Browse Title Index


 
Issue Title
 
Vol. 12, No. 2 (2009) 'An honest dog yet': Performing The Witch of Edmonton Abstract   PDF
Roberta Barker
 
Vol. 13, No. 1 (2010) 'Between You and Her No Comparison': Witches, Healers, and Elizabeth I in John Lyly's Endymion Abstract   PDF
Natalia Khomenko
 
Vol. 17, No. 1 (2014) 'Bogus History' and Robert Greene’s Friar Bacon and Friar Bungay Abstract   PDF
David M. Bergeron
 
Vol. 12, No. 2 (2009) 'By Mortus Ali and our Persian gods': Multiple Persian Identities in Tamburlaine and The Travels of the Three English Brothers Abstract   PDF
Javad Ghatta
 
Vol. 13, No. 1 (2010) 'Canst paint a doleful cry?': Promotion and Performance in the Spanish Tragedy Title-Page Illustration Abstract   PDF
Diane K. Jakacki
 
Vol. 15, No. 1 (2012): Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain 'If I had begun to dance': Women's Performance in Kemps Nine Daies Wonder Abstract   PDF
Peter Parolin
 
Vol. 12, No. 2 (2009) 'In th'armor of a Pagan knight': Romance and Anachronism East of England in Book V of The Faerie Queene and Tamburlaine Abstract   PDF
Justin Kolb
 
Vol. 15, No. 1 (2012): Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain 'In the sight of all': Queen Elizabeth and the Dance of Diplomacy Abstract   PDF
Bella Mirabella
 
Vol. 12, No. 2 (2009) 'Now will I be a Turke': Performing Ottoman Identity in Thomas Goffe's The Courageous Turk Abstract   PDF
Joel Elliot. Slotkin
 
Vol. 12, No. 2 (2009) 'On yestern day, in Feverere, the yere passeth fully': On the Dating and Prosopography of Mankind Abstract   PDF
John A. Geck
 
Vol. 14, No. 1 (2011) 'Sette on foote with gode Wyll': Towards a Reconstruction of Robin Hood and the Sheriff of Nottingham Abstract   PDF
Alexis M. Butzner
 
Vol. 13, No. 2 (2010) 'The Ascension': Blood and Roses Abstract   PDF
Mary E. Ellzey
 
Vol. 15, No. 2 (2012) 'The Great Choreographer': Embodying Space in Fuenteovejuna Abstract   PDF
Laura L. Vidler
 
Vol. 15, No. 2 (2012) 'The Hole in the Wall': Sacred Space and 'Third Space' in The Family of Love Abstract   PDF
Helga L. Duncan
 
Vol. 12, No. 2 (2009) 'The house is hers, the soul is but a tenant': Material Self-Fashioning and Revenge Tragedy Abstract   PDF
Sheetal Lodhia
 
Vol. 16, No. 1 (2013) 'This place was made for pleasure not for death': Performativity, Language, and Action in The Spanish Tragedy Abstract   PDF
Alexandra S. Ferretti
 
Vol. 16, No. 2 (2013) 'To see the Playes of Theatre newe wrought': Electronic Editions and Early Tudor Drama Abstract   PDF
Brett D. Hirsch
 
Vol. 16, No. 2 (2013) 'Wanton Females of All Sorts': Spectatorship in The Antipodes Abstract   PDF
Nova Myhill
 
Vol. 15, No. 2 (2012) 'What makes thou upon a stage?': Child Actors, Royalist Publicity, and the Space of the Nation in the Queen's Men's True Tragedy of Richard the Third Abstract   PDF
Jennifer Roberts-Smith
 
Vol. 16, No. 2 (2013) Cupid’s Grand Polititian (1657) Abstract   PDF
David McInnis
 
Vol. 9, No. 2 (2006) Ram Alley and Female Spectatorship Abstract   PDF
Andrew Griffin
 
Vol. 14, No. 1 (2011) The Seven Deadly Sins and Theatrical Apprenticeship Abstract   PDF
David Kathman
 
Vol. 3, No. 1 (2000): The York Cycle Then and Now York Cycle 1998: What We Learned Details   PDF
Alexandra F. Johnston
 
