Vol. 17 No. 1 (2014)

DOI: https://doi.org/10.12745/et.17.1

Published: 2014-09-03

Editorial

Editorial

Helen M. Ostovich, Melinda J. Gough, Erin E. Kelly, Sarah E. Johnson
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Articles

The Twelfth-Century Story of Daniel for Performance by Hilarius: An Introduction, Translation, and Commentary

Stephen K. Wright
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A New Context for the Manuscript of Wit and Science

Louise Rayment
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John a Kent, the Wise Man of Westchester

Douglas H. Arrell
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'Bogus History' and Robert Greene’s Friar Bacon and Friar Bungay

David M. Bergeron
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‘The cunning of their ground’: The Relevance of Sejanus to Renaissance Tragedy

Peter Byrne
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Sound, Vision, and Representation: Pageantry in 1610 Chester

Susan Anderson
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Book Reviews

Jessica Dell, David Klausner, and Helen Ostovich (eds). The Chester Cycle in Context, 1555-1575: Religion, Drama, and the Impact of Change.. Farnham, Surrey: Ashgate, 2012. Pp ix, 230.

Clare Wright
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Christopher Marlow. Performing Masculinity in English University Drama, 1598-1636. Farnham, Surrey: Ashgate, 2013. Pp 186.

Elizabeth Sandis
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Verena Theile and Andrew D. McCarthy, eds. Staging the Superstitions of Early Modern Europe. Burlington, VT: Ashgate, 2013. Pp. xxiii, 284.

Barbara H. Traister
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Julian Bowsher. Shakespeare’s London Theatreland: Archaeology, History, and Drama. London: Museum of London Archaeology, 2012. Anthony Mackinder with Lyn Blackmore, Julian Bowsher and Christopher Phillpotts. The Hope Playhouse, Animal Baiting and Later Industrial Activity at Bear Gardens on Bankside: Excavations at Riverside House and New Globe Walk, Southwark, 1999-2000. London: Museum of London Archaeology, 2013. Pp. xiii, 92.

David Kathman
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Lukas Erne. Shakespeare and the Book Trade. Cambridge: Cambridge University Press, 2013. Pp 302. Lukas Erne. Shakespeare as Literary Dramatist. 2nd ed. Cambridge: Cambridge University Press, 2013. Pp 323.

Andy Kesson
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Lynn S. Meskill. Ben Jonson and Envy. Cambridge: Cambridge University Press, 2009. Pp 229.

Jonathan Goossen
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David Nicol. Middleton & Rowley: Forms of Collaboration in the Jacobean Playhouse. Toronto: University of Toronto Press, 2012. Pp. xii, 216.

Heather A. Hirschfeld
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Mark Bayer. Theatre, Community, and Civic Engagement in Jacobean London. Iowa City: University of Iowa Press, 2011. Pp xii, 258.

Tom Rutter
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Deborah Uman and Sara Morrison (eds). Staging the Blazon in Early Modern English Theatre. Farnham, Surrey: Ashgate, 2013. Pp 220.

Yolana Wassersug
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Gilles Monsarrat, Brian Vickers and R. J. C. Watt (eds). The Collected Works of John Ford, Vol. 1. Oxford: Oxford University Press, 2011. Pp xxiv, 720.

Patrick J. Murray
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Review Essays

New Directions in Jonson Scholarship

Erin Julian
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Situating Ben Jonson: The Cambridge Edition of the Works

Peter Kirwan
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Vol. 17 No. 1 (2014)

Editorial

Editorial

Articles

The Twelfth-Century Story of Daniel for Performance by Hilarius: An Introduction, Translation, and Commentary

A New Context for the Manuscript of Wit and Science

John a Kent, the Wise Man of Westchester

'Bogus History' and Robert Greene’s Friar Bacon and Friar Bungay

‘The cunning of their ground’: The Relevance of Sejanus to Renaissance Tragedy

Sound, Vision, and Representation: Pageantry in 1610 Chester

Book Reviews

Jessica Dell, David Klausner, and Helen Ostovich (eds). The Chester Cycle in Context, 1555-1575: Religion, Drama, and the Impact of Change.. Farnham, Surrey: Ashgate, 2012. Pp ix, 230.

Christopher Marlow. Performing Masculinity in English University Drama, 1598-1636. Farnham, Surrey: Ashgate, 2013. Pp 186.

Verena Theile and Andrew D. McCarthy, eds. Staging the Superstitions of Early Modern Europe. Burlington, VT: Ashgate, 2013. Pp. xxiii, 284.

Lukas Erne. Shakespeare and the Book Trade. Cambridge: Cambridge University Press, 2013. Pp 302. Lukas Erne. Shakespeare as Literary Dramatist. 2nd ed. Cambridge: Cambridge University Press, 2013. Pp 323.

Lynn S. Meskill. Ben Jonson and Envy. Cambridge: Cambridge University Press, 2009. Pp 229.

David Nicol. Middleton & Rowley: Forms of Collaboration in the Jacobean Playhouse. Toronto: University of Toronto Press, 2012. Pp. xii, 216.

Mark Bayer. Theatre, Community, and Civic Engagement in Jacobean London. Iowa City: University of Iowa Press, 2011. Pp xii, 258.

Deborah Uman and Sara Morrison (eds). Staging the Blazon in Early Modern English Theatre. Farnham, Surrey: Ashgate, 2013. Pp 220.

Gilles Monsarrat, Brian Vickers and R. J. C. Watt (eds). The Collected Works of John Ford, Vol. 1. Oxford: Oxford University Press, 2011. Pp xxiv, 720.

Review Essays

New Directions in Jonson Scholarship

Situating Ben Jonson: The Cambridge Edition of the Works

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