, United States
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Early Theatre Vol. 25 No. 1 (2022) - Articles
Acousmatic Noise: Racialization and Resistance in The Tempest's 'New World' Soundscape
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Early Theatre Vol. 25 No. 2 (2022) - Articles
‘Riddling Shrift': Confession, Speech, and Power in Romeo and Juliet and ‘Tis Pity She’s a Whore
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Early Theatre Vol. 25 No. 1 (2022) - Notes
Identifying a Troupe of Italian Players in England in 1574
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Early Theatre Vol. 25 No. 1 (2022) - Articles
Arrest for Debt in Late Elizabethan and Early Stuart London
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Early Theatre Vol. 25 No. 2 (2022) - Issues in Review Essays
Introduction: Repertory, Dramaturgy, and Embodiment
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Early Theatre Vol. 25 No. 2 (2022) - Issues in Review Essays
Artist Development and Collective Therapy in the Repertory: The Case of After Edward
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Early Theatre Vol. 25 No. 2 (2022) - Issues in Review Essays
'You shall see me do the Moor': The Blackfriars Children and the Performance of Race in Poetaster
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Early Theatre Vol. 25 No. 2 (2022) - Articles
Envy, Leanness, and Shakespeare’s Julius Caesar
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Early Theatre Vol. 26 No. 1 (2023) - Articles
“Read it for restoratives”: Pericles and the Romance of Whiteness
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Early Theatre Vol. 26 No. 1 (2023) - Articles
The Erotics of Salvage
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Early Theatre Vol. 25 No. 1 (2022) - Book Reviews
Ayanna Thompson, ed. The Cambridge Companion to Shakespeare and Race. Cambridge: Cambridge University Press, 2021. Pp 280.
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Early Theatre Vol. 25 No. 1 (2022) - Book Reviews
Tison Pugh. On the Queerness of Early English Drama: Sex in the Subjunctive. Toronto: University of Toronto Press, 2021. Pp 241.
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Early Theatre Vol. 25 No. 1 (2022) - Book Reviews
Subha Mukherji, ed. Blind Spots of Knowledge in Shakespeare and His World: A Conversation. Kalamazoo: Medieval Institute Publications, Western Michigan University, 2019. Pp 213.
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Early Theatre Vol. 25 No. 1 (2022) - Book Reviews
Callan Davies. Strangeness in Jacobean Drama. London: Routledge, 2021. Pp 203.
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Early Theatre Vol. 26 No. 1 (2023) - Articles
Fear and Trembling: Performing the Protestant Conscience in Thomas Middleton’s The Lady’s Tragedy
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Early Theatre Vol. 25 No. 2 (2022) - Review Essays
Premodern Critical Race Studies and the Question of History
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Early Theatre Vol. 26 No. 2 (2023) - Articles
An Edition of Jonson’s Entertainment at Britain’s Burse and a New Letter by Collier on Massinger in the Athenaeum (1857)
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Early Theatre Vol. 26 No. 1 (2023) - Book Reviews
José A. Pérez Díez, ed. Love’s Cure, or The Martial Maid by John Fletcher and Philip Massinger. Manchester: Manchester University Press, 2022.
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Early Theatre Vol. 26 No. 1 (2023) - Book Reviews
Eleanor Rycroft. Facial Hair and the Performance of Early Modern Masculinity. London and New York: Routledge, 2019.
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Early Theatre Vol. 26 No. 2 (2023) - Issues in Review Essays
The Devil at the Edge of this Book: Intertextual Ecologies of Early Modern Crime Narratives
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Early Theatre Vol. 18 No. 2 (2015) - Articles
‘Here may we se a merveyl one’: Miracles and the Psalter in the N-Town ‘Marriage of Mary and Joseph’
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Early Theatre Vol. 18 No. 1 (2015) - Articles
The Admiral's Vayvode of 1598
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Early Theatre Vol. 18 No. 1 (2015) - Articles
Performance Spaces in Thomas Chaundler’s Liber apologeticus
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Early Theatre Vol. 19 No. 1 (2016) - Articles
A History of ‘The Mysteries’
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Early Theatre Vol. 18 No. 1 (2015) - Book Reviews
Andy Kesson. John Lyly and Early Modern Authorship. Manchester: Manchester University Press, 2014. Pp 241.
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Early Theatre Vol. 18 No. 1 (2015) - Book Reviews
Julie Sanders. The Cambridge Introduction to Early Modern Drama, 1576-1642. Cambridge: Cambridge University Press, 2014. Pp xvii, 261.
