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• Daniel’s Cleopatra and Lady Anne Clifford: From a Jacobean Portrait to Modern Performance

  Yasmin Arshad, Helen Hackett, Emma Whipday

  2015-12-31

• Perambulation and Performance in Early Modern Festive Culture

  Matthew Woodcock

  2021-02-18

• Introduction: Rethinking Performance in Early Modern England Sources, Contexts, and Forms

  Emily Mayne

  2021-02-18

• Subjectivity, Theory and Early Modern Drama

  Viviana Comensoli Viviana, Theodora Jankowski, Bryan Reynolds

  2004-01-01

• Performing Early Modern Libel Expanding the Boundaries of Performance

  Clare Egan

  2021-02-18

• Introduction: Attending to Early Modern Women as Theatre Makers

  Elizabeth Schafer

  2015-12-31

• Reading Performance, Reading Gender: Early Encounters with Beaumont and Fletcher’s The Scornful Lady in Print

  Simon Smith

  2017-12-15

• A Performance Studies Approach to The Tragedy of Mariam

  Rebecca McCutcheon

  2015-12-31

• Noémie Ndiaye. Scripts of Blackness: Early Modern Performance Culture and the Making of Race. Philadelphia: University of Pennsylvania Press, 2022, and Emily Weissbourd. Bad Blood: Staging Race Between Early Modern England and Spain. Philadelphia: University of Pennsylvania Press, 2023.

  Bernadette Andrea

  2024-06-26

• The Appearance of Blacks on the Early Modern Stage: Love’s Labour’s Lost’s African Connections to Court

  Matthieu A Chapman

  2014-09-24

• Popular Theatre and the Red Bull

  Lucy Munro, Anne Lancashire, John H. Astington, Marta Straznicky

  2006-01-01

• Beds on the Early Modern Stage

  Leslie Thomson

  2016-12-21

• Minstrels, Morris Dancers, and Players: Tracing the Routes of Travelling Performers in Early Modern Cornwall

  Gloria J. Betcher

  2003-01-01

• 'An honest dog yet': Performing The Witch of Edmonton

  Roberta Barker

  2009-01-01

• ‘By consent of the whole chapter’: Lincoln Cathedral’s Rewards for Touring Players and School Comedies, 1561-1593

  Jason Burg

  2018-02-05

• Women and Performance in Medieval and Early Modern Suffolk

  James Stokes

  2012-07-06

• New Contexts for Early Tudor Plays: William Briton, an Early Reader of Gorboduc

  Laura Estill

  2014-01-01

• Eleanor Rycroft. Facial Hair and the Performance of Early Modern Masculinity. London and New York: Routledge, 2019.

  Rob Carson

  2023-06-06

• ‘The Grocers Honour’: or, Taking the City Seriously in The Knight of the Burning Pestle

  Tracey Hill

  2017-12-15

• The Medieval Pagent Wagons at York: Their Orientation and Height

  John McKinnell

  2000-01-01

• Touring, Women, and the Professional Stage

  Sara Mueller

  2008-01-01

• ‘Another Voyage’: Death as Social Performance in the Major Tragedies of John Webster

  Roberta Barker

  2005-01-01

• Harry R. McCarthy. Performing Early Modern Drama Beyond Shakespeare: Edward’s Boys. Cambridge: Cambridge University Press, 2020.

  Roberta Barker

  2024-06-26

• Amanda Eubanks Winkler. Music, Dance, and Drama in Early Modern English Schools. Cambridge: Cambridge University Press, 2020. Pp 258.

  Simon Smith

  2022-06-10

• 'Players' in Context Determining Performance in Medieval Accountancy Records

  Mark Chambers

  2021-02-18

• The Hamlet First Quarto (1603) & the Play of Typography

  Erika Mary Boeckeler

  2017-11-30

• Politics, Poetry, and Performance: The Miscellaneous Contents of Arbury Hall MS 414

  Laura Estill

  2011-12-12

• Performance, Print, and the Senses: Aretino and the Spaces of the City

  Marlene Eberhart

  2012-12-23

• Simon Smith and Emma Whipday, eds. Playing and Playgoing in Early Modern England: Actor, Audience and Performance. Cambridge: Cambridge University Press, 2022.

  David McInnis

  2024-06-26

• Claire M.L. Bourne. Typographies of Performance in Early Modern England. Oxford: Oxford University Press, 2020. Pp 328.

  Brandi K. Adams

  2021-06-30

• 'Our hurtless mirth': What’s Funny about The Dutch Courtesan?

  Erin Julian

  2020-06-30

• Review: Robert Henke, Poverty and Charity in Early Modern Theater and Performance.

  Pavel Drábek

  2018-06-15

• Simone Chess. Male-to-Female Crossdressing in Early Modern English Literature: Gender, Performance, and Queer Relations. New York: Routledge, 2016. Pp xi, 196.

  Jennifer Panek

  2017-07-04

• Reproducing Iphigenia at Aulis

  Alison G. Findlay

  2015-12-31

• Performing The Tragedy of Mariam and Constructing Stage History

  Ramona Wray

  2015-12-31

• Kathryn M. Moncrief and Kathryn R. McPherson (eds). Performing Pedagogy in Early Modern England: Gender, Instruction, and Performance. Aldershot: Ashgate, 2011. Pp 248.

  Yvonne Bruce

  2013-06-20

• Introduction Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain

  Peter Parolin

  2012-07-06

• The Meaning of Thunder and Lightning: Stage Directions and Audience Expectations

  Leslie Thomson

  1999-01-01

• Introduction: Strangers and Aliens in London ca 1605 -- Is Anyone Stranger than a London Gallant?

