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• Book Review: Roslyn Lander Knutson. Playing Companies and Commerce in Shakespeare's Time. Cambridge: Cambridge University Press, 2001.

  R. A. Foakes

  2003-01-01

• Book Review: Benjamin Griffin. Playing the Past: Approaches to English Historical Drama 1385-1600. Woodbridge: D. S. Brewer, 2001.

  Peter Womack

  2003-01-01

• Book Review: Michael Dobson and Stanley Wells (eds), The Oxford Companion to Shakespeare. Oxford: Oxford University Press, 2001.

  Peter Hyland

  2003-01-01

• Book Review: Cyndia Susan Clegg. Press Censorship in Jacobean England. Cambridge: Cambridge University Press, 2001.

  Andrew Fleck

  2003-01-01

• Book Review: Alison Thorne. Vision and Rhetoric in Shakespeare: Looking Through Language. Houndmills, Basingstoke, Hampshire, and London: Macmillan Press, 2000.

  Christy Desmet

  2003-01-01

• Book Review: Bruce R. Smith (ed). Twelfth Night. The Bedford Shakespeare Series. Boston and New York, Palgrave, 2001.

  Yu Jin. Ko

  2003-01-01

• Book Review: W.R. Elton and John M. Mucciolo (eds). The Shakespearean International Yearbook 1: Where Are We Now in Shakespearean Studies? Aldershot and Brookfield: Ashgate, 1999.

  Alexander Leggatt

  2003-01-01

• Book Review: Catherine Belsey. Shakespeare and the Loss of Eden. New Brunswick, NJ: Rutgers University Press, 1999.

  Rebecca Ann Bach

  2003-01-01

• Book Review: Susan Frye and Karen Robertson (eds).Maids and Mistresses, Cousins and Queens. Oxford: Oxford University Press, 1999.

  Joan Larsen. Klein

  2002-01-01

• Book Review: Alan Dessen and Leslie Thomson (eds.). Dictionary of Stage Directions in English Drama.

  Linda McJannet

  2002-01-01

• Book Review: John Cox. The Devil and the Sacred in English Drama, 1350-1642. Cambridge: Cambridge Universsity Press, 2000.

  Peter Happe

  2002-01-01

• Book Review: H. R. Coursen. Shakespeare: The Two Traditions. Madison: Fairleight Dickiinson University Press, 1999

  Deborah Cartmell

  2002-01-01

• Book Review: T. F. Wharton (ed). The Drama of John Marston. Cambridge: Cambridge Univeristy Press, 2000.

  Ray Rice

  2002-01-01

• Book Review: Cameron Louis (ed). Sussex. Records of Early English Drama. Brepols and University of Toronto Press, 2000.

  David Hickman

  2002-01-01

• Book Review: Chris Humphrey. The Politics of Carnival: Festive Misrule in Medieval England. Manchester UP/ Palgrave, 2001.

  Kathleen Ashley

  2002-01-01

• Book Review: Richard Harp and Stanley Steward (eds). The Cambridge Companion to Ben Jonson. Cambridge University Press, 2000.

  James Hirsh

  2002-01-01

• Book Review: Margareta de Grazia and Stanley Wells (eds). The Cambridge Companion to Shakespeare. Cambridge: Cambridge University Press, 2001.

  Peter Hyland

  2002-01-01

• Book Review: John H. Astington, English Court Theatre 1558-1642. Cambridge: Cambridge University Press, 1999.

  William Ingram

  2001-01-01

• Book Review: John Southworth, Fools and Jesters at the English Court. Stroud, Gloucestershire: Sutton Publishing, 1998.

  Phebe Jensen

  2001-01-01

• Book Review: Diane Purkiss, ed. Three Tragedies by Renaissance Women Dramatists. Harmondsworth: Penguin, 1998.

  Marta Straznicky

  2001-01-01

• Book Review: Mitchell B. Merback. The Thief, the Cross and the Wheel. Chicago: University of Chicago Press, 1999.

  Garrett Epp

  2001-01-01

• Book Review: Scott McMillin and Sally-Beth Maclean, The Queen's Men and Their Plays. Cambridge: Cambridge University Press, 1998.

  A. R. Braunmuller

  2001-01-01

• Book Review: Linda McJannet, The Voice of Elizabethan Stage Directions: The Evolution of a Theatrical Code. Newark: University of Delaware Press; London: Associated University Presses, 1999.

  R. A. Foakes

  2001-01-01

• Book Review: Michal Kobialka, This Is My Body: Representational Practices in the Early Middle Ages. Ann Arbor: University of Michigan Press, 1999.

  Lawrence Clopper

  2001-01-01

• Book Review: Walter Hodges, Enter the Whole Army: A Pictorial Study of Shakespearean Staging, 1576-1616. Cambridge: Cambridge University Press, 1999.

  Roslyn Knutson

  2001-01-01

• Book Review: Clare Harraway, Re-citing Marlowe: Approaches to the Drama. Aldershot and Brookfield, VT: Ashgate, 2000.

  Judith Weil

  2001-01-01

• Book Review: Lynn Forest-Hill. Transgressive Language in Medieval English Drama. Aldershot, VT: Ashgate, 2000.

  Edwin D. Craun

  2001-01-01

• Book Review: Edward J. Esche, ed. Shakespeare and his Contemporaries in Performance. Aldershot: Ashgate, 2000.

  Roberta Barker

  2001-01-01

• Book Review: Jody Enders, The Medieval Theater of Cruelty: Rhetoric, Memory, Violence. Ithaca and London: Cornell University Press, 1999.

  David Bevington

  2001-01-01

• Book Review: W. R. Elton, Shakespeare's Troilus and Cressida and the Inns of Court Revels. Aldershot and Brookfield, VT: Ashgate, 2000.

  Peter Hyland

  2001-01-01