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Early Theatre Vol. 18 No. 1 (2015) - Book Reviews
Vernon Guy Dickson. Emulation on the Shakespearean Stage. Farnham: Ashgate, 2013. Pp 216.
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Early Theatre Vol. 18 No. 1 (2015) - Book Reviews
Margaret Shewring, ed. Waterborne Pageants and Festivities in the Renaissance: Essays in Honour of J.R. Mulryne. Aldershot: Ashgate, 2013. Pp xxv, 439.
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Early Theatre Vol. 19 No. 1 (2016) - Articles
Talbot's Death as Passion Play in Shakespeare's 1 Henry VI
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Early Theatre Vol. 19 No. 2 (2016) - Articles
Saints' Lives and Shoemakers' Holidays: The Gentle Craft and the Wells Cordwainers' Pageant of 1613
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Early Theatre Vol. 20 No. 1 (2017) - Articles
Reading the Royal Entry (1604) in/as Print
Abstract PDF Fronstispiece frontispiece to Thomas Dekker's 1604 (April) printed book, The Magnificent Entertainment -
Early Theatre Vol. 19 No. 2 (2016) - Issues in Review Essays
‘Our Children Made Enterluders’: Choristers, Actors, and Students in St Paul’s Cathedral Precinct
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Early Theatre Vol. 19 No. 2 (2016) - Issues in Review Essays
‘An Honest Pair of Oars’: Players, Watermen, and A Chaste Maid in Cheapside
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Early Theatre Vol. 19 No. 2 (2016) - Articles
Aaron’s Roots: Spaniards, Englishmen, and Blackamoors in Titus Andronicus
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Early Theatre Vol. 19 No. 2 (2016) - Issues in Review Essays
Introduction: Exploring Neighbourhoods
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Early Theatre Vol. 20 No. 2 (2017) - Articles
Sejanus, the King’s Men Altar Scenes, and the Theatrical Production of Paganism
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Early Theatre Vol. 20 No. 2 (2017) - Articles
The Salting Down of Gertrude: Transgression and Preservation in Three Early German Carnival Plays
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Early Theatre Vol. 20 No. 2 (2017) - Articles
The Physician and His Servant in the Croxton Play of the Sacrament
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Early Theatre Vol. 21 No. 1 (2018) - Articles
'Untruss a Point' - Interiority, Sword Combat, and Gender in The Roaring Girl
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Early Theatre Vol. 23 No. 2 (2020) - Articles
Narratives of Value in Richard Brome’s Dispute with the Salisbury Court
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Early Theatre Vol. 20 No. 1 (2017) - Book Reviews
Elizabeth Zeman Kolkovich. The Elizabethan Country House Entertainment: Print, Performance, and Gender. Cambridge: Cambridge University Press, 2016. Pp 256.
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Early Theatre Vol. 21 No. 1 (2018) - Articles
The Hamlet First Quarto (1603) & the Play of Typography
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Early Theatre Vol. 20 No. 2 (2017) - Note
Much Virtue in O-Oh: A Case Study
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Early Theatre Vol. 21 No. 1 (2018) - Articles
‘Look What Market She Hath Made’: Women, Commerce, and Power in A Chaste Maid in Cheapside and Bartholomew Fair
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Early Theatre Vol. 21 No. 2 (2018) - Articles
How to Do Things with Organs: Moving Parts in The Duchess of Malfi
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Early Theatre Vol. 21 No. 2 (2018) - Articles
Dramatic Networks: Marginalized Economics and Labour in The Norwich Grocers’ Play
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Early Theatre Vol. 21 No. 2 (2018) - Issues in Review Essays
The Witch of Edmonton: Witchcraft, Inversion, and Social Criticism
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Early Theatre Vol. 22 No. 1 (2019) - Articles
‘[A]dore my topless villainy’: Metatheatrical Rivalry in John Marston’s Antonio’s Revenge
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Early Theatre Vol. 22 No. 2 (2019) - Articles
Touring in Kent: Some Observations from Records Published to Date
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Early Theatre Vol. 22 No. 1 (2019) - Book Reviews
Tamara Atkin. Reading Drama in Tudor England. London & New York: Routledge, 2018. Pp. xxx, 239. Hardback USD $140.00. ISBN: 9781472476265.
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Early Theatre Vol. 22 No. 1 (2019) - Book Reviews
Matteo A. Pangallo. Playwriting Playgoers in Shakespeare’s Theater. Philadelphia: University of Pennsylvania Press, 2017. Pp 248. Hardback USD $59.95. ISBN: 97808122494415.