Vol. 20, No. 2 (2017) Sejanus, the King’s Men Altar Scenes, and the Theatrical Production of Paganism Abstract
John Kuhn
 
Vol. 19, No. 1 (2016) The Peaceable King, or the Lord Mendall: A Lost Jack Cade Play and its 1623 Revival Abstract   PDF
David Nicol
 
Vol. 20, No. 1 (2017) The Vow Breaker and William Sampson’s Role in ‘the Anne Willoughby Affair’ Abstract
Emanuel Stelzer
 
Vol. 11, No. 1 (2008) A Crisis of Gerontocracy and the Coventry Play Abstract   PDF
Sheila K. Christie
 
Vol. 11, No. 2 (2008) A Dog, A Witch, a Play: The Witch of Edmonton Abstract   PDF
Meg F. Pearson
 
Vol. 12, No. 2 (2009) A Dramaturgical Study of Merrythought's Songs in The Knight of the Burning Pestle Abstract   PDF
Katrine K. Wong
 
Vol. 9, No. 1 (2006) A Greatly Exaggerated Demise: The Remaking of the Children of Paul's as the Duke of York's Men (1608) Abstract   PDF
Brandon Centerwall
 
Vol. 19, No. 1 (2016) A History of ‘The Mysteries’ Abstract   PDF
Emma Maggie Solberg
 
Vol. 13, No. 1 (2010) A lost Jacobean tragedy: Henry the Una (c.1619) Abstract   PDF
Matthew Steggle
 
Vol. 17, No. 1 (2014) A New Context for the Manuscript of Wit and Science Abstract   PDF
Louise Rayment
 
Vol. 18, No. 2 (2015) A Performance Studies Approach to The Tragedy of Mariam Abstract   PDF
Rebecca McCutcheon
 
Vol. 20, No. 1 (2017) A Possible Extension of Henslowe's and Alleyn's Sussex Network? Abstract
Paul Quinn
 
Vol. 10, No. 2 (2007) A Theatrical Miracle: The Boxley Rood of Grace as Puppet Abstract   PDF
Leanne Groeneveld
 
Vol. 19, No. 2 (2016) Aaron’s Roots: Spaniards, Englishmen, and Blackamoors in Titus Andronicus Abstract
Noémie Ndiaye
 
Vol. 16, No. 1 (2013) Accidents Happen: Roger Barnes's 1612 Edition of Marlowe's Edward II Abstract   PDF
Mathew R. Martin
 
Vol. 13, No. 2 (2010) Actor, Poet, Playwright, Sharer ... Rival? Shakespeare and Heywood, 1603-4 Abstract   PDF
Clare Smout
 
Vol. 16, No. 2 (2013) Advertising Status and Legitimacy: or, Why Did Henry VIII's Queens and Children Patronize Travelling Performers? Abstract   PDF
James H. Forse
 
Vol. 20, No. 1 (2017) Affective Inheritances: A Review Essay Abstract
Lesel Dawson, Eric Langley
 
Vol. 3, No. 1 (2000): The York Cycle Then and Now Afterwards: Overview on the York Cycle Performance Details   PDF
Joel Kaplan
 
Vol. 16, No. 1 (2013) Alden T. & Virginia Mason Vaughan. Shakespeare in America. Oxford: Oxford University Press, 2012. Pp xii, 220. Abstract   PDF
Alan Andrews
 
Vol. 20, No. 1 (2017) Allison P. Hobgood. Passionate Playgoing in Early Modern England. Cambridge: Cambridge University Press, 2014. Pp x, 236. Abstract
Katharine Goodland
 
Vol. 18, No. 2 (2015) An Acoustical Approach to the Study of the Wagons of the York Mystery Plays: Structure and Orientation Abstract   PDF
Mariana Lopez
 
Vol. 11, No. 2 (2008) An Icon for a New Woman: A Previously Unidentified Portrait of Isabella Andreini by Paolo Veronese Abstract   PDF
Maria Ines Aliverti
 
Vol. 18, No. 1 (2015) Andy Kesson. John Lyly and Early Modern Authorship. Manchester: Manchester University Press, 2014. Pp 241. Abstract   PDF
Tara L. Lyons
 
