Skip to main content Skip to main navigation menu Skip to site footer
Early Theatre
  • Home
  • About
    • About the Journal
    • Editorial Team
    • Open Access Policy
    • Subscriptions
    • Contact
  • Guidelines
    • Submission Guidelines: Authors
    • Guidelines and Principles: Book Reviewers
    • Guidelines and Principles: Peer Reviewers
    • Guidelines: Issues in Review
    • Guidelines: Guest Editors for Special Volumes
  • Content
    • Current
    • Archives
    • Search
  • News
    • Essay Prizes
    • Announcements
Search
  • Register
  • Login
  1. Home /
  2. Archives /
  3. Vol. 15 No. 2 (2012)

Vol. 15 No. 2 (2012)

DOI: https://doi.org/10.12745/et.15.2
Published: 2012-09-05

Editorial

  • Editorial

    Helen M. Ostovich, Melinda J. Gough, Erin E. Kelly
    • PDF

Articles

  • From Subject to Earthly Matter: The Plowman’s Argument and Popular Discourse in Gentleness and Nobility

    Rachel Greenberg
    • PDF
  • John Cholmley on the Bankside

    William Ingram
    • PDF
  • Reinstating Shakespeare's Instrumental Music

    David Mann
    • PDF
  • Saying Farewell with Shoes: The Gift Cycle and Unresolved Class Tensions in The Shoemaker's Holiday

    Andrea C. Lawson
    • PDF
  • Staging Exchange: Why The Knight of the Burning Pestle Flopped at Blackfriars in 1607

    Brent E. Whitted
    • PDF
  • The Raw and the Cooked in Ford’s ’Tis Pity She’s a Whore

    Mathew R. Martin
    • PDF

Issues in Review Essays

  • Introduction: Playing with Space in the Early Modern Theatre

    Paul Yachnin
    • PDF
  • Theatre of Judgment: Space, Spectators, and the Epistemologies of Law in Bartholomew Fair

    Andrew Brown
    • PDF
  • 'The Hole in the Wall': Sacred Space and 'Third Space' in The Family of Love

    Helga L. Duncan
    • PDF
  • Performance, Print, and the Senses: Aretino and the Spaces of the City

    Marlene Eberhart
    • PDF
  • 'What makes thou upon a stage?': Child Actors, Royalist Publicity, and the Space of the Nation in the Queen's Men's True Tragedy of Richard the Third

    Jennifer Roberts-Smith
    • PDF
  • 'The Great Choreographer': Embodying Space in Fuenteovejuna

    Laura L. Vidler
    • PDF

Make a Submission

Make a Submission

Current Issue

  • Atom logo
  • RSS2 logo
  • RSS1 logo

whypublishwithet

Why publish with us?

Efficient, Personalized, Professional Service: Our policy is to report expeditiously on submissions – generally within 4 months. We use a standardized, independent, double-anonymous peer-review process.

Global Readership: Early Theatre is available internationally through Project Muse, JStor, EBSCO, and Érudit. Through our adoption of the DOI citation system, Early Theatre ensures persistent, reliable links that help direct greater online traffic to your research.

Open Access: Each author receives a digital copy of their finalized, published article for self-archiving to a non-profit repository where it can be immediately accessed, freely, by readers around the world. Please consult our Open Access page for full details.  

What our contributors say:

“Early Theatre has such an efficient, professional, and courteous editorial and production team—this has been a very positive experience!” – Misha Teramura, University of Toronto

“Journals like @early_theatre prove that it is indeed possible to nurture and respect the work of scholars of all stripes, to find expert and humane reviewers, and to stick to reasonable time frames." - Harry R. McCarthy, Jesus College, Cambridge University

 

Early Theatre (Online)
ISSN 2293-7609

Early Theatre is published by McMaster University Library Press and Becker Associates.

More information about the publishing system, Platform and Workflow by OJS/PKP.