isabella Andreini by Paolo Veronese

  Maria Ines Aliverti

  2008-01-01

• The Commedia dell'Arte: New Perspectives and New Documents

  M. A. Katritzky

  2008-01-01

• Back to the Future: A Review of Twentieth-Century Commedia-Shakespeare Studies

  Robert Henke

  2008-01-01

• The Commedia all'improvviso Illustrations of the Corsini Manuscript: A New Reading

  Stefano Mengarelli

  2008-01-01

• New Perspectives on Language, Oral Transmission, and Multilingualism in Commedia dell'Arte

  Erith Jaffe-Berg

  2008-01-01

• The Italian Actress and the Foundations of Early Modern European Theatre: Performing Female Sexual Identites on the Commedia dell'Arte Stage

  Rosalind Kerr

  2008-01-01

• 'Now will I be a Turke': Performing Ottoman Identity in Thomas Goffe's The Courageous Turk

  Joel Elliot. Slotkin

  2009-01-01

• ‘Now mark that fellow; he speaks Extempore’: Scripted Improvisation in The Antipodes

  Karen Kettnich

  2007-01-01

• Richard Brome's Contract and the Relationship of Dramatist to Company in the Early Modern Period

  Eleanor Collins

  2007-01-01

• Offstage and Onstage Drama: New Approaches to Richard Brome

  Eleanor Lowe

  2007-01-01

• Facing Places in The Weeding of Covent Garden

  Mimi Yiu

  2007-01-01

• Popular Theatre and the Red Bull

  Lucy Munro, Anne Lancashire, John H. Astington, Marta Straznicky

  2006-01-01

• Subjectivity, Theory and Early Modern Drama

  Viviana Comensoli Viviana, Theodora Jankowski, Bryan Reynolds

  2004-01-01

• ‘Go sound the ocean, and cast your nets’: Surfing the Net for Early Modern Theatre

  Suzanne Westfall

  2002-01-01

• Issues in Review: Reading Acting Companies

  Scott McMillin, Lawrence Manley, Roslyn L. Knutson, Mark Bayer

  2001-01-01

• Saint Plays

  Clifford Davidson, Lawrence M. Clopper, Elizabeth Baldwin

  1999-01-01

• ‘This alters not thy beauty’: Face-paint, Gender, and Race in The English Moor

  Farah Karim-Cooper

  2007-01-01

• Introduction: Why Attend to Earlier Tudor Drama?

  Erin E. Kelly

  2014-01-01

• 'To see the Playes of Theatre newe wrought': Electronic Editions and Early Tudor Drama

  Brett D. Hirsch

  2014-01-01

• New Contexts for Early Tudor Plays: William Briton, an Early Reader of Gorboduc

  Laura Estill

  2014-01-01

• Ecocritical Heywood and The Play of the Weather

  Jennifer L. Ailles

  2014-01-01

• John Rastell’s London Stage: Reconstructing Repertory and Collaborative Practice

  Maura Giles-Watson

  2014-01-01

• Theatre of Judgment: Space, Spectators, and the Epistemologies of Law in Bartholomew Fair

  Andrew Brown

  2012-12-23

• Introduction: Playing with Space in the Early Modern Theatre

  Paul Yachnin

  2012-12-23

• 'The Great Choreographer': Embodying Space in Fuenteovejuna

  Laura L. Vidler

  2012-12-23

• Guy of Warwick, Godfrey of Bouillon, and Elizabethan Repertory

  Annaliese Connolly

  2009-01-01

• Performance, Print, and the Senses: Aretino and the Spaces of the City

  Marlene Eberhart

  2012-12-23

• 'The Hole in the Wall': Sacred Space and 'Third Space' in The Family of Love

  Helga L. Duncan

  2012-12-23

• Actor, Poet, Playwright, Sharer ... Rival? Shakespeare and Heywood, 1603-4

  Clare Smout

  2010-10-01

• Will Kemp, Shakespeare and the Composition of Romeo and Juliet

  Elizabeth Ford

  2010-10-01

• Romeo at the Rose in 1598

  Charles Cathcart

  2010-10-01

• Repertory and riot: The relocation of plays from the Red Bull to the Cockpit stage

  Eleanor C. Collins

  2010-10-01

• Issues in review: Dramatists, playing companies, and repertories: Introduction

  Tom Rutter

  2010-10-01

• Islam and English Drama: A Critical History

  Linda McJannet

  2009-01-01

• 'By Mortus Ali and our Persian gods': Multiple Persian Identities in Tamburlaine and The Travels of the Three English Brothers

  Javad Ghatta

  2009-01-01

• 'What makes thou upon a stage?': Child Actors, Royalist Publicity, and the Space of the Nation in the Queen's Men's True Tragedy of Richard the Third

  Jennifer Roberts-Smith

  2012-12-23