Vol. 19, No. 1 (2016) Anne Lancashire and David J. Parkinson (eds). Civic London to 1558. 3 vols. Cambridge: Records of Early English Drama/D.S. Brewer, 2015. Pp 1795. Abstract   PDF
Tracey Hill
 
Vol. 6, No. 2 (2003): Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 At the End of the Road: An Overview of Southwestern Touring Circuits Abstract   PDF
Sally-Beth MacLean
 
Vol. 16, No. 2 (2013) Aural Space, Sonorous Presence, and the Performance of Christian Community in the Chester Shepherds Play Abstract   PDF
Andrew J. Albin
 
Vol. 16, No. 1 (2013) Ayanna Thompson. Passing Strange: Shakespeare, Race and Contemporary America. Oxford: Oxford University Press, 2011. Pp 224. Abstract   PDF
Jami Rogers
 
Vol. 11, No. 2 (2008) Back to the Future: A Review of Twentieth-Century Commedia-Shakespeare Studies Abstract   PDF
Robert Henke
 
Vol. 18, No. 1 (2015) Bart van Es. Shakespeare in Company. Oxford: Oxford University Press, 2013. Pp xiv, 357. Abstract   PDF
Tom Rutter
 
Vol. 9, No. 1 (2006) Bawdily Manipulations: Spheres of Female Power in The Birth of Merlin Abstract   PDF
Monika Karpinska
 
Vol. 20, No. 2 (2017) Beaumont's Lives Abstract
Lucy Munro
 
Vol. 19, No. 2 (2016) Beds on the Early Modern Stage Abstract
Leslie Thomson
 
Vol. 17, No. 2 (2014) Ben Jonson's Eloquent Nonsense: The Noisy Ordeals of Heard Meanings on the Jacobean Stage (1609-14) Abstract   PDF
Hristomir A Stanev
 
Vol. 15, No. 1 (2012): Access and Contestation: Women’s Performance in Early Modern England, Italy, France, and Spain Between Courts: Female Masquers and Anglo-Spanish Diplomacy, 1603-5 Abstract   PDF
Mark Hutchings, Berta Cano-Echevarría
 
Vol. 7, No. 1 (2004) Book Review: Medieval and Renaissance Drama in England, vol 14. Madison, NJ: Fairleigh Dickinson University Press, 2001. Details   PDF
James Hirsh
 
Vol. 11, No. 1 (2008) Book Review: Shakespeare's Marlowe:The Influence of Christopher Marlowe on Shakespeare's Artistry. Aldershot: Ashgate, 2007. Details   PDF
Ian McAdam
 
Vol. 5, No. 1 (2002) Book Review: Alan Dessen and Leslie Thomson (eds.). Dictionary of Stage Directions in English Drama. Details   PDF
Linda McJannet
 
Vol. 8, No. 1 (2005) Book Review: Alan Shepard. Marlowe's Soldiers: Rhetorics of Masculinity in the Age of the Armada. Aldershot: Ashgate, 2002. Details   PDF
Mario DiGangi
 
Vol. 7, No. 1 (2004) Book Review: Alexander Leggatt (ed). The Cambridge Companion to Shakespearean Comedy. Cambridge: Cambridge Univeristy Press, 2002. Details   PDF
Judith M. Kennedy
 
Vol. 12, No. 1 (2009) Book Review: Alison Findley, Playing Spaces in Early Women's Drama (Cambridge: Cambridge University Press, 2006). Details   PDF
Reina Green
 
Vol. 6, No. 1 (2003): Performance, Politics, and Culture in the Southwest of Britain, 1350–1642 Book Review: Alison Thorne. Vision and Rhetoric in Shakespeare: Looking Through Language. Houndmills, Basingstoke, Hampshire, and London: Macmillan Press, 2000. Details   PDF
Christy Desmet
 
Vol. 8, No. 1 (2005) Book Review: Anne Lancashire. London Civic Theatre: City Drama and Pageantry from Roman Times to 1558. Cambridge: Cambridge University Press, 2002. Details   PDF
Daryll Grantley
 