  Helen M. Ostovich

  2020-06-30

• Lesbians, Drag Kings, and Pregnant Queens: The Digby Mary Magdalene’s Queer Relationships

  Daisy Black

  2024-12-17

• Amateur Theatre at the Early Modern Inns of Court? The Implications of a Performance Copy of Jonson’s 1640 Folio

  Tom Harrison, James Loxley

  2023-06-06

• Publishing Misfortunes: Recording Performance at the Inns of Court

  Romola Nuttall

  2021-12-17

• Conversion as Nonperformative Speech in The Jew of Malta

  Emiy Parise

  2025-11-27

• 'You shall see me do the Moor': The Blackfriars Children and the Performance of Race in Poetaster

  Emily MacLeod

  2022-12-09

• Introduction: Repertory, Dramaturgy, and Embodiment

  Elizabeth Tavares, Laurie Johnson

  2022-12-09

• The Towneley 'First Shepherds’ Play': Its ‘Grotesque’ Feast Revisited

  Ernst Gerhardt

  2019-06-04

• 'Untruss a Point' - Interiority, Sword Combat, and Gender in The Roaring Girl

  Matthew Charles Carter

  2017-09-02

• Susan Bennett and Mary Polito (eds). Performing Environments: Site-Specificity in Medieval and Early Modern English Drama. Basingstoke: Palgrave Macmillan, 2014. Pp xii, 271.

  Eleanor Rycroft

  2015-04-27

• 'Canst paint a doleful cry?': Promotion and Performance in the Spanish Tragedy Title-Page Illustration

  Diane K. Jakacki

  2010-09-01

• Introduction: Beaumont400

  Lucy Munro

  2017-12-15

• The Salting Down of Gertrude: Transgression and Preservation in Three Early German Carnival Plays

  Stephen K. Wright

  2017-12-15

• Plays and Performing in Early Modern South Wales

  David N. Klausner

  2003-01-01

• The Dutch Courtesan and 'The Soul of Lively Action'

  Michael Cordner

  2020-06-30

• John Bale’s King John (Cultures of Performance in Medieval and Early Modern Europe), directed by Russell Bender at St Stephen’s Church, Canterbury, UK. 20 February 2019.

  Jessica Winston

  2019-06-04

• Much Virtue in O-Oh: A Case Study

  Alan C. Dessen

  2017-12-15

• Peter Kanelos and Matt Kozusko (eds), Thunder at a Playhouse: Essaying Shakespeare and the Early Modern Stage (Cranbury NJ: Rosemount Publishing, 2010)

  Helen M. Ostovich

  2011-06-29

• ‘The top of woman! All her sex in abstract!’: Ben Jonson Directs the Boy Actor in The Devil is an Ass

  Regina Buccola

  2005-01-01

• Hidden Music in Early Elizabethan Tragedy

  Ross W. Duffin

  2021-06-30

• Bowling Alleys and Playhouses in London, 1560-90

  Callan Davies

  2019-12-28

• Running over the Stage: Webster and the Running Footman

  David Carnegie

  2010-09-01

• Puritans and Performers in Early Modern Dorset

  C. E. McGee

  2003-01-01

• Introduction: Drama and Conversion

  Stephen Wittek

  2025-11-27

• Lynneth Miller Renberg. Women, Dance, and Parish Religion in England, 1300-1640: Negotiating the Steps of Faith. Woodbridge: Boydell Press, 2022.

  Emily Winerock

  2025-06-10

• In Great Haste to See a Play A Woman Playgoer in Jacobean Worcester

  Matteo Pangallo

  2025-06-10

• Between the Stage and the Page: Printed Marginalia in Gascoigne’s Supposes

  Cristiano Ragni

  2024-12-17

• Performative Print: A Printing Anomaly in The Coblers Prophesie

  Frances Eastwood

  2023-12-08

• Afterword

  John J. McGavin

  2021-02-18

• Thereby Hangs a Tail: Jonson’s The Devil Is an Ass and Stage Representations of Devil-Servants

  Tom Harrison

  2019-06-04

• The Physician and His Servant in the Croxton Play of the Sacrament

  Jillian Linster

  2017-12-15

• Aaron’s Roots: Spaniards, Englishmen, and Blackamoors in Titus Andronicus

  Noémie Ndiaye

  2016-12-21

• ‘The cunning of their ground’: The Relevance of Sejanus to Renaissance Tragedy

  Peter Byrne

  2014-07-07

• Theatre of Judgment: Space, Spectators, and the Epistemologies of Law in Bartholomew Fair

  Andrew Brown

  2012-12-23

• 'In the sight of all': Queen Elizabeth and the Dance of Diplomacy

  Bella Mirabella

  2012-07-06

• Jane Hwang Degenhardt and Elizabeth Williamson (eds). Religion and Drama in Early Modern England: The Performance of Religion on the Renaissance Stage. Aldershot: Ashgate, 2011.

  Erin E. Kelly

  2012-07-06

• Editorial

  Helen M. Ostovich, Melinda Gough, Erin E. Kelly

  2011-12-13

• Review of Violence Against Women in Early Modern Performance: Invisible Acts by Kim Solga

  Catherine Silverstone

  2010-04-01

• Book Review: M.A. Katritzky, Women, Medicine and Theatre, 1500-1750: Literary Mountebanks and Performing Quacks. Studies in Performance and Early Modern Drama (Aldershot: Ashgate, 2007).

  Rosalind Kerr

  2009-01-01

• Staging Invisibility in English Early Modern Drama

  Barbara D. Palmer

  2008-01-01

• Children, Costume, and Identity in the Chester Midsummer Show

  Susannah Crowder

  2007-01-01

• ‘Arden Winketh at His Wife's Lewdness, & Why!’: A Patrilineal Crisis in Arden of Faversham

  Randall Martin

  2001-01-01