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Early Theatre Vol. 22 No. 1 (2019) - Book Reviews
Daisy Murray. Twins in Early Modern English Drama and Shakespeare. London and New York: Routledge, 2017. Pp 201. Hardback USD $150.00. ISBN: 9781138679368.
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Early Theatre Vol. 22 No. 1 (2019) - Book Reviews
Kelly J. Stage. Producing Early Modern London: A Comedy of Urban Space, 1598–1616. Lincoln: University of Nebraska Press, 2018. Pp x, 342. Hardback USD $55.00. ISBN: 9781496201812.
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Early Theatre Vol. 22 No. 1 (2019) - Performance Reviews
John Bale’s King John (Cultures of Performance in Medieval and Early Modern Europe), directed by Russell Bender at St Stephen’s Church, Canterbury, UK. 20 February 2019.
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Early Theatre Vol. 22 No. 2 (2019) - Issues in Review Essays
‘Rub Him About the Temples’: Othello, Disability, and the Failures of Care
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Early Theatre Vol. 22 No. 2 (2019) - Issues in Review Essays
'Known and Feeling Sorrows': Disabled Knowledge and King Lear
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Early Theatre Vol. 23 No. 1 (2020) - Special Issue
Proximity and the Pox: Pathologizing Infidelity in Marston’s Dutch Courtesan
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Early Theatre Vol. 24 No. 1 (2021) - Articles
Hidden Music in Early Elizabethan Tragedy
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Early Theatre Vol. 23 No. 1 (2020) - Special Issue
Cosmopolitan Desire and Profitable Performance in The Dutch Courtesan
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Early Theatre Vol. 23 No. 1 (2020) - Special Issue
How Marston Read His Merchant: Ruled Women and Structures of Circulation in The Dutch Courtesan
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Early Theatre Vol. 24 No. 2 (2021) - Articles
The Introduction of Admission Fees in London: Fencing Prizes, Bearbaiting Arenas, and Speculative Origins
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Early Theatre Vol. 23 No. 1 (2020) - Book Reviews
Leslie Thomson. Discoveries on the Early Modern Stage: Contexts and Conventions. Cambridge: Cambridge University Press, 2018. Pp. 265.
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Early Theatre Vol. 23 No. 1 (2020) - Book Reviews
Patricia Akhimie and Bernadette Andrea, eds. Travel and Travail: Early Modern Women, English Drama, and the Wider World. Lincoln: University of Nebraska Press, 2019. Early Modern Cultural Studies. Pp. 384.
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Early Theatre Vol. 23 No. 1 (2020) - Book Reviews
Harry Newman. Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama. New York: Routledge, 2019. Pp. xviii, 199.
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Early Theatre Vol. 23 No. 1 (2020) - Book Reviews
Catherine A. Henze. Robert Armin and Shakespeare’s Performed Songs. New York: Routledge, 2017. Pp. xi, 204.
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Early Theatre Vol. 24 No. 2 (2021) - Articles
‘To kill harmless cattle': Animal Victims and The Witch of Edmonton
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Early Theatre Vol. 25 No. 1 (2022) - Articles
Divine Thoughts and the Corruption of the Will in Doctor Faustus
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Early Theatre Vol. 25 No. 1 (2022) - Articles
‘I am but a fool, look you’: Will Kemp and the Performance of Welshness
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Early Theatre Vol. 24 No. 1 (2021) - Book Reviews
Claire M.L. Bourne. Typographies of Performance in Early Modern England. Oxford: Oxford University Press, 2020. Pp 328.
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Early Theatre Vol. 24 No. 1 (2021) - Book Reviews
Yasmin Arshad. Imagining Cleopatra: Performing Gender and Power in Early Modern England. London: Bloomsbury, 2019. Pp 337.
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Early Theatre Vol. 24 No. 1 (2021) - Book Reviews
Sophie Chiari and John Mucciolo, eds. Performances at Court in the Age of Shakespeare. Cambridge: Cambridge University Press, 2019. Pp 278.
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Early Theatre Vol. 24 No. 1 (2021) - Book Reviews
Tiffany Stern, ed. Rethinking Theatrical Documents in Shakespeare’s England. Bloomsbury, 2020. Roslyn L. Knutson, David McInnis, and Matthew Steggle, eds. Loss and the Literary Culture of Shakespeare’s Time. Palgrave Macmillan, 2020.
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