Vol. 8, No. 1 (2005) Book Review: Anthony B. Dawson and Paul Yachnin. The Culture of Playgoing in Shakespeare's England: A Collaborative Debate. Cambridge: Cambridge University Press, 2001. Details   PDF
Douglas Bruster
 
Vol. 7, No. 1 (2004) Book Review: Barbara A. Murray. Restoration Shakespeare: Viewing the Voice. Madison: Fairleigh Dickinson University Press, 2001. Details   PDF
Matthew J. Kinservik
 
Vol. 11, No. 1 (2008) Book Review: Barbara Ravelhofer. The Early Stuart Masque: Dance, Costume, and Music. Oxford: Oxford University Press, 2006. Details   PDF
Emily F. Winerock
 
Vol. 8, No. 1 (2005) Book Review: Ben Jonson. Every Man Out of His Humour. Ed Helen Ostovich. The Revels Plays. Manchester: Manchester University Press, 2001. Details   PDF
W. David. Kay
 
Vol. 6, No. 2 (2003): Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 Book Review: Benjamin Griffin. Playing the Past: Approaches to English Historical Drama 1385-1600. Woodbridge: D. S. Brewer, 2001. Details   PDF
Peter Womack
 
Vol. 9, No. 1 (2006) Book Review: Brian Vickers. Shakespeare, Co-Author: A Historical Study of Five Collaborative Plays. Oxford: Oxford University Press, 2002. Details   PDF
Jayson B. Brown
 
Vol. 8, No. 1 (2005) Book Review: Bruce R. Smith. The Acoustic World of Early Modern England: Attending to the O-Factor. Chicago: University of Chicago Press, 1999. Details   PDF
Alan H. Nelson
 
Vol. 6, No. 1 (2003): Performance, Politics, and Culture in the Southwest of Britain, 1350–1642 Book Review: Bruce R. Smith (ed). Twelfth Night. The Bedford Shakespeare Series. Boston and New York, Palgrave, 2001. Details   PDF
Yu Jin. Ko
 
Vol. 11, No. 1 (2008) Book Review: Bryan Reynolds. Transversal Enterprises in the Drama of Shakespeare and his Contemporaries: Fugitive Explorations. Houndmills and New York: Palgrave Macmillan, 2006. Details   PDF
Adam Max Cohen
 
Vol. 5, No. 1 (2002) Book Review: Cameron Louis (ed). Sussex. Records of Early English Drama. Brepols and University of Toronto Press, 2000. Details   PDF
David Hickman
 
Vol. 9, No. 1 (2006) Book Review: Carol Thomas Neely. Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. Ithaca and London: Cornell University Press, 2004. Details   PDF
Katharine Goodland
 
Vol. 6, No. 1 (2003): Performance, Politics, and Culture in the Southwest of Britain, 1350–1642 Book Review: Catherine Belsey. Shakespeare and the Loss of Eden. New Brunswick, NJ: Rutgers University Press, 1999. Details   PDF
Rebecca Ann Bach
 
Vol. 11, No. 1 (2008) Book Review: Ceclia R. Daileader and Gary Taylor (eds). TheTamer Tamed, or The Woman's Prize. Manchester: Manchester University Press, 2006. Details   PDF
Lucy Munro
 
Vol. 10, No. 1 (2007) Book Review: Celia R. Daileader. Racism, Misogyny, and the Othello Myth. Cambridge: Cambridge University Press, 2005. Details   PDF
Virginia Mason Vaughan
 
Vol. 10, No. 1 (2007) Book Review: Chester N. Scoville. Saints and the Audience in Middle English Biblical Drama. Toronto: University of Toronto Press, 2004. Details   PDF
Katherine Goodland
 
Vol. 5, No. 1 (2002) Book Review: Chris Humphrey. The Politics of Carnival: Festive Misrule in Medieval England. Manchester UP/ Palgrave, 2001. Details   PDF
Kathleen Ashley
 
Vol. 12, No. 1 (2009) Book Review: Christina Fitzgerald, The Drama of Masculinity and Medieval English Guild Culture (Houndmills: Palgrave Macmillan, 2007). Details   PDF
Anne Higgins
 
Vol. 9, No. 1 (2006) Book Review: Claire Jowitt. Voyage Drama and Gender Politics 1589-1642: Real and Imagined Worlds. Manchester: Manchester University Press, 2003. Details   PDF
M. G. Aune
 
Vol. 4, No. 1 (2001) Book Review: Clare Harraway, Re-citing Marlowe: Approaches to the Drama. Aldershot and Brookfield, VT: Ashgate, 2000. Details   PDF
Judith Weil
 
Vol. 6, No. 2 (2003): Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 Book Review: Constance Brown Kuriyama. Christopher Marlowe: A Renaissance Life. Ithaca: Cornell University Press, 2002. Details   PDF
David Nicol
 
Vol. 8, No. 1 (2005) Book Review: Courtney Lehmann. Shakespeare Remains: Theater to Film, Early Modern to Postmodern. Ithaca and London: Cornell University Press, 2002. Details   PDF
Stephen M. Buhler
 
Vol. 6, No. 2 (2003): Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 Book Review: Cyndia Susan Clegg. Press Censorship in Jacobean England. Cambridge: Cambridge University Press, 2001. Details   PDF
Andrew Fleck
 
Vol. 11, No. 1 (2008) Book Review: David Gunby, David Carnegie, and MacDonald P. Jackson (eds). The Works of John Webster: An Old-Spelling Critical Edition. Volumen Three. Cambridge: Cambridge University Press, 2007. Details   PDF
Peter Malin
 
Vol. 6, No. 2 (2003): Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 Book Review: David M. Bergeron. Practicing Renaissance Scholarship: Plays and Pageants, Patrons and Politics. Pittsburgh: Duquesne University Press, 2000. Details   PDF
Su Fang Ng
 
Vol. 9, No. 1 (2006) Book Review: David Ruiter. Shakespeare's Festive Hisstory: Feastin, Festivity, Fasting, and Lent in the Second Henriad. Burlington: Ashgate, 2003. Details   PDF
Charles Whitney
 
Vol. 7, No. 1 (2004) Book Review: Diana Brydon and Irena R. Makary (eds). Shakespeare in Canada: 'A World Elsewhere'? Toronto, Buffalo, and London: University of Toronto Press, 2002. Details   PDF
Linda Woodbridge
 
Vol. 4, No. 1 (2001) Book Review: Diane Purkiss, ed. Three Tragedies by Renaissance Women Dramatists. Harmondsworth: Penguin, 1998. Details   PDF
Marta Straznicky
 
Vol. 12, No. 1 (2009) Book Review: Douglas Bruster and Robert Weimann, Shakespeare and the Power of Performance: Stage and Page in the Elizabethan Theatre (Cambridge: Cambridge University Press, 2008). Details   PDF
Peter J. Smith
 
Vol. 6, No. 2 (2003): Performance, Politics, and Culture in the Southwest of Britain, 1350-1642, Part 2 Book Review: Edward Berry. Shakespeare and the Hunt: A Cultural and Social Study. Cambridge: Cambridge University Press, 2001. Details   PDF
Jeanne A. Roberts
 
Vol. 4, No. 1 (2001) Book Review: Edward J. Esche, ed. Shakespeare and his Contemporaries in Performance. Aldershot: Ashgate, 2000. Details   PDF
Roberta Barker
 
Vol. 8, No. 1 (2005) Book Review: Elizabeth Cary. The Tragedy of Mariam: The Fair Queen of Jewry. Ed Stephanie Hodgson-Wright. Peterborough, Ontario: Broadview Literary Texts, 2000. Details   PDF
Nancy A. Gutierrez
 
Vol. 10, No. 1 (2007) Book Review: Frances A. Shirley (ed). Shakespeare in Production: Troilus and Cressida. Cambridge: Cambridge University Press, 2005. Details   PDF
Peter Hyland
 
Vol. 10, No. 1 (2007) Book Review: Garret A. Sullivan, Jr. Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster. Cambridge: Cambridge University Press, 2005. Details   PDF
Christopher Ivic
 
Vol. 9, No. 1 (2006) Book Review: Germaine Warkentin (ed.). The Queen's Majesty's Passage and Related Documents. Tudor and Stuart Texts. Toronto: Centre for Reformation and Renaissance Studies, 2004. Details   PDF
Anthony Miller
 
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